Titles
Showing 3,021-3,040 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 3021 | 2ABBF7F7-ED52-4310-9754-698F8677A39F | X509007 | Gold: from Poem Symphonies Set I | Can be performed alone or as part of Don Freund's Poem Symphonies Set I, a cycle of works, each one based on the poetry of a different poet. Gold was inspired by the poem of the same name by Donald Hall | String Orchestra | |
| 3022 | 2ABC0514-3379-4718-9197-17C385342067 | R00857 | Second Symphony | Composed for the Seattle Symphony with a fellowship grant from the National Endowment for the Arts. | 3(1d Piccolo).3(1d English Horn).3(1d Bass Clarinet).2+ContraBassoon: 4.4.3.1: Timpani.Percussion(4).Harp: Strings | |
| 3023 | 2ABE6696-0199-426C-A95B-1CE0854E9F92 | S940006 | Mass for Four Voices | This publication of William Byrd’s Mass for Four Voices by Dean Witte expands on Henry Washington's celebrated 1959 performer’s edition. It features judiciously updated notation and text underlay that helps clarify many matters of interpretation and also conforms with more recent practices in editing early music. This edition otherwise preserves the essential practical focus introduced by Washington, including the step-downward transposition of the music. | SATB a capella chorus | |
| 3024 | 2AC98A25-CE1C-4F5B-8F8C-5FA912C7571B | M298591 | Six Duets for High Voices and Piano | (not set) | Two High Voices and Keyboard | |
| 3025 | 2ACA5FDC-8EB4-49D7-A66A-8F9FC5EA333B | LV218CB | Quiet Song | (not set) | Concert Band | |
| 3026 | 2AD17760-C159-4DE2-8D4E-91F6ADF0C5E1 | M136691 | Fantaisie, Op.124 | (not set) | Violin and Harp | |
| 3027 | 2AD8F998-153A-4C2C-9F02-17CB787692C5 | 51673333 | Blessed Exaltation | 3-5 Octave Handbells | ||
| 3028 | 2AD94B6E-AC8E-4496-BF8D-6A888ACE5303 | 20412185 | Triple Treat | Written for 3 musicians of equal ability with melodic interest in all parts and some technical demands for this level. This trio has received high marks on musicality. Versions for Flute, Trumpet, Saxophone, and Clarinet trios are available from the publisher. OMEA Class C | Flute Trio | |
| 3029 | 2ADC497B-2BA2-49E5-AE64-3B5A3307088A | R00440 | Last Voyage | 2+Piccolo.2+English Horn.2(1d E-flat Clarinet)+Bass Clarinet.2+ContraBassoon: 4.4.3.1: Timpani.Percussion(4).Celesta.2 Harps: Strings | ||
| 3030 | 2AEC5C4F-560D-4A46-BC87-728FD9AB067B | A222502 | Concerto for Violin No. 5 in A minor, Op. 37 'Gretry' | Violin Concerto No. 5, Op. 37 by Henri Vieuxtemps (1820-1881) was composed between 1858 and 1861. It premiered in 1861 in Brussels with the Brussels Conservatory Orchestra, featuring Vieuxtemps himself as the soloist. Commonly referred to as the "Gretry" concerto, the second movement borrows its melodic material from André Grétry’s opéra comique Lucile. Written as an examination piece for the Brussels Conservatory, it quickly became popular in the concert hall due to both the brilliance of the solo violin part and the unusual way the three movements elide together. It has remained one of Vieuxtemps’ most popular pieces to this day. Instrumentation: 1.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin. The solo part has been edited and fingered by Henry Schradieck. | 1.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin | |
| 3031 | 2AEF247B-DB4B-4AC1-B111-984D64590051 | A459302 | Il Matrimonio Segreto (The Secret Marriage, complete) | IL MATRIMONIO SEGRETO (THE SECRET MARRIAGE) by Domenico Cimarosa (1749-1801) is his only work still to be regularly performed today and arguably among the greatest 18th century opera buffa. The dramma giocoso was so well-received at the February 7, 1792 premiere at the Imperial Hofburg Theatre in Vienna, that Emperor Leopold II had supper served to the entire company followed by an immediate repeat performance of the entire opera. The Italian premiere took place at La Scala in Milan on February 17, 1793. Instrumentation: 2.2.2.2: 2.2.0.0: Timp.BsDr: Str (4-4-3-3-3 in set). | 2.2.2.2: 2.2.0.0: Timp.BsDr: Str (4-4-3-3-3 in set): Cast of 6 (S.S/MS.MS.T.B.B) | |
| 3032 | 2AF05F17-A213-4A91-947F-C4B526835748 | M989090 | Ancient Dances and Airs Suite 1 for Orchestra | Full Orchestra | ||
| 3033 | 2AF2E725-ABEE-4F23-81B3-C3B1992A1499 | SS541 | Serenade | This serenade from Haydn's String Quartet Op. 3, No. 5 (Andante Cantabile) is a beautifully lyrical selection for the intermediate player. Arrangements by Elwyn Wienandt are available from the publisher for both clarinet and alto saxophone. | Clarinet and Piano | |
| 3034 | 2AFCE369-12BE-4ABE-B3AA-E09A10B6904F | A242202 | Concerto for Cello No. 1 in A minor, Op. 33 | Camille Saint-Saëns (1835-1921) composed his CELLO CONCERTO No. 1 in A minor, Op. 33, for Belgian cellist, instrument maker, and friend Auguste Tolbecque in 1872, at the age of 37. Premiered by Tolbecque, who was closely associated with the Société des Concerts du Conservatoire, France’s leading concert society, at the Paris Conservatoire on January 19, 1873, this performance was perceived as a mark of Saint-Saëns’ growing acceptance by the French musical establishment. Many composers, including Shostakovich and Rachmaninoff, consider this concerto to be the greatest written for cello, with the work solving the issue of balance by limiting the role of the orchestra more often to the background and to punctuating chords. Rather than three seperate movements, the work is composed in three distinct sections with single musical ideas and themes running through the entire work, a decision likely inspired by conversations with Franz Liszt. Despite the tremendously demanding solo part, this remains a favorite of cellists and a regular work in the repertoire. This edition has been edited by Clinton Nieweg and Nancy Bradburd, with the cello solo part edited by William Stokking. Study score. | 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Cello | |
| 3035 | 2AFD18AD-5F51-4228-94A2-1C1862DB5880 | B256 | Advanced Studies | One of the most widely used collections of studies for the advancing player/student of the Alto and/or Bass Clarinets. | Alto or Bass Clarinet | |
| 3036 | 2B06874A-F86B-4086-A461-D8E3729B0C5D | 10710359 | Chanson de Nuit | (not set) | Violin and Piano | |
| 3037 | 2B09B11B-AFEE-4AC0-9D3B-081B23461BFE | 10540132 | Sparkles for Baritone and Piano | Very enjoyable, lyrical 1st theme with a fun allegro polka section to display easy technical facility. | Baritone Solo and Piano | |
| 3038 | 2B1534E0-BC12-41AA-8CA2-1428740AD62C | A701101 | Chapultepec; Three Famous Mexican Pieces | [2+2, 2+1, 2+1(+Eb), 2+1, 4sax - 4, 3, 3, 1, timp, perc, str] FULL SCORE ONLY | ||
| 3039 | 2B1CD43D-C1EC-4349-B0F4-6165CF070B9E | M329191 | Three Irish Legends | Henry Dixon Cowell was an American composer, music theorist, pianist, teacher, publisher, and impresario. In the early 1950's, his music was summed up by Virgil Thomson as having "a wider range in both expression and technique than that of any other living composer...No other composer of our time has produced a body of works so radical and so normal, so penetrating and so comprehensive." Cowell's Three Irish Legends remains one of the composer’s most performed and recognizable compositions, and is noted for its striking use of tone clusters. The work is comprised of three movements: 1. The Tides of Manaunaun, 2. The Hero Sun, and 3. The Voice of Lir. | Solo Piano | |
| 3040 | 2B21FAD5-A985-4C80-97B0-9A90F30F2CD3 | 20100753 | Two Christmas Nights | (not set) | Concert Band |