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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
296129EBACE5-0150-48DD-9130-31BCF75762F350100190Fantasy and FugueDrawing upon traditional musical forms, Fantasy and Fugue is a first-rate introduction to musical style. It is scored well, lies nicely under the fingers, and is pleasing to the ear...all in all, a sure-fire winner.Concert Band
296229EBB84E-AFF1-47C7-B5F9-440A67E56BE7A224402Rienzi Overture (concert)(not set)3d1, 2, 2, 3 - 4, 4, 3, 1, timp, perc, str
296329EC0564-811D-4A60-87E2-390111372ED4A700701Rhapsody on a Theme of Paganini, Op. 43Written by Sergei Rachmaninoff (1873-1943) in 1934, this set of variations for piano solo and orchestra on Niccolò Paganini’s Caprice No. 24 for solo violin is much like a concerto, though it consists of a single movement with an introduction of the theme and twenty-four variations. The most well-known of the variations is the lyrical 18th, and it has been used in numerous movies over the years. In addition to Paganini's theme as the thematic foundation, the Dies irae theme found in the requiem mass and which features so prominently in Berlioz' Symphonie Fantastique is also featured at times. The work premiered with immediate success on November 7th, 1934 by the Philadelphia Orchestra under Leopold Stokowski, with Rachmaninoff himself as soloist. 2+Picc.2+EH.2.2: 4.2.3.1: Timp.Perc(3): Hp: Solo Pno: Str. A full score and study score are available from the publisher, but the set of parts is not.2+Picc.2+EH.2.2: 4.2.3.1: Timp.Perc(3): Hp: Solo Pno: Str: FULL AND STUDY SCORES ONLY
296429F480F6-4553-4244-978B-2061F81C1B28M344091Six Pieces (1881)This romantic period organ collection dedicated to Cesar Franck includes 1. Introduction et thème fugue 2. Communion 3. Marche religieuse 4. Marche funèbre 5. Andante symphonique 6. Grand chœur dialoguéOrgan
296529F713D2-F5C2-4A50-A133-A22530A8EBC3SS883Andante And PrestoTrombone Duet, unaccompanied
296629f876ef-9e3b-11f0-a418-0022482c9682M396491Puccini Rediscovered: Arias and Ensembles, Vol. 3The PUCCINI REDISCOVERED series, performing editions edited and annotated by Michael Kaye, are based on the most authentic sources, many of which have not been considered in other editions on this wide range of music spanning the composer's entire career. Volume 3 of 3 of ARIAS AND ENSEMBLES for solo voices or vocal ensembles with piano. Original versions, revised and abandoned music from EDGAR (Acts 2, 3, and 4). Contains preface, chronology, and some information on Puccini's revisions.Voice Solo and Vocal Ensembles with Piano
296729FD1A64-A0AF-4978-9040-58CCED1402AA50250103Mountain DancePerfectly suited for first year students, Mountain Dance uses only the notes from a one octave D major scale. The rhythmic palette is limited to eighth notes, quarter notes, and quarter rests. There is enough repetition for security and enough variety to keep them counting and on their toes.String Orchestra
296829FD6CFF-961B-4441-918D-13AF8BCBE00610200067An Occasional SuiteThis arrangement by Edmund Siennicki of The Occasional Suite, from the oratoria HWV 62, fills Handel's exhuberant score with the rich instrumental color of a full orchestra. The excerpt is comprised of two movements: the Marche and Air. Grade 3, Duration ca. 4'Full Orchestra
29692A01CD94-167B-46B4-A94C-E827DE5EA96BX631601Four Short Pieces for ThreeTrumpet, Bassoon, Piano
29702A0645C8-431D-4816-A233-0BA7B50B5F76A231602La Clemenza di Tito, K. 621 (manuscript parts)2, 2, 2dbsthn, 2 - 2, 2, 0, 0, timp, str (2.2.1.1.1)
vocal soli (6 roles SSSSTB), chorus
29712A0A5950-5C37-4CA4-B65A-84B86178CA1CA513802Manon Lescaut: Act III: IntermezzoManon Lescaut, the third opera and first notable success of Giacomo Puccini (1858-1924), took shape between 1889 and 1892. Five different writers worked on its libretto. The Teatro Regio in Turin saw its first performance on February 1, 1893. The Intermezzo in Act 3, according to opera scholar Julian Budden, bears the unmistakable influence of Wagner's Tristan und Isolde. Creating a dark and brooding atmosphere, it prepares the drama for the grim events of Manon's imprisonment and her deportation to Louisiana, where she will be eternally separated from Des Grieux. Instrumentation: 3(3rd dPicc).2+EH.2+BCl.2: 4.3.3.1: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set). Reprint edition.3(3rd dPicc).2+EH.2+BCl.2: 4.3.3.1: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set)
29722A0A5A4C-5488-4811-BDE8-67C31B48FB7910430437Harvest Waltz for Bassoon and PianoA perfect choice for a beginner to take to contest or recital, this work is written for many different instruments. The piano accompaniment can be performed by a first- or second-year private study middle-school level piano student also, making this an ideal piece for one piano student to accompany many different instruments. As it is on state lists for numerous instruments, Harvest Waltz is also found in the Competition Solos, Book 1 created by Floyd Harris and Edmund Siennicki.Bassoon and Piano
29732A0FFC52-0B99-436A-AB68-837D77E7F508SS982THREE ( 3) FOLK DANCES
29742A101CA2-C723-4771-A7A8-FDDBEFB3C1A4ST893Carmen Suite(not set)Marimba
29752a12e78f-9e3b-11f0-a418-0022482c9682M397191Sonata in F, Op. 6This beautiful cornerstone piece of cello repertoire was composed by Strauss when he was only 19 years old. It was dedicated to cellist Hans Wihan, who performed the premiere in 1883.Cello and Piano
29762A1419F5-B837-4D20-94EC-D19FF1F0A0F4A173602Marriage of Figaro, The, K. 492 (Le Nozze di Figaro): OvertureLE NOZZE DI FIGARO (THE MARRIAGE OF FIGARO) is based on LA FOLLE JOURNEE OU LE MARIAGE DE FIGARO (1784), a comic play by Pierre Beaumarchais. Lorenzo Da Ponte, who also collaborated with Mozart on DON GIOVANNI and COSÍ FAN TUTTE, wrote the libretto, which tells the story of the servant Figaro, and his lover, Susanna, who overcome their employer’s schemes to seduce her and secure their own marital bliss. LE NOZZE DI FIGARO premiered May 1, 1786 at the Burgtheater in Vienna. It has become immensely popular and is among the most frequently performed of all operas. The overture is immensely popular in its own right and is performed regularly in concert settings. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set).2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set)
29772A175319-072E-446F-AA6E-B0285556CD90ST262Adagio and PrestoFrom Blavet's "Sonata No. 6"Tenor Sax, Piano
29782A1955A1-D06D-45B2-8A4F-BDF3B4C86CCAM916802Tu LlegadaTu Llegada is a suite in three movements and was written by Gómez in celebration of the birth of his son Emilio, who was named after the famous twentieth-century Colombian composer Blas Emi lio Atehortua. Atehortua is not only a prolific composer but has been a mentor as a composition teacher to many students including Gómez. Tu Llegada for concert band is based on traditional Columbian dance forms. This work is very tuneful and rhythmic and provides students a wonderful introduction to Latin American Music.Concert Band
29792A1EE963-05E1-4CB5-945D-94B22A42826DA41CColonial Song for OrchestraThis work expresses the composers impressions on the scenery and people of his native land, Australia. The scoring is arranged so that the lead male and female vocal lines can optionally be played by string trio. This edition by Mark Rogers utilizes authentic Grainger source materials to make this the closest version to the composer's intentions anywhere.Full Orchestra
29802A20882B-3809-44AF-BCB1-4494413FF344M215391Five Pieces(not set)Violoncello and Piano