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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
31212C3F4579-A357-4398-9F86-7D8ACFBE5116A302902Romeo and Juliet (complete)Charles Gounod (1818-1893) completed the five-act opera Roméo et Juliette (Romeo and Juliet) in 1867. With a libretto by Jules Barbier and Michael Carré, the opera tells the tragic story of Shakespeare's play with little deviation. The work is well-known for the series of four duets sung by the main characters and the waltz song Ah! Je veux vivre as sung by the soprano lead. It premiered on April 27, 1867 at the Théâtre Lyrique in Paris, Adolphe Deloffre conducting. 2(2nd dPicc).2.2.2: 4.2(both dCrnt).3.0: Timp.Perc(2-4): Hp(2).Org: Str (4-4-3-3-3 in set): Vocal Soli (13 roles: SAATTTBBBBBBB): Chorus.2(2nd dPicc).2.2.2: 4.2(both dCrnt).3.0: Timp.Perc(2-4): Hp(2).Org: Str (4-4-3-3-3 in set): Vocal Soli (13 roles: SAATTTBBBBBBB): Chorus
31222C433889-9765-4529-8B48-5F8E1E83C65FS320Empress March (out-of-print)Marching Band
31232C4C925A-987C-48DD-8D1A-A8E8F59E3755X503025Interval GamesInterval Games is a sort of "show and tell" piece, intended for audiences of all ages, not just children. Each of the four movements portrays a musical interval. Part of the performance may include one of the players--or a friend--holding up a large posteViolin, Cello, Piano
31242C4E722D-F9F5-475F-9000-4AE957E20145MR00431POP - Variations on a Canadian Folk Song for Two Pianos and Orchestra (see EBM0610149)This set of variations on the Canadian folk song "She's Like the Swallow" (taken from Kenneth Peacock's collection "Songs of the Newfoundland Outports") has been written for two two pianos and orchestra. Commissioned by the Vancouver Foundation for Music in the Morning, Vancouver. Premiere: November 16, 1988, Orpheum Theatre, Vancouver, James Anagnason and Leslie Kinton, pianists, CBC Vancouver Orchestra, Mario Bernardi, conductor.Two Pianos: 2.2.2.2: 2.2.0.0: Timp: Str
31252C4F4B72-0F97-4008-8362-758D87345CE6MP652501Serenata Notturna for Oboe and String QuartetPremiere: Guarneri String Quartet, Richard Woodhams, oboe, Perelman Theater/Kimmel Center, Philadelphia, PA, Oct. 23, 2005. NOTE: The String Quartet version is available for purchase. The string orchestra version is available on rental. Movements: 1. Gently-Allegro, 2. Grazioso, 3. Scherzo di medianotte, 4. Andante-AllegroOboe, string quartet
31262C51B6FA-7800-4A0B-B286-EB197AE581C420250478Early American Suite(not set)String Orchestra
31272C561E7A-0972-4AF9-8B51-477E71A96E51M352591Four Songs, Op. 42(not set)High Voice and Piano
31282C5A24FC-8F1E-4FA6-A74C-A3EBC54A7AE250160002Evening in the Country for Band and Solo InstrumentBand directors have been looking for this arrangement for years. Recently discovered in the LudwigMasters archives, this previously unpublished adaptation by Albert Oliver Davis was masterfully scored from Floyd Harris' piano accompaniment to the solo (published in LudwigMasters Competition Solo Series, Book 3) and can be used with any solo instrument.Solo Instrument and Concert Band
31292C5AA449-5737-49EC-A544-F49358C70DE0X503014To the Spirit UnconqueredInspired by the Holocaust writings of Primo Levi, recorded by the Guild Trio on CRI records.Violin, Cello, Piano
31302C5E6F9F-2890-4B34-9550-043327C5A40BM805590Sicilienne, Op. 78String Orchestra
31312C5F0C69-81B6-4448-9C84-3E31D16E0C39SS847COCentone No. 4Musically, the term “centone” refers to the practice of combining separate works by one composer, or by different composers. Transcribed by Verne Reynolds. Movement: I. Fantasia, II. Four-Note Pavan, III. Galliard, IV. Fantasia, V. In NomineBrass Quintet
31322C5FEC9C-4C59-4825-94DB-42434E7963FBA644602Hymnus Amoris, Op. 12/F. 21While on his Italian honeymoon in 1891, Carl Nielsen (1865-1931) came across Titian’s painting The Miracle of a Jealous Husband in Padua. The result was his first choral work, HYMNUS AMORIS, OP. 12, scored for soloists, choir and orchestra. The text from folklorist Axel Olrik, based on a draft written by Nielsen, was translated into Latin by Johan Ludvig Heiberg. He defended using the Latin language because of what he perceived as its emphasis of universality over personal expression. The piece premiered on April 27, 1897 at the Music Society in Copenhagen under the direction of the composer. Instrumentation: 3.3(3rd d.EH).3.2: 4.3.3.1: Timp.Perc(2): Str (4.4.3.3.3 in set): Soli SS, Children Chor, Mx Chor.3.3(3rd d.EH).3.2: 4.3.3.1: Timp.Perc(2): Str (4.4.3.3.3 in set): Soli SS, Children Chor, Mx Chor
31332C60F8D5-339B-414C-9A84-9CE8B8A3A0AAST511Andantino and Allegro Molto(not set)Clarinet Trio
31342C620BC0-928A-4EBD-9E08-D9E978641D12M388591Three Impromptus, Op. 78Samuel Coleridge-Taylor (1875-1912) composed his THREE IMPROMPTUS, Op. 78 in 1911, originally for organ, during the final year of his life. These compact yet expressive pieces reveal his mastery of Romantic idioms, blending lyrical melodies with rich harmonic textures that highlight the instrument’s coloristic possibilities. Although there is no evidence of a public premiere during his lifetime, the works were published shortly after his death and became part of the repertoire of church and recital organists in the early 20th century. Today, while not as frequently performed as his large-scale choral works such as HIAWATHA’S WEDDING FEAST, the IMPROMPTUS stand as elegant examples of Coleridge-Taylor’s compositional voice for the organ and are valued for their craftsmanship and charm, contributing to the ongoing rediscovery of his instrumental music. Reprint edition.Organ
31352C62342B-F69E-425A-844D-89CAB0834C46C2CSSports Time Out Music Band Folio (out-of-print)
31362C6835F0-34B4-493E-B1E3-EA3992023F2C52710003Wedding Waltz for Violin and PianoViolin and Piano
31372C68FC19-957D-4D2B-A254-5AE0BFC0D524X430002Passacaglia Quasi Toccata Sul Tema B-A-C-HOrgan Solo
31382C701EB1-0F5E-4613-8660-334213525057A697902Eine Kleine Trauermusik, D. 79The short, almost funereal work for nine wind instruments, Eine Kleine Trauermusik, D. 79, was written by Franz Schubert (1797-1828) on September 19, 1813. The work opens with a horn duet and then alternates with the tutti, before ending with the full ensemble. Instrumentation: 0.0.2.2+CBsn: 2.0.2.0.0.0.2.2+CBsn: 2.0.2.0
31392C71EE3C-0424-4C4D-BB88-F935B0139D1FST89Quaternion3M, 1P
31402C76A59A-0077-41CD-856B-BBB5BDEADA1DM31469110 Canonic Studies, Op. 12George Whitefield Chadwick (1854-1931) was an American composer. Along with John Knowles Paine, Horatio Parker, Amy Beach, Arthur Foote, and Edward MacDowell, he was among those composers in what is called the Second New England School of American composers of the late 19th century. Chadwick's works are influenced by the Realist movement in the arts, characterized by a down-to-earth depiction of people's lives. His works included several operas, three symphonies, five string quartets, tone poems, incidental music, songs and choral anthems. Along with a group of other composers collectively known as the Boston Six, Chadwick was one of those responsible for the first significant body of concert music by composers from the United States. Himself an organist, this prominent American conductor and composer named each of these 10 short studies as a canon, followed by the most notable and relevant interval. For example, No. 1 is called "Canon in the Octave," while No. 9 is named "Three voiced Canon in the Fifth."Organ