Titles
Showing 2,341-2,360 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 2341 | 20FC8179-6C43-43CD-A1DE-B05FA1590FEE | A838402 | Summer Nights, Op. 7 (Les nuits d'ete): 5. Au Cimitiere: Clair de lune (transposed in Bb) | The song cycle LES NUITS D’ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its facets, progressing from youthful innocence to loss and renewal. Originally composed in 1841 for solo vocalist and piano, Berlioz completed orchestration of each of the six songs in 1856. While regrettably neglected for many years, this song cycle was rediscovered in the 20th century and has become one of the composer's most popular works. The songs in the original keys (1. A; 2. B; 3. F minor; 4. F-sharp; 5. D; 6. F) are available from the publisher both as a complete set (A2573) and individually. Robert Sutherland has edited five of the songs in the cycle and has transposed each in multiple keys to expand the work to more vocalists. Songs completed by Robert Sutherland: 1. Villanelle (E, F, and G), 4. Absence (Db, D, Eb, and E), 5. Au Cimetie?re, Clair de lune (Bb, B, and C), and 6. L'lle inconnue (D, Eb, and E). A transposition of 2. Le Spectre de la rose to D and a transposition of 3. Sur les Lagunes to g minor is also available from the publisher. Au Cimetie?re: Clair de lune (At the Cemetery: Moonlight) is a lament after the death of a beloved, where the bereaved lover has visited the graveyard and is disturbed by a ghostly vision of the past lover. Instrumentation: 2.0.2.1: 0.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (medium voice). Newly engraved edition. | 2.0.2.1: 0.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (medium voice) | |
| 2342 | 20FEE14F-1419-4570-B606-77705DB19D24 | A907501 | Pilgrim's Song (E major) | |||
| 2343 | 21056379-8492-4AED-AD17-B11297AE2442 | R72 | Hornascope for Horn and Band | (not set) | Horn Solo, Concert Band | |
| 2344 | 210CDB2E-6036-414F-B1C3-81520849443D | SC599 | Soon O'er the Mountian | This piece is also available for SSA voicing. | Sa | |
| 2345 | 2110DD49-649A-412C-99F8-ECB2FE594720 | 59250001 | WOW! for String Orchestra? | "WOW" for string orchestra is a great new way to integrate basic bowing patterns and ensemble playing into one fun experience. Everybody plays the same rhythms, but each section has different harmonized notes -- and there are 5 popular styles of music to play. A terrific addition to level 1-2 performance programs! | String Orchestra | |
| 2346 | 211399A2-1E1E-4CC7-B3A7-1B507AF52448 | SC797 | As I Went a Roaming | (not set) | SSA | |
| 2347 | 211B941A-CACB-4992-A046-531A7E9792A3 | M375091 | L'Organiste Pratique, Op. 59, Bk. 12 | French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 12 books of "L'Organiste Pratique" is available from the publisher. | Organ | |
| 2348 | 2122D476-1F0C-48F7-A730-AB364C52CC93 | 10100276 | Hill Song II | On both "Hill-Songs," Percy Grainger writes: "My Hill-Songs arose out of the thoughts about and longings for the wilderness of hill countries, hill peoples, and hill musics (such as the Scottish Highlands, the Himalayas, the bagpipes, and the like.) "Hill-Song II" is the result of a wish to present the fast, energetic elements of "Hill-Song I" as a single-type whole, without contrasting types of a slower, more dreamy nature." | 2(2dPicc).1+EH.2+BCl(subBsn2).1: 2.1.1.0: Perc: Org(2): Pno 4Hands(2) | |
| 2349 | 2122DD3B-9B68-4BFF-A4AD-EE2A83D4E944 | 52783004 | Music of Antonio Carlos Jobim for Piano Trio | Four tunes (two ballads, two dances) from the Brazilian creator of the bossa nova style. These are not easy, but definitely worth the effort. Be prepared to rehearse at least once and COUNT! Contents: Amor de Paz, So Danco Samba, Wave and Agua de Beber. | Piano Trio | |
| 2350 | 21256355-A983-41D7-BA59-21E09B7D18FC | R00702 | After a Dirge | Composed for the University of Cincinnati College-Conservatory of Music Contemporary Music Ensemble in memory of Donald Commiskey. | Flute, Bassoon, Percussion(3) | |
| 2351 | 21257503-3C5C-4907-9DC2-E85CFC5177A2 | RCST648 | Three Watercolors: No. 2 Autumn Evening | Flute, Cello, Piano | ||
| 2352 | 212B066D-2A9E-4793-B32B-A8E1B5F76048 | R00141 | Mythologies | Baritone SoloFlute, B-flat Clarinet, Percussion(2), 3 Cello female Voice (spoken offstage) | ||
| 2353 | 212BCCA0-C9A4-4BA3-8ABA-AEEA453C4B2F | A278902 | Don Pasquale: Act I, Aria: Quel quardo il cavaliere; so anch'io la virtu magica (soprano) | Don Pasquale, regarded as one of the crowning gems of comic opera, had its first performance on January 3, 1843 by the Theatre-Italien at the Salle Ventadour in Paris. Gaetano Donizetti (1797-1848) completed it in the astonishingly short span of two months. The final success of his career, it quickly achieved popularity across Europe. In Norina's Act I, Scene 2 cavatina from the opera, Quel guardo il cavaliere; So anch’io la virtù magica (That look pierced the knight; I too know the magical power), she boasts about her ability to change a man's heart with a single glance, smile, or tear. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (4-4-3-3-3 in set): Solo Soprano. Reprint edition. | 2.2.2.2: 4.2.3.0: Timp: Str (4-4-3-3-3 in set): Solo Soprano | |
| 2354 | 21338539-6FE2-45AD-B7E2-711E171AA0C9 | X628501 | Fantasy for Cello and Two Percussion | Cello, Timpani, and Marimba | ||
| 2355 | 2138F08A-C6D4-4FAF-B491-7084679DE24F | 10530145 | Brass Bangles | This solo piece features both lyrical and technical sections, making it a perfect selection for contests and recitals. Versions for cornet/trumpet/baritone T.C. and trombone/baritone B.C. are available from the publisher. | Trombone or Baritone B.C. Solo and Piano | |
| 2356 | 213cae1f-9e3b-11f0-a418-0022482c9682 | M332591 | Sospiri, Op. 70 | Edward Elgar (1857-1934) composed his adagio for string orchestra, SOSPIRI, Op. 70, just before the onset of World War I. Originally planned to compliment his SALUT D’AMOUR for violin and piano, he decided that its intense nature of expression made it well suited it to be a stand-alone work for string orchestra, and it is often performed in that setting still. This reprint Masters edition for the original instrumentation of violin and piano also includes versions for viola and cello transcribed by Julius Klengel. | Violin and Piano | |
| 2357 | 213D8586-DAD8-4B3C-BDF2-B03AEFE07AE1 | X078038 | Dualities, Part 1 | Parts 1 and 2 may be performed separately. | Soprano, Guitar SoliFlute, B-flat Clarinet(d Bass Clarinet), Bassoon, Trumpet, Trombone, Percussion(2), Piano, Harp, Viola, Cello, Double Basspart 2Soprano, Guitar SoliFlute, Oboe, B-flat Clarinet, Bassoon, Percussion(2), Banjo, Piano, Harp, 2 Viola, | |
| 2358 | 214E4623-3BAD-4973-90A6-008EC3306643 | M250491 | 15 Hungarian Peasant Songs | (not set) | Solo Piano | |
| 2359 | 214E8D3A-49AD-4E84-B547-3D2F78F29657 | 52733008 | Three Spanish Dances for Cello Quartet | Moritz Moszkowski (1854-1925) was a Prussion-born pianist and composer. He composed his five Spanish Dances, Op. 12 for piano four hands at the age of 17. They were an almost instant success and remain popular to this day. This arrangement by Joanne Martin is fully compatible with the violin and viola ensemble versions of Three Spanish Dances, so that any combination of violin, viola, and cello may play together. | Cello Quartet | |
| 2360 | 214F7D5E-BF04-4C43-8265-2748FCFA143D | RCSS820 | Symphonic Poem | Flute, Piano |