Titles

Showing 2,521-2,540 of 17,576 items.

#	ID	Titlecode	Title Name	Marketing Copy	Instrumentation

2521	238F7604-39C3-4134-9392-CA3D50EBEE85	M289091	Pieces for Small Organ Book 1	(not set)	Organ
2522	238FF594-1D5C-4BDD-96CB-9253836ADA48	SC103	Blue Bonnet, Flower Of Texas		Ssa
2523	23904685-3317-4B8E-BDEB-9A05003A915A	X510009	Capriccio per Krzysztof Penderecki	For Krzysztof Penderecki,in celebration of his inspired music,his dedicated teaching,and his 60th birthday. Revised 2008 for his 75th birthday.	Solo Violin
2524	239EE970-7CF6-47EE-88B6-3625C0991525	R00764	El Salon Medico	(not set)	2+Piccolo.2.2.2: 4.2.3.1: Timpani.Percussion(3).Piano: Strings
2525	23A0C712-5DD2-46A0-85D0-07CB7A7F444B	ST23	Eighth Solo, Op. 52 for Alto Saxophone and Piano	The "Eighth Solo" Op. 52 was originally written for oboe. This arrangement for alto saxophone by Lucien Cailliet for Eugene Rousseau, professor of saxophone at Indiana University.	Alto Sax and Piano
2526	23A1F0F2-A189-4A4B-808F-A602B8FE7844	B554	Standley Routine	Standly was the renowned hornist for the Pittsburgh Symphony for most of the 1950's. His routine stresses the fundamentals of horn playing, balancing strength and flexibility of technique.	Horn
2527	23A68DA7-8BD8-42C4-AF78-1697140EB5AF	X504043	String Quartet No. 2	Composed for the Stanford String Quartet for their tenth anniversary season in 1994; this vibrant, engergetic, joyful piece is virtuosic for all instruments. The first movement is full of outgoing gestures: noisy chords, bustling thematic material and a joyous melody. The second movement is a lullaby with a chaconne sung above it by a solo violin and contrasts the third movement's pizzicato feature. Recorded by the Stanford String Quartet, Laurel Record CD LR-858.	String Quartet
2528	23AC7C1E-5573-4F65-8585-3994FC3AE6F8	S698CB	T.G.I.F. March	(not set)	Concert Band
2529	23ADA1ED-F393-4AA9-85A4-D0CF420D0FEA	X531018	Enchanted Gardens	(not set)	Cello, Piano
2530	23B683AC-921F-4810-B9CC-9B8B5CF34ABE	EBM0660017	Three Donald Hall Songs for Medium Voice and Mixed Quintet	The Piano Reduction is offered for sale within the collection Concert Songs, Vol. 1. NOTE: the ensemble parts match only the Medium Voice version, which is the original version. The High version is a transposition. Movements: 1. Horse Song, 2. O Cheese, 3. Wheel of the Oxcart	Low or Medium Voice, Flute, Clarinet, Horn, Cello, Piano
2531	23B6932E-D900-4FFA-AAA7-B7A11EC69910	A820202	Planets, The (Op. 32/H125), No. 4: Jupiter, the Bringer of Jollity	Writing it between 1914 and 1917, Gustav Holst (1874-1934) was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913. Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time and imbue the music with the appropriate astrological meaning. Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness. Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, "Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it." Both "Mars, the Bringer of War" and this excerpt of "Jupiter, the Bringer of Jollity" are the most popular and well-known movements in the suite. This critical edition of the "Jupiter" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript. Instrumentation: 2+2Picc.3+EH.3+BCl.3+CBsn: 6.4.3.2: Timp.Perc(4): Hp(2): Str(9-8-7-6-5 in set).	2+2Picc.3+EH.3+BCl.3+CBsn: 6.4.3.2: Timp.Perc(4): Hp(2): Str(9-8-7-6-5 in set)
2532	23B8B366-91A2-4F12-ABE3-107B147CB3E3	X121004	Antics	A three-minute piece for oboe and piano	Oboe, Piano
2533	23B9EDF4-557B-400D-8770-2F3C3D58C5B7	M906102	Deck the Halls (With Boughs of Holly): A Christmas Carol for Concert Band	The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season. Choral scores for each work are available separately. Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High. Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas.	Concert Band
2534	23BA26FE-D0F6-4E9E-B115-E4EF82999F31	R00921	Orpheus	This is the myth of Orpheus, whose magical playing of the ancient lyre charmed beasts and moved stones and trees to follow him. Commissioned by the Cleveland Chamber Symphony 1994.	Narrator (Baritone), 3 speakers (Tenor, Bass, Soprano)1.1.1.1: 2.2.1.0: Timpani.Percussion(2).Piano.Harp: Strings
2535	23BDDADE-55E8-4ED3-A1D4-24F2872D4140	MP154001	Rhapsody for Sax Quartet: Firestorm	Composed for the Berlin Saxophone Quartet. Subtitled "Firestorm", the work is written for SATB saxophones.	Sax Quartet (SATB)
2536	23C7B373-D79E-49FA-ABF4-0863795100D4	B525	Viola Theory for Beginners, Book 2		Viola
2537	23D6B3C2-B344-4220-B44F-26A382CF2272	S891CB	Good King What's His Face Goes on Holiday	This arrangement begins on the theme of "Good King Wenceslas" and quickly launches into a toungue-in-cheek mash-up of holiday favorites.	(not set)
2538	23D7DE66-8203-454F-8210-A61F6C961EA0	SU388	Sonata for Two Flutes		Flute Duet
2539	23DC267D-9048-4EAA-A20B-0445909E2F3E	SS111	Concertino		Trumpet
2540	23DE4211-11D8-4F29-970E-31172B0B39E3	A274902	Christ on the Mount of Olives (Christus am Olberge), Op. 85: Hallelujah (Welten singen Dank und Ehre)	Christus am Ölberge (Christ on the Mount of Olives), Op. 85 is Ludwig van Beethoven's (1770-1827) only oratorio. It is a unique approach to the story of Jesus Christ as it cuts off before the Crucifixion and Resurrection, making instead a much more personal portrayal of Jesus in the Garden of Gethsemane, struggling with his own emotional turmoil before ultimately acccepting his fate. While the complete oratorio is among Beethoven's most rarely performed works, the finale chorus Welten singen Dank und Ehre, frequently referred to as the Hallelujah Chorus, has become very popular around the globe and frequently performed by church, high school, college, and professional choirs. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set).	2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set)