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32012D569D58-446B-4254-85B7-28512489C868B486Teaching Marching BandText
32022D59D2AA-2667-4A7A-8FFB-F9E7ECC4E8B4SS684Sonatina Expressiva (out-of-print)Brass Quintet
32032D60F09D-7EAD-4CA7-8063-4C32B997CCB9B476Duet Fun, Bk. 1This volume contains 34 progressive duets from easy to medium difficulty. They may be performed on trombone, euphonium, bassoon, or any two like, bass clef instruments. Includes works by Bach, Schubert, Schumann, Boismortier, Gluck, Arban, Kohler, Chedeville, Bolzoni, Pietzsch, Carnaud, Hohmann, Muller, Schulz, and Scholinus, as well as traditional songs.2 Trombones
32042D613D9F-94E8-4186-AE71-74BE86FEBA49A712890Adagio and Fugue in C minor(not set)string orchestra
32052D63EA79-FCF1-4138-908A-9A4A1AAE2A5210460466Happy SongOffering both clear dynamic, articulation contrasts, and a great melody, all within the playable range of a new student, this work is perfect for a young musician's first recital or contest. The piano accompaniment can also be performed by a one or two year private study middle-school level piano player. And the variety of solo instrument parts makes it possible for one student to accompany many different students. A prepatory "warm-up" exercise for young acccompanists is printed on the last page of the piano part. Instruments available from the publisher: flute, clarinet, bassoon, saxophone (alto and tenor), cornet/trumpet/baritone T.C., horn, trombone, baritone B.C., tuba, and electronic keyboard.Tenor Saxophone and Piano
32062D6703AB-4399-47FA-9457-3505B31DF5ABSS796Festival DrummerA rudimental contest solo for snare drum.Snare Drum Unaccompanied
32072D6ABF85-42E3-469B-AD2D-399477213869RCB435CO24 Short Concert PiecesFlute, Piano
32082D6D8267-773F-46EE-B9F6-BD8F20F3F64210100121Modal MiniaturesMODAL MINIATURES is a suite of three short movements of different moods written in the Phrygian mode instead of the traditional major or minor scale. Each movement is based on the chorale-like melody of the first movement. The second movement is a variation of this melody, and the third movement uses the theme in inversion as an ostinato. Dr. Whear wrote MODAL MINIATURES especially for the younger bands so they may experience playing a contemporary work with an authentic scoring in the modal style.Concert Band
32092D70D098-C3E0-443F-B366-D92E424E7D74EBM0670028Mocking Bird, The: A Romantic Comedy Opera in 3 ActsAlfred Baldwin Sloane (1872 – 1925) was an American composer, considered the most prolific songwriter for Broadway musical comedies at the beginning of the 20th century. The Mocking Bird, music by Sloane, November 10, 1902 — Jun 8, 1903. Setting: The Palace d'Armes in New Orleans, The Salon of the Marquise de Villebois, and the Garden of the Marquisecast, orchestra
32102D783CD3-7059-4DF9-891A-D3F46B478949R00690How Was I To Know?A Chancel Opera in One Act. Based on the traditional story of Christmas as viewed by the Bethlehem Innkeeper and his wife.2 Soprano, 3 Tenor, Baritone or Tenor, Baritone, Bass, men Quartet or Ensemble, Chorus,12 actors    Flute.Piano.Synthesizer.Double Bass
32112D859E7E-F6B3-49EB-BC2F-D7D3DE1ED1C7MP410022Navarra (with completion by William Bolcom)
32122D87F2BB-CA0B-4483-8506-B09925FD75C4S965CBGesu Bambino (The Infant Jesus): Patorale for ChristmasThough lesser known than some Christmas melodies, this stately, pastoral work incorporates the chorus of “O Come All Ye Faithful” (or “Adeste Fideles”) into the writing. The original melody by Yon is rather remarkable in its elegant beauty, and sounds timeless and enchantingly ancient, though it was written rather recently in 1917. Pietro Yon was an organist who spent most of his career at the St. Patrick Cathedral in New York. Yon was well regarded in his lifetime by fellow musicians. Notably among his pupils was the celebrated American songwriter Cole Porter and, upon his passing in 1943, Arturo Toscanini himself was among those who attended his large funeral. This arrangement begins softly with a simple statement of the melody in the trumpets. The theme expands as it is passed around the various instrumental choirs with increasing use of counterpoint. Culminating in a joyous exaltation, the music winds to a gentle and serene conclusion. The score is well-cued in key sections where the melody is prominent.Concert Band
32132D88901E-118C-4793-AAA2-6469AFA8DA01R01425The Girl Who Loved Wild HorsesPulsating drums, evocative melodies, and the haunting sounds of a children’s chorus bring to life this beautiful Native American story with text by Paul Goble. Commissioned by Boston Musica Viva, Richard Pittman, Conductor.Flute, Clarinet, Violin, Cello, Piano, Percussion, Children's Voices, Narrator. Slideshow in development.
32142D89E8F7-0629-4D68-B8C1-7CA02DFFBCFFR00602Serenata Concertante, Op. 40(not set)3.3.2.2: 4.2.3.1: Timpani.Percussion(2).Harp: Strings
32152D8F1A2A-8C23-4C0C-9D77-C3D031D6C5DCS155WWCHThree SongsContents: I. The Bridegroom, II. The Nun, III. QuestionsBrass Quartet: 2 Trumpets in Bb, Horn in F, and Trombone/Baritone
32162D943A93-0C86-4E77-84E4-C6FC8A6C0F0CA211702Death and Transfiguration, Op. 24 (Tod und Verklarung)The fourth in a set of tone poems that Richard Strauss (1864-1949) wrote before his career as an opera composer, DEATH AND TRANSFIGURATION (TOD UND VERKLÄRUNG) portrays the death of an artist and the struggle and flight of the soul as it achieves its final resting place. Under the spell of Wagner, Strauss had originally titled it LIEBESTOD UND VERKLÄRUNG after the final scene in TRISTAN UND ISOLDE. Completing the work in 1889, the composer conducted its premiere at the Eisenach Festival on June 21, 1890. He observed that “dying is just the way I composed it”, reflecting on the work at the end of his life. Instrumentation: 3.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp. Perc(1): 2Hp: Str (9.8.7.6.5 in set). Critical edition.3.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp. Perc(1): 2Hp: Str (9.8.7.6.5 in set)
32172D943F11-C2B1-4B0F-892D-E0650C49080BS410027Stephen Hartke Piano Album, Vol. 1: Collected Works 1984 - 2015Volume one of the Stephen Hartke Piano Album covers more than thirty years of the composer's considerable output of shorter works for solo piano. Nearly all the pieces in this volume were composed as gifts for friends and thus belong to the time-honored if somewhat quaint category of Albumblätter (Album Leaves). From a compositional standpoint, most of them involve some distinctive feature which connects each work to its dedicatee. Included works: Post-Modern Homages (Set I), Post-Modern Homages (Set II), Preludio sopra due soggetti cavati, The Flames of the Sun Make the Desert Flower Hysterical , and The Piano Dreams of Empire.Piano Solo
32182D9897C8-D875-40C9-858A-BADE434BBAB1SU311Free for All(not set)Snare Drum Trio
32192D99192C-6E5B-4427-8AED-26EA6688E56CST488EvocationsFlute
32202D9E484A-6367-46B9-B428-B60FEB40947CST340FlashbacksFlute Unaccompanied