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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
33212F0248C6-1964-4E5D-A8C3-2DC8533C1619C92Youthful AdventureClarinet quartet
33222F060887-B991-4BB9-A7F8-DDD4C2599121M293391La Verdure DoreeWith text by Tristan Derème, Jacques Ibert's (1890-1962) La verdure dorée (1923) is written for baritone with piano and has four movements: 1. Comme j'allais, 2. Tiède azur, 3. Cette grande chambre, 4. Personne ne saura jamais.Voice and Piano
33232F07BCE7-C5A1-42DC-A276-02EE42768B18A40CThree Quotations (Suite for Orchestra)(not set)Full Orchestra
33242F0D5F28-11C7-4245-9943-F422F09BC395A360002Magic Flute, The (Die Zauberfloete), K. 620, No. 21: Act II, Scene 8, Finale: Aria, Quartet (Papagena! Papagena! Papagena!), Duet (Pa-Pa-Pa-Papageno!) (excerpt)Wolfgang Amadeus Mozart's (1756-1791) singspiel Die Zauberflöte (The Magic Flute), K. 620, was written in 1791 and premiered on September 30th of that same year at the Freihaus-Theater auf der Wieden, the theater run by Emanuel Schikaneder, who wrote the original libretto. An allegorical tale, Schikaneder's plot was influenced by Mozart's interest in Freemasonry, and involves the main character's (Prince Tamino) initiation into that philosophy as he, in attempting to rescue the Queen of the Night's daughter Pamina from the priest Sarastro, instead comes to admire Sarastro's ideals and joins his community instead along with Pamina. This excerpt is from near the end of the opera, scene 8 of Act II. It begins with Tamino's ally Papageno, having lost his love Papagena, deciding to hang himself in despair until three child-spirits intervene, resulting in a quartet. The spirits encourage Papageno to play his bells to summon Papagena, and she appears, resulting in a duet where the couple stutter astonished bird-like sounds to each other before planning their future together. After the Queen of the Night aria, this duet likely remains the best-known part of Mozart's last opera. Instrumentation: 2.2.0.2: 2.0.0.0: Perc(1): Str (4-4-3-3-3 in set): Soli SSSST (choral parts not included in set).2.2.0.2: 2.0.0.0: Perc(1): Str (4-4-3-3-3 in set): Soli SSSST
33252F0D8FAB-33A7-4E43-A4D5-B7F4E5F9D7B6SC134Splendor Falls, TheSatb
33262F127430-AAAC-4AAA-99DF-F1FE9614A2B1ST1NinaAlto Clarinet
33272F162DA5-CAD8-4860-84E9-04E2ECA338B6SS872Sonata, Op. 25 for Saxophone Duet(not set)Sax Duet
33282F1F1447-6A4F-44C6-8878-6B45EED6F579M367691Sonata in G minor, GT 2.g05 'The Devil's Trill'Italian composer and violinist Giuseppe Tartini (1692-1770), the first known owner of a Stradivarius violin, composed at least 135 violin concerti and at least 100 violin sonatas in his lifetime, among a few other works not for the violin. While the fact that he never dated his manuscripts nor cataloged revisions makes it very difficult to catalog his works, scholars have created systems to at least categorize his output based on the stylistic characteristics of his music. The most famous of Tartini's works is best known as the DEVILS'S TRILL SONATA (SONATA FOR VIOLIN in G Minor, GT 2.g05/ B.g5). Tartini claimed to be inspired by a dream related to French astronomer Jérôme Lalande where the devil offered to teach Tartini, with the dream ending in an awe-inspiring performance by the devil of great virtuosity and brilliance. On waking, Tartini attempted to recreate what he heard the devil play. While Tartini claimed to have written the work in 1913, it may have been composed as late as the 1740s based on its stylistic maturity. Reprint of the arrangement for string quartet by Henri Vieuxtemps.Two Violins, Viola and Violoncello
33292F20E99F-A470-4F4F-B468-E8E09018CF5710100371Fest Marsch
33302F283CA9-91C4-4D69-AD50-601F24D66414S829CBFreischutz QuickstepSpanish immigrant Claudio Grafulla (1810 - 1860), composer of the famous march "Washington Grays", rose to popular prominence as a composer, arranger, and bandleader during the American Civil War era, an amazing period of development in the history of the American band movement. Much of his music is preserved in the archives of band and government libraries around the country, including the best known band book of the era, "The Port Royal Band Books", which is where the parts for this piece were obtained and on which this arrangement for modern band are based. As was common at the time, Grafulla "borrowed" his melodic material for this piece from Carl Maria von Webers opera "Der Freishutz".Concert Band
33312F2D23A6-CC6C-4B1F-9E99-A332AE492606SU784Piano QuartetViolin, Viola, Cello, Piano
33322F30D664-20F2-4888-B885-809F6DC153BAM271391Sonata No. 1(not set)Violin and Piano
33332F3161AD-C287-4456-A3ED-86392C01316AEBM0620003They All RepliedPremiere: March, 1978, University of British Columbia Wind Symphony, Martin Berinbaum, conductor.concert band
33342F34B255-248E-40EC-B45D-239A9071805FA117990Four Seasons (The), No. 4: Concerto for Violin in F minor - Winter (Le Quattro Stagioni: L'Inverno, RV297/F.I: 25)THE FOUR SEASONS concerti, Antonio Vivaldi's most popular works, are exemplary both as early, detailed examples of what would come to be called "program music," but also because of the revolution in musical concepts necessary to make the music programmatic, with representations of singing birds (differentiated by species), buzzing flies, storms, flowing creeks, and shepherd and his barking dog, hunting parties, parties hunted, drunken dancers, frozen landscapes, and warm winter fires. Vivaldi even published the concerti with accompanyting sonnets that made clear what in each season the music was meant to invoke. "Winter" is the fourth and final concerto of the group. Instrumentation in set: Org or Hpchd: Str (8-8-5-5-5): Solo Vn.Org or Hpchd: Str (8-8-5-5-5): Solo Vn.
33352F353119-1A32-4797-B0E2-6DCAE8FABD1BR00501Runagate, Runagate for Tenor and Mixed SeptetThis piece for tenor voice uses text from Robert Hayden, to whose memory it is written. Versions for tenor voice and chamber orchestra and tenor voice and instrumental septet are available from the publisher.Tenor Solo: Flute(d Picc), Clarinet(d BCl), Perc(1), Piano, Violin, Cello
33362F3698FE-4030-4BF7-8FFA-847FE4EE122DV36Come to Where the Love IsPiano/vocal
33372F3DDE2E-EED6-4E28-B95F-719B0F4BBE2ASS837Trombone TroubleOriginally written for 3 trombones and orchestra or band, this version with piano accompaniment is wonderful selection for three intermediate to advancing players. The 1st trombone player plays parts of the piece in tenor clef, and at the end makes a three octave leap from high C to pedal Bb to a high Bb. All three trombones play as low as a pedal Ab. It is dedicated to Emory Remington.Trombone Trio, Piano
33382F421602-8571-42FD-8887-EF1F6734DDECS958CBQuestThis dramatic work for young players is intended to portray a noble, mystical pursuit of some great conquest or accomplishment. Full of driving percussion, resolving tone clusters, dramatic brass writing and spectacular tutti musical statements, it also features easy passages for solo oboe, bassoon and piccolo. This piece is a great choice for accomplished middle school or smaller high school bands. It is generously cross cued to be performed with limited instrumentation.Concert Band
33392F4402B1-8218-43CC-94B4-7B5935DB8EC3R00305End of Summer from Poem Symphonies Set ICan be performed as a part of Poem Symphonies Set I. Inspired by the poetry of Stanley Kunitz.2.2.2+Bass Clarinet.2.Alto Saxophone: 4.3.3.1 (no Strings)
33402F475D07-5C02-4944-8683-06A6A05E08FBB388402Spanish Ladies