Titles
Showing 2,401-2,420 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 2401 | 21D3B5AD-49B7-4A50-B7FD-930720D45C94 | X121009 | Mistral for Oboe and Harp | A nine minute work in one movement. | Oboe, Harp | |
| 2402 | 21DACE61-0B7A-4000-AF38-80C02E83D3A6 | M199191 | Miniatures, Set 3, H. 89 (Nos. 7-9) | Published in three sets, Frank Bridge composed these piano trios for one of his violin students, Betty Hanbury, and her sister Rachel who studied the cello. Although these miniatures are written for students, they could be managed technically by any beginning intermediate player. Set 3 includes: 7. Valse Russe, 8. Hornpipe, 9. Marche Militaire. Set 1 and 2 are available from the publisher. Reprint edition. | Violin, Violoncello and Piano | |
| 2403 | 21DBB01D-20AE-4DC4-BA73-D97040AA0100 | B584 | Arias for Two Flutes and Piano | Sir James Galway first came upon Gilbert and Sullivan’s wonderful operettas while playing with Sadler’s Wells Opera orchestra, which later became the English National Opera. This album for two flutes and piano, created with longtime collaborator and arranger David Overton contains: • Dance a Cachucha (Gondoliers) • If we’re weak enough to tarry (Iolanthe) • None shall part us (Iolanthe) • We’re called Gondolieri (Gondoliers) | 2 Flutes, Piano | |
| 2404 | 21DC2AC4-EAE9-4F9A-97E8-2E34097ABDED | A43C | Fanfare to the Northern Sky | (not set) | Full Orchestra | |
| 2405 | 21DE04BB-B5C3-4CDD-BF8C-CCEDDDFCA16A | R00884 | Hommage | String Quartet (optional Double Bass) | ||
| 2406 | 21E0DFF3-2764-4D05-B6B1-C5787F6393F4 | A887902 | Coppelia (reduced) | Léo Delibes' (1836-1891) COPPÉLIA (1870) is a comic ballet that tells the story of a sinister doctor who has made a beautiful, life-sized dancing doll (the title character) and the young man who becomes infatuated with the doll, setting aside his heart's true desire, his fiancé. One of Delibes' ballets that helped to redefine the importance of music in the art form, COPPÉLIA remains a standard part of the ballet repertoire. In the creation of this reduced orchestration by William McDermott, no score was produced. It is suggested that those wishing to perform this reduction conduct from William McDermott's full orchestration edition (A139601). Instrumentation: 2(2nd d.Picc).2(2nd d.EH).2.2: 2.2.1.0: Timp.Perc(2): Hp. Str (4.4.3.3.3 in set). | 2(2nd d.Picc).2(2nd d.EH).2.2: 2.2.1.0: Timp.Perc(2): Hp. Str (4.4.3.3.3 in set) | |
| 2407 | 21E25A97-8CAE-4840-A848-16066AAF8CED | B500502 | The Thunderer | Concert Band | ||
| 2408 | 21E30CA8-58E7-47F8-B626-828706B2884D | MP816502 | Three Donald Hall Songs for High Voice and Mixed Quintet | The Piano Reduction is offered for sale within the Hal Leonard collection Concert Songs, Vol. 1. (HL00117083.) NOTE: the ensemble parts match only the Medium/Low version, which is the original version. The High version is a transposition. Movements: 1. Horse Song, 2. O Cheese, 3. Wheel of the Oxcart. Written for high voice, flute, clarinet, horn, cello, and piano. | High Voice, Flute, Clarinet, Horn, Cello, Piano | |
| 2409 | 21EA8143-AFB4-4192-B7F1-1D4F68BEC6BE | R00309 | POP- See S937CB: Jug Blues and Fat Pickin' | An important and original work, with an extensive performance history throughout the US by major college wind ensembles, festivals, and high school bands alike. | 3+2 Piccolos.2.3+Eb Clar+2 Bass Clarinet+ContraBCl.2.AATB Saxes: 4.3.3.2 Euph.1: Timp.Perc(3) | |
| 2410 | 21eb19ca-9e3b-11f0-a418-0022482c9682 | M337691 | Songs Without Words (Lieder ohne Worte), Book 1 | SONGS WITHOUT WORDS (LIEDER OHNE WORTE) is an eight-volume collection of short lyrical piano works, written by Felix Mendelssohn (1809-1847) between the years 1829 and 1845. Each volume, five of which were dedicated to women including his friend Clara Schumann, consists of six songs of varying mood and character. This is the first book of arrangements for violoncello and piano in a four-volume collection by Alfred Piatti. Included in Book 1: Op. 19 (Nos. 1-4, 6); Op. 30 (Nos. 7-12). Reprint edition. | Cello and Piano | |
| 2411 | 21EC1AAF-9C0E-406B-91F5-9C4E5BE09C12 | A738402 | I Traci Amanti: Overture (Napolitano) | 0, 2, 0, 2 - 2, 0, 0, 0, str | ||
| 2412 | 21F30AEE-0B20-40E1-949E-EF863C14C2F5 | X647301 | Musics of Memory for Piano, Marimba, Guitar and Harp | This quartet for piano, guitar, marimba and harp was inspired by the writings of neuroscientist Antonio Damasio. In it, the piano represents a human being whose lived experiences are mapped in brain areas that are represented by the guitar, marimba, and harp. Like the piano, the other three instruments are polyphonic and so can "map" harmonic content as well as melodic and rhythmic content expressed by the piano in the first movement, "Lived Experience". This mapping is not passive but rather involves active contributions from inside the brain. The three remaining movements take the performer and listener alike through the journey of these mapped memories. Movements: I. Lived Experience, II. Mapping, III. Reassessed, Rearranged, IV. Recollection | Piano, Guitar, Marimba and Harp | |
| 2413 | 21f4b2e7-9e3b-11f0-a418-0022482c9682 | M337891 | Introduction and Allegretto from Namouna | French composer Édouard Lalo (1823-1892) composed the two-act ballet Namouna (based on the memoirs of Jacques Casanova) between 1881 and 1882 for a commission from Théâtre de l'Opéra in Paris, although health issues resulted in help from Charles Gounod to finish the scoring. Lalo then dedicated the ballet to Gounod. The flute solo from the Danse de Namouna (Introduction et Allegretto) in act 2 is, however, dedicated to famous flutist Paul Taffanel. This version of the Introduction et Allegretto for flute with piano accompaniment was released in 1883. Reprint edition. | Flute and Piano | |
| 2414 | 21F5E80E-7B22-44D4-A458-505D0B64F9D0 | S633CB | Secular Litanies | (not set) | (not set) | |
| 2415 | 21FA1854-46B8-4A24-8419-A12C905C5DF5 | A270302 | Magnificat in B-flat [Spurious attribution to Pergolesi] | This wonderful, short choral masterpiece has a confusing heritage. Spuriously attributed in 1910 to Giovanni Battista Pergolesi (1710-1736), the six-movement MAGNIFICAT was actually composed by Francesco Durante (1684-1755), proven by a signed manuscript housed in Naples. Highly esteemed by his contemporaries and described as "one of the greatest Italian church composers and composition teachers of all time," Durante was Pergolesi’s teacher, which may be where some of the confusion regarding this work’s composer may have originated. Undoubtedly one of Durante's most important compositions, this work is one the most significant settings of this text (derived from Luke 1:46-55) in cantata form, masterfully combining the traditional polyphonic notation with modern, early Classical elements. Regardless of attribution, the work remains, next to Vivaldi’s GLORIA and Pergolesi’s STABAT MATER, among the most familiar pieces of 18th century Italian sacred music. This edition has been edited by Clayton Westermann. Movements: I. Magnificat, II. Et Misericordia, III. Deposuit, IV. Suscepit Israel, V. Sicut Locutus Est, VI. Sicut Erat in Principio. Instrumentation: Org: Str (2-2-2-1-1 in set): Solo SATB: Mx Chor. | Org: Str (2-2-2-1-1 in set): Solo SATB: Mx Chor | |
| 2416 | 21FAC66F-F9C8-411E-969D-1F6D9A743443 | SS639 | Weeping Willow Waltz | 2 Snare Drums | ||
| 2417 | 2201B9DD-44F9-48E2-93E1-841F00B9EF57 | SS882 | Sonata No. 4 in C | This four movement sonata (BWV 1033) was originally written for flute and continuo (harpsichord). This version for tenor saxophone or soprano saxophone and piano was arranged and transcribed by Harry Gee. Movements: I. Andante-Presto, II. Menuetto I & II, III. Adagio, IV. Allegro | Tenor or Soprano Sax, Piano | |
| 2418 | 2208CAEE-256F-4FE8-A679-7FE7CB1AC235 | M337591 | L'Organiste Liturgiste, Op. 65, Bk. 6 | French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 10 books of "L'Organiste liturgique" is available from the publisher. | Organ | |
| 2419 | 220BFA58-CCC4-4D30-9096-792C33D28F65 | R01607 | Andrew and the Mystic Trumpeter | Written as a narrative with animal and human characters much in the same vein as Prokofiev's "Peter and the Wolf," the story of "Andrew and the Mystic Trumpeter" promotes themes of perseverance and practice in trying to accomplish your goals, told through both narration and through music. This wonderful educational composition is perfect as the centerpiece of a family concert. | Narrator: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3) Str | |
| 2420 | 220E75C2-A3FE-4F09-AD3E-20521DA6AA48 | SS746 | Sonatina | Flute Quartet |