Titles
Showing 3,001-3,020 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 3001 | 2A869AB6-869A-43F7-BD4F-AE8C2BBF5CEF | X205024 | T'ruah | A rhapsodic work titled after the international organization of Jewish rabbis advocating for human rights. Syncopated rhythms dominate throughout with declamatory passages interspersed between dance sections including the Bolero and Freilach. Trumpet parts are in C. Duration ca. 9'. | Brass Quintet (trumpets in C) | |
| 3002 | 2A86C9C2-3265-4615-802D-F9DD3B66C33D | 10450168 | A Waltz Dream | This melody is the most popular to come from Oscar Straus' 1907 operetta of the same name, although it was called "Ein Walzertraum" in the original German. The work is aptly titled, as it has a lilting, dreamlike quality. It has here been simplified for young saxophonists in this arrangement by Floyd Harris. | Alto Saxophone and Piano | |
| 3003 | 2A8759D0-B150-49B8-ABD5-C0F02123FEA8 | S346 | NOVELETTE: FUN FOR THE | |||
| 3004 | 2a8a146e-9e3b-11f0-a418-0022482c9682 | M401491 | String Quartet No. 2 in D flat, Op. 15 | Considered among the best 20th-century romantic quartets, Ernst von Dohnanyi's (1877-1960) STRING QUARTET No. 2 in D-flat Major, Op. 15 received significant plaudits at its premiere, which took place in November of 1907 by the Klinger Quartet in Berlin. Reprint edition. | Two Violins, Viola and Violoncello | |
| 3005 | 2A8D009D-3828-4397-BED6-3E9EA382024D | ST839 | Overture to a Comedy | Flute | ||
| 3006 | 2A8FBF87-6D01-46E1-82B9-56B7CF857B83 | SO76C | Suite for String Orchestra | This work for intermediate string orchestra is in four movements. Movements: I. Affettuoso, II. Blues, III. Valse, IV. Rollicking. It contains alternate 3rd violin parts as a substitue for viola and optional piano part. | String Orchestra | |
| 3007 | 2A912CDB-4412-4A85-B381-E802526AFB46 | 10710190 | Amour Viens Aider for Violin and Piano | Amour Viens Aider ("Love, Thy Help") is one of the most performed arias in the operatic repertoire. It appears at the opening of the second act of the opera Samson and Delila, in a scene where Delila pleads to an ancient love deity to help her seduce and defeat the Hebrew warrior Samson. This arrangement by Paul Whear effectively translates the haunting aria to the solo medium, allowing instrumentalists to play and enjoy a fine Romantic miniature. | Violin and Piano | |
| 3008 | 2A95A2E4-D796-41B4-82C5-35D5C9EF038F | 18800010 | Lord Shall Preserve Me, The | (not set) | SATB and Organ | |
| 3009 | 2AA0FF14-0F59-4DD3-B76B-FADD8B746BB2 | 10603224 | Ashland High | A great beginning rudimental quartet. Includes many standard rudiments that most intermediate students will have mastered. Bass Drum and Cymbal parts may be covered by one player with the use of a cymbal attachment for concert bass. | Two Snare drums, Cymbal and Bass Drum | |
| 3010 | 2AA4BE81-D0EF-402B-91C4-8B7EB7EE3128 | S420CB | Drammatico | Drammatico was commissioned by the Monahans High School Band, Monahans, Texas, under the direction of Dan Gibb, and was premiered under the baton of the composer. | Concert Band | |
| 3011 | 2aa4e503-9e3b-11f0-a418-0022482c9682 | M401691 | Inspirations Viennoises (Ispirazioni viennesi), A 218-224 | Poems by Carlo Guaita. Edited and Annotated by Michael Kaye. For one and two voices and piano. A collection of five Ariette and two little duets for soprano, mezzo-soprano, tenor and piano. Contents: 1. La zingara (A 218); 2. Non m'ami più (A 219); 3. L'ora del ritorno (A 220); 4. Il sospiro (A 221); 5. È morta! (A 222); 6. Predestinazione (A 223); 7. Che vuoi di più? (A 224). Preface in English. | High Voice Solos/Duets and Piano | |
| 3012 | 2AA8A81D-4451-48A5-B352-A5FD5E23582B | ST214 | Sax Craft | This fun and lively quartet consists of a single movement and solos for all. | Sax Quartet (AATB) | |
| 3013 | 2AAF6307-C619-4A0D-AE9D-636222BC3B82 | 52250919 | Retro Metro Man | A cool and catchy jazz swing chart, featuring a pizzicato walking bass line and riffs between the violins and viola. Each section has a chance to be featured and work on important techniques for a developing string orchestra. | String Orchestra | |
| 3014 | 2aafcd53-9e3b-11f0-a418-0022482c9682 | M401991 | Suite Bergamasque, CD 82/ L 75 | Claude Debussy's (1862-1918) first began writing the SUITE BERGAMASQUE (CD 82/ L 75) in 1890, then revised it significantly just before it was published in 1905. Debussy was reluctant initially to see these early piano works published at all as they were written before he developed his mature style, but a publisher convinced him that they would be successful given the fame Debussy had achieved since he first wrote them. The third movement, Clair de lune, is one of the most famous works in classical music and certainly among Debussy's best-known pieces. Movements: 1. Prélude; 2. Menuet; 3. Clair de lune; 4. Passepied. This newly engraved edition and preface has been completed by Richard Dowling. | Solo Piano | |
| 3015 | 2AAFE46E-0B41-4D72-A823-01ED34E06DBA | 52250364 | Scotney Hall | This is a cheerful arrangement that gives your players a simple tune and lets everyone play it in two keys. It opens with the upper strings introducing the theme in the key of D. Then the cellos and basses get to shine by playing with the theme in the key of G, followed by a return to D for the full ensemble closing. Charming! UIL String Orchestra Sight Reading Level 4 - 2014. | String Orchestra | |
| 3016 | 2AB06C9F-0D6C-4BEC-B88C-7EC5054869F8 | S733CB | Haydn Trilogy | During his two trips to London, Haydn was highly acclaimed for his later symphonies, of special note nos. 100 (Military) and 104 (London). "A Haydn Trilogy" combines memorable themes from these two works, bridged by the beautiful Andante theme from his Trumpet Concerto in Eb. This arrangement for concert band is by Jim Mahaffey. | Concert Band | |
| 3017 | 2AB0BBB3-8488-4400-8AB1-44C9EA7BB25A | LV209CB | Mini Blues | (not set) | Concert Band | |
| 3018 | 2AB5672F-D9D4-44F5-B757-D9C43D78F6A1 | A250702 | Cantata No. 51: Jauchzet Gott in allen Landen, BWV 51 | On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had composed it for any joyous occasion. It is his only religious cantata scored for solo soprano and trumpet. The first performance took place on September 17, 1730 in Leipzig. Gottfried Reiche, Bach's principal trumpeter, would likely have played the virtuoso trumpet part. As traditional culture in Leipzig generally eschewed female voices at the time, the vocal solo might have been sung by a boy soprano. This vocal score edition was arranged by Bernhard Todt and is based on the Bach-Gesellschaft Ausgabe (Bach Society Edition). It was further edited by Günter Raphael. Text is in the original German with an English translation by John Michael Diack. Reprint edition. | Solo Soprano and Piano | |
| 3019 | 2AB6A112-2510-4189-B85C-775BD6D7F857 | M908702 | Thanksgiving Anthem | (not set) | Concert Band | |
| 3020 | 2AB851BA-CB87-48E9-B93E-57F9C33A0509 | M259091 | Petite Suite | (not set) | Clarinet Quartet |