Titles

Create Title

Showing 2,481-2,500 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
24812317D070-CF85-4848-A4D1-C3A070D11DA752730106Christmas Carol Fantasies for Cello and PianoCello and Piano
2482231EB91A-A352-454A-B051-7AB9FDCD6BD7ST742CanonThis gorgeous setting of Pachelbel's famous Canon in D for two violins and piano or organ is one of many arrangements available from the publisher. It is part of the Andrew Gurwitz Memorial Series of music for strings.Violin Duet and Keyboard
248323266CE0-5D99-4D66-8412-FA5F97DAFAADR00308Hard CellsFreund describes the musical structure of Hard Cells as comprised of "metallic, hard-edged, unyielding building blocks of sound. Rather than allowed to grow, develop and blend into an organic flow, they are contexted by repetition, superimposition and juxtaposition." This hard-shell cellular approach to the character and structuring of material could be seen as what distinguishes Stravinsky from Bartok, Scarlatti from Bach, and rock from jazz.Flute, Oboe, B-flat Clarinet, Bassoon, Horn, Trumpet, Trombone, Percussion(1), Piano, String Quintet
24842329DD67-2E80-412F-A144-5BFEF1DE9594A848302Songs to Poems by Rueckert; No. 4: Um Mitternacht, low voice (G minor, transposed)Gustav Mahler (1860-1911) composed Songs to Poems by Rueckert (Songs after Rückert; Rückert-Lieder) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the poet Friedrich Rückert and the themes. But they were published together, first as Sieben Lieder aus letzter Zeit (Seven Songs of Latter Days) with two additional Mahler songs, then with only the five songs. They have simply come to be known as Rückert-Lieder and are now most frequently performed together, although Mahler did set other Rückert poems aside from these five. Mahler orchestrated the first four songs himself, while the fifth song, Liebst du um Schönheit, was orchestrated after Mahler's death by Max Puttmann. The fourth song, Um Mitternacht (At midnight hour), was written in the summer of 1901, and it premiered among the other first four songs on January 29th, 1905, in Vienna, Mahler conducting. While the other four songs are more lyrical, the fourth stands out as a more austere symphonic ode, with hymn-like settings for the orchestra that include broad contrapuntal lines and a grand brass chorale. Versions in A minor, B minor, and G minor are available from the publisher. Instrumentation: 2.0+Obd'a.2.2+CBsn: 4.2.3.1: Timp: Hp.Pno: Solo Voice.2.0+Obd'a.2.2+CBsn: 4.2.3.1: Timp: Hp.Pno: Solo Voice
2485232BC8BD-BEEA-4916-ACF9-F0F6E2733FB4M131291Three Pictures(not set)Flute and Piano
2486232C6279-CCCC-427E-BB4C-0B58CABB6EF6M911602Dance of the Comedians from the Bartered Bride for BandConcert Band
2487232E7210-66E1-4B03-B944-8192F1C40883R00522Circuits: A Concert Overture for Chamber OrchestraUses fewer winds, brass perc, removing optional players from the full vers. Same orchestration.2.2.2.2: 2.2.1.0: Perc(3): Str
2488232FF29C-02F9-4089-A964-7E650F900DF6X652502Quintet for Clarinet and StringsCommissioned and recorded by Music in the Mountains Festival Players, Albany Records. Movements: I. Flowing II. Lively and Light III. Variations on a Catskill Moutain FolksongB-flat Clarinet, String Quartet
248923305F77-6031-4260-82F1-E0DA978A4452M270191Poemes Juifs Op.34(not set)Voice and Piano
24902332BD12-C555-4891-87C0-20F0BDED7E8052703029Easy String Quartets, Vol. 3Volume 3 explores major and minor keys up to 2 flats, violin 1 will play to 3rd position and the cello part also has minimal shifting. The nine tunes are very accessible rhythmically and these are quite appropriate for an accomplished middle school group. Contents: Linstead Market, I Love My Love, Still, Still, Still, Danny Boy, Down By the Salley Gardens, Jack Was Every Bit a Sailor, Bourree (Stoltzer), and Minuet and Gigue (Handel).String Quartet
2491233348BB-C9AC-455A-A683-3289F16EC02920532418Crusaders VariationsCrusaders Hymn is one of the best known and most loved hymn tunes in the world. It is a folk tune of unknown origin having nothing to do with religion and was first published in 1842. The editor reports hearing it being sung by haymakers in Silesia (now a section of southern Poland). This arrangement consists of a statement of the theme with some individuality of parts, followed by two short variations, first in a Viennese waltz style, and culminating in a march style in 3/4 meter somewhat resembling a polonaise. Range is quite limited from Eb above the staff down to Ab bottom space making this an excellent choice for developing players. It is in the key of E-flat major all through. Parts are well marked for style, articulation, dynamics and phrasing to aid in playing it musically.Trombone Trio
2492233421C3-4637-492A-8F0E-0BE32BC1880DM324091Music At Midnight(not set)Solo Piano
249323348C79-D50E-4C75-8978-4733604F6DE3A728690War March (Seredy ed.)(not set)1, 2, 2, 2 - 2, 2, 1, 0, timp, str
24942339007F-BA63-499A-8FD7-1BCCCA0E1857W100991Two Rhapsodies for Oboe, Viola and PianoTwo Rhapsodies was rescored for oboe, viola and piano by Charles Martin Loeffler (1861-1935) in 1901 from his Rapsodies for voice, clarinet, viola and piano. It was inspired by two poems by Maurice Rollinat. Movements: I. L’Etang (The Pool), II. La cornemuse (The Bagpipe).Oboe, Viola and Piano
2495233A15D4-C572-42C7-A921-89A873157434M117091Sonate da Camera a Tre, Op. 1, Vol. 2 (Nos. 7 - 12; 12 Trio Sonatas)This collection of SONATE DA CAMERA A TRE, Op. 1 (12 TRIO SONATAS) is edited by Walter Upmeyer for two violins and realized continuo (violoncello and optional keyboard) and offered in two volumes. Volume II includes the following: 7. Trio Sonata in E-flat major, RV 65; 8. Trio Sonata in D minor, RV 64; 9. Trio Sonata in A major, RV 75; 10. Trio Sonata in B-flat major, RV 78; 11. Trio Sonata in B minor, RV 79; 12. Trio Sonata in D minor, RV 63 'La Follia'.2 Violins and Realized Continuo (Violoncello and opt. Keyboard)
2496233CCFE9-9FC9-4AD5-AC70-146C7F7A287F50100234Bonnie Blue"The Bonnie Blue Flag" is an 1861 marching song from the American Civil War. Deriving its tune from an Irish song, with lyrics penned by Harry McCarthy, it won popularity in both Union and Confederate armies.Concert Band
2497233CE026-E69B-4CC2-A074-58D47FA90DC1W724591Three Pieces(not set)Organ Solo
249823403B13-DF09-4F32-952D-E16570853F89S957CBDexter Park CelebrationThe work opens with a dramatic brass fanfare before moving to a spirited allegro. The slower middle portion is rather "jazzy" in character with a trumpet solo. After several statements of this lush song, the faster music returns before the opening fanfare reprises, closing the piece in dramatic fashion. Includes generous cross-cuing to enable performances with smaller instrumentations.Concert band
249923407bce-9e3b-11f0-a418-0022482c9682M347791Sixteen Songs, Book 2This collection of Georges Bizet's (1838-1875) SIXTEEN SONGS is spread over two books. Book 1 contains songs composed between 1860-1868: La sirène, Ouvre ton cœur, Pourquoi pleurer, Voyage, Aubade, La nuit, Le doute! and Conte. Book 2 contains songs composed between 1872-1868: Aimons, rêvons!, La chanson de la rose, Qui donc t'aimera mieux?, Le gascon, N'oublions pas!, Si vous aimez!, Pastel and L'abandonnée. Lyrics are by Catulle Mendès, Louis Delâtre, Philippe Gille, Paul Ferrier and Jules Barbier.Voice and Piano
250023424019-37D5-4A52-A980-BA9BB5CA9112ST339SonataGuitar Unaccompanied