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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
32412DEFC310-4F70-4305-9A87-4823E7C1C7E650100253American Revolutionary War MedleyThe medley uses six popular tunes from colonial times: Washington's March at the Battle of Trenton; The Girl I Left Behind (Me); My Country, 'Tis of Thee; The British Grenadiers; Chester; and Yankee Doodle.Concert Band
32422DF217B7-23E8-478B-8EC8-73F1DCE66218R01521Bridgehampton ConcertoThis fun and playable Baroque-inflected concerto grosso was originally commissioned by the Bridgehampton Chamber Music Festival. Scored for mixed octet of flute, oboe, harpsichord and string quintet. Total length approx. 17 minutes.Flute, Oboe, Harpsichord, 2 Violins, Viola, Cello, Bass
32432DF59D3B-4386-406F-94CC-415A6DC02656SC617New River Train(not set)Satb
32442DFE6C1F-83F5-4CB6-B2A0-BD65413D94ECA264402Missa in B-flat, Hob.XXII: 12 'Theresienmesse'The MASS IN B-FLAT MAJOR, "THERESIENMESSE," HOB.XXII: 12, is one of six masses that Franz Joseph Haydn (1732-1809) wrote to celebrate the name-day of his patron’s wife, Princess Maria Josepha Hermenegilde of Esterházy. Named after the Empress Marie Therese, the mass may have been heard for the first time at Eisenstadt on the occasion of the princess’ birthday, September 8, 1799. It is admired for its contrapuntal refinement and elaborate vocal solos. Instrumentation: 0.0.2.1(opt): 0.2.0.0: Timp: Org: Str (2.2.2.1.1 in set): Solo SATB, Mx Chor.0.0.2.1(opt): 0.2.0.0: Timp: Org: Str (2.2.2.1.1 in set): Solo SATB, Mx Chor
32452E019AF9-57CE-4C28-8E84-F61A4E420AB2MP625001Evensong for Horn and GuitarFrom the composer: EVENSONG was composed at the request of my friend David Wick, principal hornist of the Virginia Symphony Orchestra. He asked that I compose a recital piece for him to play with the orchestra’s music director, JoAnn Falletta, who is also a virtuoso guitarist. The only stipulation he made was that the work include fragments of one of his favorite melodies, “Lasst mich allein,” from Four Songs, Op. 82, by Antonín Dvořák. The melody is also quoted in the Adagio movement of Dvořák’s Cello Concerto in B Minor, Op. 104, B. 191. The music is absolute in nature and cast in the form of a single movement fantasy based loosely on Dvořák’s melody, which is stated at the outset and at the conclusion.Horn and Guitar
32462E07E4C2-52F4-47CD-8DAA-1D34A261894EBSMSO102Sonatina for StringsA colorful piece of medium difficulty for high school strings by one of the country's leading composers of film and concert music. Grade 5.String Orchestra (8.8.5.5.5)
32472E07F519-21D0-4A65-A34C-1AD94D39F658M157091Serenade: Wand of Youth(not set)Two Violins, Viola, Violoncello and Piano
32482E0A26CA-1D64-4140-8209-873D328EF75D10402287Population Zero(not set)Flute, Clarinet and Bassoon
32492E0BD3F2-399D-47E7-8642-5EAE0569B4D8M116501Three Idylls, H. 67 for String Quartet(not set)String Quartet
32502E0CDC6E-1FBF-46D5-9651-2D83DC18F369M329891L'Organiste Liturgiste, Op. 65, Bk. 5French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 10 books of "L'Organiste liturgique" is available from the publisher.Organ
32512E121B88-E6DD-4114-B071-7B90FB8A7C7ARCST669Romanesque for Flute, Viola and PianoFlute, Viola, Piano
32522E127926-EF67-4B6D-BC44-5BAA7FC919D4SS864SonataThis sonata was commissioned by Cecil Leeson.Tenor Sax
32532E1548A2-C1BB-46D3-9504-BE086951D0A2LV113CBBeginners' Stomp(not set)Concert Band
32542E20D88F-A4BE-458B-964D-AC37A66DF4BBM188091In a Nutshell SuitePercy Grainger (1882-1961) wrote the suite IN A NUTSHELL in 1916, originally scored for large orchestra, although both a solo piano and a 2-piano version followed that same year. The work consists of four movements, and in addition to the more standard percussion, it made use of several (then) novel keyboard percussion instruments made by J. C. Deagan, for which the score explicitly calls. The orchestra version premiered on June 8, 1916, at the summer Norfolk Festival, with Arthur Mees conducting and Grainger at the piano. Movements: 1. Arrival Platform Humlet; 2. Gay but Wistful; 3. Pastoral; 4. "The Gum-suckers" March. Both the orchestral version and the 2-piano version are available from Edwin F. Kalmus. Reprint edition.Piano Solo
32552E28A61E-AF3A-4B46-87BB-39E1B3DA839AMP430001HydraulisWilliam Albright, organ, 1972
32562E2EF3F9-E017-4423-907A-F10F61749A1AX410075Chorale PreludesChorale Preludes (1999) for piano was written for and is dedicated to Canadian pianist, composer, writer, and independent music researcher Gordon Rumson. Each of the three preludes explores somewhat unorthodox approach to the idea of a “chorale prelude” even though none of the three tunes used is a “chorale” in any sense.Solo Piano
32572E319459-C7A2-42D8-A546-5D591C30E50ER00587Escenas de Cortes y Pastores, Op. 19: Seven Symphonic Scenes(not set)2.2.2.2: 4.2.3.0: Timpani.Percussion(2).Piano.Harp: Strings
32582E31BECF-A785-4A1C-9DD1-74137AA5010AR38SerenadeFull Orchestra
32592E3253BB-6EB7-488F-9E0C-5EFE21DBEBEAR00640The Twelve Days of Christmas(not set)SATB Chorus 3.2.2.2: 4.3.3.1: Timpani.Percussion(3).Harp: Strings
32602E3ADEB6-75D5-4D79-A97D-BB97F53AAC55M804990PizzicatiDelibes' music for the ballet Sylvia was often considered more interesting than the ballet itself. It was far ahead of its time in terms of instrumentation (making much use of the newly invented saxophone). The scherzettino known as Pizzicati is an excellent example of how Delibes dictated action, as you can almost hear a story unfold as the music plays.String Orchestra