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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
246122cbe803-9e3b-11f0-a418-0022482c9682M344291Il Pleure dans mon Coeur (No. 2 from Ariettes Oubliees, L. 60)Claude Debussy (1862-1918) composed the six songs he would in 1903 title ARIETTES OUBLIÉES (FORGOTTEN SONGS), L. 60/ CD 63, between 1885 and 1887. Each song is a setting of the poetry of Paul Verlaine, a poet doing with words what Debussy trying to do with music. Two of the songs premiered on February 2, 1889, at the Société nationale de musique in Paris, Maurice Bagès singing with the composer at the piano. The second song in the cycle, IL PLEURE DANS MON CŒUR, compares the falling of rain to falling tears, with the almost continuous eighth notes in the piano meant to represent raindrops as a melody full of sadness floats over the accompaniment. This transcription for violin and piano was completed by violinist Arthur Hartmann and served as the impetus that propelled Debussy and Hartmann into a long friendship. Reprint edition.Violin and Piano
246222D07335-4C2C-4027-A2BD-B1483B650B7652730597Developing Virtuosity bk. 1 - CelloVolume 1 begins with open strings and basic notation, rhythms, and bowing skills. New notes, notation, and bowing skills are added in logical progression, reinforcing both right- and left-hand technique and developing the cognition for string performance. This book introduces students to: the basic major and minor tetrachords on all four strings; essential rhythmic notation from whole notes through eighth-note patterns; left-hand techniques such as easily played double stops, left-hand pizzicato, differentiating whole and half steps; and a variety of bow techniques. Audio available online.Cello with Bonus Online Media Bundle
246322d4c4e4-9e3b-11f0-a418-0022482c9682M344391Songs Without Words (Lieder ohne Worte), Book 4SONGS WITHOUT WORDS (LIEDER OHNE WORTE) is an eight-volume collection of short lyrical piano works, written by Felix Mendelssohn (1809-1847) between the years 1829 and 1845. Each volume, five of which were dedicated to women including his friend Clara Schumann, consists of six songs of varying mood and character. This is the fourth book of arrangements for violoncello and piano in a four-volume collection by Alfred Piatti. Included in Book 4: Op. 85 (Nos. 37-42); Op. 102 (Nos. 43-46, 48). Reprint edition.Cello and Piano
246422D90104-57A4-4E77-B617-58ACC3E4CFA110710201Chanson de Matin(not set)Violin and Piano
246522DA5D93-8A8E-419F-8AEA-3C7915322A1CM980802POP - See A000801 - Cavalleria Rusticana: Intermezzo Sinfonico (added orchestrations)Concert Band
246622ddbc3e-9e3b-11f0-a418-0022482c9682M344491Concerto for Violin in D minor, Op. 8Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still very much a product of the Romantic era tradition, the work is not considered as distinctive as the works he would produce only a few years later, and Strauss himself later ridiculed the work. Still, with inventive and bold writing in the solo and hints of his mature harmonic style to come, there is much to enjoy in the work, including its warmth, youthful sincerity, and lyrical expression, so that it should not be dismissed as mere juvenilia, either by contemporary audiences or Strauss himself. The chamber version of the concerto was first performed in Vienna on December 5, 1882, with the dedicatee Benno Walter on the violin while Strauss played his own piano reduction. The premiere for the orchestral version would take place seven years later in Cologne on March 4, 1890, with Walter again performing the solo with an orchestra conducted by Franz Wüllner.Violin and Piano
246722DE7D04-604B-4C59-8465-26CB522971C9S111012Encores for FluteFlute, Piano or Flute Duo, with or without Piano
246822E12658-BD23-46C9-B0B8-7BBCAD934B96X210007Ghost WindFor Meryl Koenig.Horn solo
246922E2804E-51AF-4A73-9A4B-E27B50B10C0910410191Csardas(not set)Flute and Piano
247022fe6c09-9e3b-11f0-a418-0022482c9682M345491Matinee Musicale, Book 2MATINÉE MUSICALE is a collection of ten songs written by Gaetano Donizetti for one, two or four voices. Divided into two books, book 2 contains 5 songs: La Gelosia (Duet), L’Addio (Duet), La Corrispondenza amorosa, La Campana (Quartet) and Rataplan (Quartet).One, Two or Four Voices
247123070eef-9e3b-11f0-a418-0022482c9682M345591Sixteen Songs, Book 1This collection of Georges Bizet's (1838-1875) SIXTEEN SONGS is spread over two books. Book 1 contains songs composed between 1860-1868: La sirène, Ouvre ton cœur, Pourquoi pleurer, Voyage, Aubade, La nuit, Le doute! and Conte. Book 2 contains songs composed between 1872-1868: Aimons, rêvons!, La chanson de la rose, Qui donc t'aimera mieux?, Le gascon, N'oublions pas!, Si vous aimez!, Pastel and L'abandonnée. Lyrics are by Catulle Mendès, Louis Delâtre, Philippe Gille, Paul Ferrier and Jules Barbier.Voice and Piano
247223076E8E-AC1A-4EE6-9399-71987D30F128SF2115PPraises (flexible ensemble)Flexible instrumentation
2473230E6664-AE42-4BC9-BC53-1CEF6A95ABB8R00627He Hath Put All Things under His Feet for SATB Chorus and Chamber EnsembleCommissioned by Christ Church Cathedral, IndianapolisSATB Chorus: Woodwind Quintet, String Quintet
2474230F185B-9D61-460A-B368-76AE5C5802A520100760Savage DanceAndrew Balent's SAVAGE DANCE is a driving, primitive dance of an imaginary ancient people. It could have been used at a festival or large public gathering with the intention of lifting the spirits of its audience. Hand clapping adds excitement and gives an opportunity to reinforce rhythmic precision and subdivision. This work is excellent for concert, contest, or festival presentations.Concert Band
2475230F3A4A-B680-4473-9726-0A29A2E9773CS302POP out of print: AbendliedMarching Band
2476230FA195-6617-4F44-B405-F241B9C00B35RCSS450Berceuse: only in Solos for the Debutante FlutistFlute, Piano
247723122951-7EB5-4247-A360-C7E9D20E542EST414COChorale and DanzaThe "Chorale" in this two movement work is majestic and solemn, while the "Danza" offers the players the opportunity to let their technical skills shine in this fast, rhythmically driven piece. Instrumentation: Eb clarinet, 2 1st Bb clarinet, 2 2nd Bb clarinet, 2 3rd Bb clarinet, 2 Eb alto clarinet, 2 Bb bass clarinet, 1 Eb contra-alto clarinet (optional), and 1 BBb contrabass clarinet.Clarinet Choir
247823146C42-EDA5-4D38-B9FA-838865A6E6A0M224891Italian Songs and Arias of the 17th and 18th Century, Set 3(not set)Voice and String Quartet or String Orchestra
247923155EDC-0775-40B7-80F7-CF1BA29FF003SS15Decrescendo (out-of-print)Snare Drum
24802317B995-885B-4321-8F52-F20E70D885F150100043Handel In The Strand for BandFaithfully transcribed by Grainger expert Dana Perna, Handel in the Strand is a work every band of appropriate experience and skill should perform. The instrumentation is full, and includes harp and piano parts. This is the critical edition of the Leopold Stokowski recording of Grainger's work, and is approved by the International Percy Grainger Society.Concert Band