Titles
Showing 3,361-3,380 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 3361 | 2F8BB3BF-9892-4809-A0AA-374AA1792DA0 | M984190 | Light Cavalry Overture | Full Orchestra | ||
| 3362 | 2F8D5500-56A5-4FE7-AC56-16B6534A3BDB | S113002 | Trio Sonata No. 1 | Giuseppe Brescianello’s (1650 – 1758) Trio Sonatas for two flutes and continuo, here published for the first time, are dedicated to “Monseigneur le Prince Hereditaire de Württemberg.” The manuscript is located at the Stadtbibliothek in Rostock, Germany. This first Trio Sonata in C Major is in three movements; a typical Allegro, Largo, Allegro set. The present edition is faithful to the original manuscript, where very few dynamics and articulations are marked. Continuo realization by Piero Caraba. | 2 Flutes, Piano | |
| 3363 | 2F8DE4D9-FEE6-4BD3-B67F-79EFD51CD8B5 | X741001 | Celestial Meditations (Nine-Brass Choir and Organ) | Celestial Meditations (2000) for organ and brass choir was written for and is dedicated to William Berg, Michael Stewart, and the Chicago Brass Choir, commissioned with a gift from Mr. and Mrs. Howard Skelman. The work is in one unbroken movement, divided into two sections. The score is prefaced by a quote by Thomas Traherne which served as the inspiration for the work. | Organ, Brass Choir | |
| 3364 | 2F8F1AF1-906E-40D2-AD9B-E5FFED2B8D54 | 10250151 | Seven | There are a wealth of associations with the number seven: the seven seas, the seven deadly sins, the seven continents, the seven wonders of the world and more. The title Seven in this case represents the meter signature, one seldom used in music at this l | String Orchestra | |
| 3365 | 2F905094-444B-41AA-A8C3-91359E688325 | SC196 | I Sing for You | Ssa | ||
| 3366 | 2F9BFDF9-331D-4087-B0D5-E866AC265A06 | R00868 | Improvisation and Scherzo | Flute Solo Piccolo, Alto Flute: Percussion(3), Celesta(d Piano), Harp: Strings | ||
| 3367 | 2F9F5021-C498-4A87-9025-368E34FE431F | SS27 | Woodland Fantasy | Flute | ||
| 3368 | 2FA0F9E5-4C77-4213-9D81-A56B7D21321C | MR00430 | Suite on Satchmo | Premiere: September 14, 2010 New Jersey Pops, conducted by Gerald Steichen. He has conducted the Boston Pops, New Jersey Symphony Orchestra, Columbus Symphony and Oklahoma City Philharmonic. | 3(3dPicc).2.3(3dBcl).2: 4.3.3.1: Timp.Perc(3).Hp.Pno(opt): Str | |
| 3369 | 2fa48994-9e3b-11f0-a418-0022482c9682 | M906202 | Premiere Rhapsodie for Solo Clarinet and Band | Gabriel Fauré, then director of the Conservatoire de Paris, named Claude Debussy (1862-1918) to the Conservatoire's board of directors in 1909, and promptly commissioned two works from Debussy for the 1910 clarinet examinations. For the sight-reading portion of the exam, he offered the charming Petite Pièce. But for the core part of the exam, he composed Première Rhapsodie, L. 116, CD. 124, a work that demands great technical skill and musicality from the soloist. The work was dedicated to the professor of clarinet at the Paris Conseratory from 1904-1918, Prospère Mimart, and it was Mimart who premiered the work on January 16, 1911, with M.G. Kriéger at the piano. Quickly recognized as a masterpiece, performances with the piano accompaniment quickly began to appear on programs. Debussy was so pleased with the reception that he orchestrated the piano part in 1911, and the work has remained a staple of the repertoire for clarinet and orchestra since. This transcription for solo clarinet and band has been completed by Donald Miller. | Clarinet and Band | |
| 3370 | 2FAA47A9-12B1-44C0-86F5-B7A2C2FFED08 | 50100121 | Wind Power | Wind Power depicts the powerful energy of wind turbines and features majestic themes and driving rhythm. Sometimes lush and warming and other times thrilling we can feel the changes of the wind. An excellent concert or festival selection with a little som | Concert Band | |
| 3371 | 2FB3DCB6-C094-4506-B192-AA975DC24B5B | 20512189 | Triple Treat | Single-movement work covering two styles of playing for three trumpets of equal ability. The highest note is F# at the top of the staff. Great contest piece! | Bb Trumpet Trio | |
| 3372 | 2FB42598-BF0B-4EC6-AD8E-DCD10BBDD196 | X816503 | Thuenpa Puen Zhi (The Four Harmonius Friends): A Buddhist Tale | This chamber piece for shinobue (sub. western flute), violoncello, bass trombone, piano, world drums, and narrator was commissioned by Dr. Steve Wilson (bass trombone), University of Texas at El Paso, and was composed for Silk Road members Mike Block (violoncello), Kaoru Watanabe (shinebue), and Shane Shanahan (world drums). The text is based off of a Buddhist myth of four animals (elephant, monkey, rabbit, and brightly colored bird), and how they became friends through working together to solve a problem. | Shinobue (sub. Western Flute), Violoncello, Bass Trombone, Piano, World Drums, and Narrator | |
| 3373 | 2FBB3B1B-F3E7-4BDD-8402-DE615242B58B | S866 | Twilight in the Wilderness | This intermediate band work shares its title with a painting by Frederic Edwin Church of surpassing magnificence and brilliance. Church lived around the time of the Civil War and became known particularly for his striking portrayals of sunsets in the American landscape. The form consists of two main sections connected by an interlude providing both a "macro" and "micro" soundscape which reflects and celebrates Church’s masterful canvas. Birdcall audio can be found on www.keisersouthernmusic.com or by contacting the publisher at info@laurenkeisermusic.com. Grade 3. Duration ca. 9'. | Concert Band | |
| 3374 | 2FC1F42B-7E74-486D-8B39-E9BDDFFC301D | ST978CO | Theme and Variants for Flute, Cello and Harp | Composed for the Ravel Trio | Flute, Cello, Harp | |
| 3375 | 2FC329F2-47F6-418C-96D7-97677A0122E8 | RCB423 | 18 Studies Op. 41 | Flute, Piano | ||
| 3376 | 2FC425B9-DA65-4281-A5BE-DE6E12DCCB7F | A205702 | Ma Vlast, No. 3: Sarka | 2+1, 2, 2, 2 - 4, 2, 3, 1, timp, perc, str | ||
| 3377 | 2FC9C17E-6950-4724-AE5B-86510A33DAD1 | R01015 | Folk Songs: Set No. 12A | Soprano Solo2 Violins, Viola, Cello, Piano | ||
| 3378 | 2FCC29F8-E2EB-4707-B0C1-08B99108E1A7 | A475702 | Adriana Lecouvreur: Act II, Aria: Acerba voluta (mezzo-soprano) | The four-act opera ADRIANA LECOUVREUR was composed by Francesco Cilea (1866-1950) and premiered on November 6, 1902, at the Teatro Lirico in Milan, with Angelica Pandolfini in the title role and Enrico Caruso in the role of Maurizio. The libretto is by Arturo Colautti, and it is based on a play by Eugène Scribe and Ernest Legouvé, where some of the characters are based on actual historical figures, although the story itself is fictional. Despite a plot that includes multiple romantic entanglements, unrequited loves, misunderstandings, and murder-by poisoned-violets, the work is considered among the verismo operas, if it is less realistic than others classified as such. The title role has remained a favorite for sopranos with large voices since its premiere, and the opera holds a regular place in the repertoire. The mezzo-soprano aria, "Acerba voluttà, dolce tortura," is sung by the Princess de Bouillon at the beginning of Act II as she anxiously waits for Maurizio to join her at his villa. Instrumentation: 2+Picc.2.2.2: 4.3.1.0: Timp.Perc(1): Hp.Clst.Clock: Str (4-4-3-3-3 in set): Solo MzSop. | 2+Picc.2.2.2: 4.3.1.0: Timp.Perc(1): Hp.Clst.Clock: Str (4-4-3-3-3 in set): Solo MzSop | |
| 3379 | 2FCC2DDB-F964-477C-B736-5896D24CE221 | X410096 | Danza Bizzarra | A six minute scherzo ideal for recitalists blending late Romantic piano flourishes with floating whole tone harmonies. | Piano solo | |
| 3380 | 2FD31F4A-5418-46C1-ABE0-8812901F4527 | MP814033 | Gettysburg July 1, 1863 | This poem by Jane Kenyon that intimately describes a young man's death at the Battle of Gettysburg during the United States' Civil War is masterfully set to music for baritone and piano by William Bolcom. The song is also available in the Bolcom collection "Concert Songs - Volume 2", available through Hal Leonard. | Baritone and Piano |