Titles
Showing 3,221-3,240 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 3221 | 2D9EB092-7558-4C34-9A94-281870366FEE | SC734 | Hope | (not set) | SA | |
| 3222 | 2DA0EFB6-70C6-4C7B-BB10-FE7AC53C2CE6 | B276 | Big Parade | Marching Band | ||
| 3223 | 2DA13EC0-8A53-483B-8CCB-58295EA28DDA | RCSS451 | Valse Gracieuse: only in Solos for the Debutante Flutist | Flute, Piano | ||
| 3224 | 2DA18AF9-E278-4C78-A381-6B8621979C40 | M176991 | Los Seys Libros del Delphin, Part 1: Fantasias | Luis de Narváez (ca. 1500 - ca. 1550) was a 16th century composer and performer on the vihuela, also notable for being the first composer for vihuela to adapt the contemporary Italian style of lute music. He is best known today for Los seys libros del Delphin, a historically significant collection of polyphonic music for the guitar. Part 1 includes 14 fantasias. Edited and transcribed for guitar by Emilio Pujol. | Guitar Solo | |
| 3225 | 2DA350B5-F1A8-4CBD-90FF-21292ED0AA97 | X065035 | Spirituals for Clarinet and String Quartet | Also available for string orchestra, string quartet alone (original), and chamber nonet orchestrated by Argentinian composer Marisol Gentile. Movements: 1. Melody Over a Drone I (" O Mary, Don't You Weep, Don't You Mourn"), 2. Minimalist Tendencies ("Sometimes I Feel Like a Motherless Child"), 3. Amazing Grace Notes: Homage to John Harbison ("Nobody Knows the Trouble I've Seen"), 4. Call and Response ("Go Down Moses"), 5. Two Pentatonic Fragments ("Go Tell It on the Mountain" and "Study War No More"), 6. Minor and Major ("This Ol' Time Religion"), 7. Melody Over a Drone II ("Deep River"), 8. Canons and Chorus ("Glory to That Newborn King"), 9. Six-Bar-Blues-Tango in 3/4 Time ("Wade in de Water"), 10. Major Blues (A Blues Arrangement of "Jesus Goin' to Make Up My Dyin' Bed), 11. Homage to Ravel (An Arrangement of "Balm in Gilead") | Clarinet, String Quartet | |
| 3226 | 2DAB570E-EFAA-4D96-A3A7-272D0ECCFD0A | R215SO | Caprice for Clarinet, Harp and String Orchestra | Clarinet and Harp Soli, String Orchestra | ||
| 3227 | 2DACEB89-13BA-4CA0-96D8-54152F69CA18 | 16701118 | Counterpoint No. 3 for Viola and Double Bass | "Harmonics, double stops, and the difficult intervals make this a challenging composition for both performers." (The Instrumentalist) | Viola and Double Bass | |
| 3228 | 2DAD8DB7-4707-40EE-AE37-1C92F14A7B16 | ST397 | Sonata | Clarinet | ||
| 3229 | 2DBCDB86-65ED-426C-A1F2-27C257B7E75D | ST432 | Sonatina | This is three movement sonatina. opus 181, is a wonderful recital or contest selection for the intermediate to advancing player. Versions for horn in F, Trombone/Euphonium, and Tuba are available from the publisher. | Horn and Piano | |
| 3230 | 2DBD4C84-6830-468F-8F85-27717F9EA740 | A933890 | Sinfonietta, ILJ 22 | Leoš Janá?ek (1854-1928) wrote a large portion of his most distinctive music late in life, following the success of a revised version of his opera JENUFA in 1916. His extensive research of the national folklore had a great impact on his work as a composer. Inspired by a military band performance in a park, the SINFONIETTA opens with a military-style fanfare for brass and percussion. It received its commission from a Czech gymnastics association to celebrate the Eighth National Sokol Rally which took place in Prague in the summer of 1926. The Czech Philharmonic gave the first performance on June 26th of that year under the direction of Vaclav Talich. The inner movements provide contrasting melodic and rhythmic material, characterized by rhythmic shifts, abrupt mood changes, and fragments of folk dance. The final movement climbs through a long, intensifying sequence to reprise the opening music, now taken up by the full orchestra. Instrumentation: 4(4dPicc).2+EH.2+PiccCl+BCl.2: 4.12+2BsTpt.4+2Euph.1: Timp.Perc(Cym, Chimes): Hp: Str (9-8-7-6-5 in set). Reprint edition. | 4(4th dPicc).2(2nd dEH).2+ECl+BCl.2: 4.12+2BsTpt.4+2Euph.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set) | |
| 3231 | 2DC1BD3E-C3C7-4872-BD82-7C7C6A9613C1 | S606CB | Circus Days | This quick march by Frank Piersol is, as the title suggests, in the style of a circus gallop. | Concert Band | |
| 3232 | 2DC1DDFD-ED88-41E8-86E3-36B4A97C205B | SU495 | Trio No. 1 | A practical performance edition of Swiss composer Huguenin (1870-1939) trio in four movements: Marcietta, Sicilienne, Menuet, Petite Gavotte. | Oboe/clarinet/bassoon Trio | |
| 3233 | 2DC5F024-F60B-4BDF-96A4-2DE0E9F4B1C9 | 50100122 | The Force of Fire | With all of the fire and excitement that youngsters love but no technical demands to get in the way, this could well be the hit of your school year. While it won't “play itself,” it will require minimum rehearsal while yielding maximum dividends. | Concert Band | |
| 3234 | 2DCC851B-877F-4A82-8BAB-45A368996DDD | W743791 | Cantata No. 201 | (not set) | Vocal Solo | |
| 3235 | 2DD3109A-3268-4350-A9FA-4EBF1FE73EA1 | X221009 | Sonata for Trumpet and Piano | Sonata for Trumpet and Piano (2004) was commissioned by the Broeker Fund for New Music and is dedicated to the trumpeter James Thompson, inspired by his performances of and support for new American trumpet music. The work is in three movements—two outer movements of intensity surrounding a respite in the middle movement. Movements: I. Arias II. Interlude III.. Fantasy | Trumpet, Piano | |
| 3236 | 2DD62212-6443-4A3E-9ABE-CD3742122D2F | R00731 | On the Beach at Night Alone | Composed for the Cincinnati Vocal Arts Ensemble | SATB Chorus 0.0.1.0: 0.0.0.0: Strings | |
| 3237 | 2DD888D8-93B1-4D65-AD39-8B8E6981401E | B360 | 24 Artistic Studies | The purpose of this book is to present a collection of pieces of moderate length, suitable for competitions. The author has not attempted to be faithful to the original versions of the pieces, but has freely edited them in order to make them better suited for such competitions. Includes pieces by Blazhevich, Vasiliev, Bordogni, and Kopprasch. | Tuba | |
| 3238 | 2DE52930-923F-449A-BCC8-652190EEB87E | X510045 | Bad Twinkle Day | Every young violinist plays Twinkle, Twinkle, Little Star, and surely there are some days that practicing is just really hard - where the budding musician is having a bad Twinkle Day. This is the idea behind Bad Twinkle Day, a variation on written for the composer's daughter Katja when she was 8 years old. While not very difficult to play, it sounds wildly jazzy and excitingly virtuosic, an appealing combination for the young violin player. Young violinists will have a blast letting loose with Bad Twinkle Day! A video of a 21-year old Katja playing the piece can be seen on the composer's Inspector Pulse series, which is hosted by the Chamber Music Society of Lincoln Center on their website. | Violin | |
| 3239 | 2DED5A09-6806-4D2A-9CC2-4153E491D53A | SC254 | Lo, How a Rose E'er Blooming | Sab | ||
| 3240 | 2DEE3E01-65F4-4D0A-B94B-73140016EBD9 | X503017 | New World Dances | A piano trio in the American style, written in the language of jazz, rock-n-roll and (American) folk music, expressing perhaps the raw energy and openness associated with the "new continent." | Piano Trio |