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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
360132DA885A-BCBE-419F-A4AF-859D45B004C7LV306CBGood King Wenceslas(not set)Concert Band
360232DD8646-FEF0-4835-9696-B14B8CC0C91320513001Gaudeamus Igitur(not set)Bb Trumpet Quartet
360332E3789A-11D5-47A6-891D-B0BB125172D6M127191Fantaisie Hungarian(not set)Flute and Piano
360432E5AE2D-D1D2-49E8-98A5-B7773D36116BM265391Toccata Et Variations(not set)Solo Piano
360532E628F8-1DE5-4CBF-91C7-9F6A793C8B07SO152CSymphony No. 2, Mvt. 1This arrangement is a wonderful introduction to the music of one of Mozart’s lesser-known contemporaries. In sonata-allegro form, D Major and ¾ time, the first theme is dramatic and bold, while the second theme is lyric and more delicate. The upper strings share conversational passages, sometimes adding the cellos. The basses have mostly accompanimental and harmonic duty to play. An excellent opportunity for classical performance interpretation, with emphasis on elegance and precision.String Orchestra
360632E63326-3C8B-49E5-B2FF-B5C2B7F53F3DLV725Strolling On A Spring Day (out-of-print)Concert Band
360732E6C579-E8B5-4C71-B389-05A0580CF682A236602Symphony No. 5 in B-flat, Op. 55Returning to the 4-movement symphonic form, Alexander Glazunov (1865-1936) completed his SYMPHONY No. 5 in B-flat major, Op. 55, in 1895. He premiered the work at the Hall of the Nobility in St. Petersburg on November 17th of the following year, conducting the RMS Orchestra. It contains elements of thematic transformation and is often called the "Heroic" due to the broad, Wagnerian development of its themes. The symphony inspired young composer Igor Stravinsky to write his Symphony in Eb. Instrumentation: 3(3rd d.Picc).2.3(3rd d.BCl).2: 4.3.3.1: Timp.Perc(4): Hp: Str (9.8.7.6.5 in set). Reprint edition.3(3rd d.Picc).2.3(3rd d.BCl).2: 4.3.3.1: Timp.Perc(4): Hp: Str (9.8.7.6.5 in set)
360832EB055D-6DC5-4772-A268-24CF41197138EBM0620065Concerto for Trumpet and Wind EnsembleRecorded on Fantastique – Premieres for Trumpet and Wind Ensemble by Eric Berlin and the UMass Wind Ensemble, James Patrick Miller, cond. on MSR 1506. Movements: 1. Circus, 2. Dirge, 3. Chase …elegantly work[s] Ivesian disjunctions into a traditional framework. – All Music Guide …an imaginative sonic spectacle… – Albany-Times Union The finale (Chase) has a madcap quality and recalls some of the more humorous music of Shostakovich. – Classical.netTrumpet, wind ensemble
3609330A877A-0C62-427C-9079-FB054FA6AADAA912502Romanza Andaluza
3610330ABFD1-3A02-4C24-99D9-463E54ADCD01RCSS819Flute Family SketchFlute trio
3611330ED6C3-36AE-4308-8D77-B22611F0CA83S16LITTLE BOY BLUES (OUT-
361233179A07-2CB3-4180-B1B8-12785E6FA25C52250539We Three Kings(not set)String Orchestra
3613331A3793-887F-4AD5-A819-B729681F2F5650100229Yeti Dance! (An abominable piece of music)An abominable piece of music and that's snow joke! The legend of this creature comes to life as we hear the ponderous sound of his heavy footsteps approaching out of the snowy darkness. Carefully written with very playable parts, your young bands will be able to perform this fun musical representation that everyone will enjoy. All in all, this is a terrific number for the end of the first year of band.Concert Band
3614332001D6-A364-4A1B-8C9E-A0CE0FDB9F8450752004Ten Baroque Guitar TriosA chance for your students to experience ensemble playing through Baroque masters Bach, Handel, and Telemann. Contains good keys, nice rhythmic variety, shifting, and good fingerings! Contents: Gavotte (from French Suite 5); Gavotte (from French Suite 6); Minuet (from French Suite 1); Minuet (from French Suite 1); Sarabande (from English Suite 5); Gigue (from Suite 8); Gavotte (from Dance Suite 4 in A minor); Louré (from Dance Suite 4 in A minor); Minuet (from Dance Suite 4 in A minor); Rigaudon (from Dance Suite 3 in A).Guitar Trio
3615332172C6-6BAE-4AE2-A200-BCA0A9577670ST487COInstant Festival, Set D1(not set)Mixed Instruments
3616332351D8-4B04-4F3D-82C0-6C5972E23087X930001For the Blessings(not set)3-part Women's Chorus
36173323AD14-FB14-44AD-8155-F07AE01D5030X110013Tesuque Morning(not set)Flute Solo
3618332413C8-1F81-4B35-B635-6F18C8909A07A135702Scottish Fantasy (Schottische Fantasie), Op. 46 for Solo Violin and OrchestraWritten in 1880 and premiered on February 22, 1881, by the Liverpool Philharmonic Society under the direction of the composer, with Joseph Joachim performing the solo violin, the SCHOTTISCHE FANTASIE (SCOTTISH FANTASY), Op. 46, is one of several Max Bruch (1838-1920) works that is still widely heard today. Despite having not yet visited Scotland, Bruch became familiar with Scottish folk melodies from a collection at the Munich library and incorporated several such melodies in the work: "Through the Wood Laddie," "The Dusty Miller," "I'm A' Doun for Lack O' Johnnie," and "Hey Tuttie Tatie" (or "Scots Wha Hae"). The orchestra includes a harp, which has prompted many to wonder if Bruch was aware of the central role the Celtic harp plays in authentic Scottish folk music, or if the inclusion was merely a coincidence. Instrumentation in set: 2.2.2.2: 4.2.3.1: Timp.Perc: Hp: Str (9-8-7-6-5): Solo Violin.2.2.2.2: 4.2.3.1: Timp.Perc: Hp: Str (9-8-7-6-5 in set): Solo Violin
361933248DDB-05B6-4926-98A4-9018746BBD64SS73Song of the Pines for TrumpetCan be played on Bb trumpet, cornet, or tenor saxophone.Trumpet or Bb Tenor Sax
3620332E3F9E-C169-4BE3-8749-90DE772968AAA912802Overture to the Field of HonorFrench Original Scoring Opera/Overture1+1, 2, 2, 2 - 4, 2, 3, 0, timp, perc, str