Titles
Showing 2,381-2,400 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 2381 | 21AB7C8D-3711-4349-882C-3B1787102BC0 | R01330 | Monarchs: Movement for Orchestra | 3342-4331-perc.-piano/celesta-strings | ||
| 2382 | 21ACBF81-EB03-497D-997E-AB9E91FB890D | SC313 | Music for the Lord's Supper | Satb | ||
| 2383 | 21AF0676-3E49-4E09-9E02-F877D0929325 | R00648 | Intrusus | (not set) | 1(d Piccolo).1.1.1: 1.1.1.1: Percussion(3Ð3rd d on Timpani).Piano(d Celesta): Strings | |
| 2384 | 21B101FF-2B1D-41F8-981E-B7148DD1CC5A | SC136 | Summertime Dream | Part of the University of Texas Interscholastic League Music Competition Series. | Ssa | |
| 2385 | 21BB7135-DE61-4F30-8E1E-0DF028F5F354 | R01624 | Postcards from the Canyons for Chamber Orchestra | Subtitled "nine images from the canyons of Utah played without pause," this work for chamber orchestra was commissioned by the 2009 Utah Arts Festival. Movements: I. Overlook at Dawn, II. Canyon Birds, III. Angel Arch (Canyonlands), IV. Solitary Spires (hoodoos), V. Lumbering Black Bear, VI. Monument Trio, VII. Ascent fro the River, VIII. Return to Angel Arch, and IX. Canyon Shadows at Dusk | 1(dPicc).1.1.1: 1.1.1.0: Perc(2): Pno: Str | |
| 2386 | 21BE897E-E61E-4B42-B2AC-FD72A84C376B | A818002 | La Boutique Fantasque (The Fantastic Toyshop) - Selection [Rossini piano works arranged by Respighi, re-orchestrated by Carr] | The music for LA BOUTIQUE FANTASQUE (THE MAGIC TOY SHOP), a one act ballet about a love story between two can-can dancer dolls in a toy shop, is based on piano pieces that were a part of Rossini’s Péchés de vieillesse. Respighi introduced Rossini’s score to the impresario Sergei Diaghilev, whose Ballets Russes premiered the ballet in London on June, 5, 1919 to an eagerly awaiting audience. This edition include selections re-orchestrated by Howard Carr include: Danse Cosaque, Nocturne, Mazurka, Tarentelle and Can-Can. Instrumentation: 2d1.2.2.2: 2.2.3.0: Timp: Perc(5): Harm: Str (4.4.3.3.3 in set). | 2d1.2.2.2: 2.2.3.0: Timp: Perc(5): Harm: Str (4.4.3.3.3 in set) | |
| 2387 | 21BF2CE0-1A94-4F87-8443-F6B39F68BD5E | SO6 | CONCERTO IN G MINOR (O | |||
| 2388 | 21C115F2-5B0E-4610-99B7-456B6CA0DBFA | X130016 | Finale | This short piece is in perpetual motion. | Clarinet Solo | |
| 2389 | 21C25009-B744-426D-8217-F30FA9311FC3 | M907902 | Nutcracker Suite | Rogan, John Mackenzie/ McAlister, Clark/ Reed, Alfred | Concert Band | |
| 2390 | 21C56F5D-D923-4EF1-825B-D5C128896348 | MP634501 | Dialogues for Bassoon and Percussion | Recorded by Maurice Pachman, 1965 Golden Crest Records. Movements: Lento-Allegro agitato-Cantabile, Adagio, Capriccio, Vivace-Largo-Perstissimo | Bassoon, 2 percussion | |
| 2391 | 21C5AF15-AA97-45C8-A366-7C6979D4B705 | X411003 | Hallelujah Shout | Hallelujah Shout (1999) for piano duet was written for and is dedicated to duo pianists Timothy and Nancy LeRoi Nickel. Part of the composer's heritage stems from Maine, where the family was an active participant in the evangelical camp meetings of New England. The music (often in gospel and revivalist styles) associated with these meetings is the primary influence for this work. Although there are no actual hymn tunes used in the work, the spirit of these types of hymns are explored. Traditional harmonies and cadences from this kind of music also appear in various forms and figurations, often becoming parts of repeated figurations and patterns. The intent is one of joyous celebration – with a little humor thrown in as well. Duration ca. 2'. | Piano (4 hands) | |
| 2392 | 21C5F85C-BE90-48C7-BF28-0A97B282CE92 | A803301 | Primo amore piacer del ciel, WoO 92 (Concert Aria) | Written sometime between 1795-1800, Ludwig van Beethoven’s (1770-1827) Primo amore piacer del ciel for soprano and ensemble is a setting of a work that may have been penned by Italian poet and librettist Pietro Antonio Domenico Trapassi (better known by his pseudonym Pietro Metastasio). The text speaks of unrequited love and heartbreak. Instrumentation: 1.2.0.2: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Soprano (available separately). | 1.2.0.2: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Soprano | |
| 2393 | 21C7FF2A-E52D-4F74-A14C-FBF4C431EF97 | 52710542 | Simply Scales and Arpeggios for Violin | This audition survival guide for teachers and students of all levels begins with one-octave major and minor scales to three sharps and flats. Two-octave scales are introduced subsequently, and the book concludes with three-octave scales to five sharps and flats. Two-octave blues scales to four sharps and flats are included as a bonus. Bowings and fingerings are not included in this workbook, which includes blank staves in the back for teachers to make suggestions. An introduction by Lynne Latham offers tips on how to practice scales and includes a lesson on scale construction and theory. | Violin Solo | |
| 2394 | 21C92C72-7BB3-4DE1-9E81-D4E1033A9991 | SC215 | Texas Tribute | 2 Part | ||
| 2395 | 21cb74f2-9e3b-11f0-a418-0022482c9682 | M337191 | Nocturnes, Book 2: Nos. 11-19 (ed. Debussy) | This fine collection of all nineteen of Frédéric Chopin’s (1810-1849) distinguished NOCTURNES has been edited by fellow master composer Claude Debussy (1862-1918). Reprint edition in two volumes: Book 1 includes Nos. 1-10 and Book 2 includes Nos. 11-19. Included in Book 2: 1. Nocturne No. 11 in G minor, Op. 37, No. 1; 2. Nocturne No. 12 in G, Op. 37, No. 2; 3. Nocturne No. 13 in C minor, Op. 48, No. 1; 4. Nocturne No. 14 in F-sharp minor, Op. 48, No. 2; 5. Nocturne No. 15 in F minor, Op. 55, No. 1; 6. Nocturne No. 16 in E-flat, Op. 55, No. 2; 7. Nocturne No. 17 in B, Op. 62, No. 1; 8. Nocturne No. 18 in E, Op. 62, No. 2; 9. Nocturne No. 19 in E minor, Op. 72, No. 1. | Solo Piano | |
| 2396 | 21CB8DD7-E405-4769-A424-0A0A0D96E8CB | A206302 | The Bartered Bride, B. 143: Three Dances (Prodana Nevesta) | 2+1, 2, 2, 2 - 4, 2, 3, 0, timp, perc, str | ||
| 2397 | 21CBB59E-0533-4026-A2BC-FE8432A044AE | S1043CB | Cocoon | "Cocoon" was commissioned by and is dedicated to the Aylor Middle School Band of White Post, VA, Sara Paul, Conductor. It provides young players to play music of style and sophistication within the limited means of young players. | Concert Band | |
| 2398 | 21D0414E-FC98-4FF9-A6BE-B5CC94A604F0 | 51370202 | Strings Alive | Flexible String Ensemble | ||
| 2399 | 21D0E49E-05FE-4FB1-80E3-C7D0CEC3D29E | A817002 | Songs Without Words (Lieder Ohne Worte): Suite [transcription] | SONGS WITHOUT WORDS (LIEDER OHNE WORTE) is an eight-volume collection of short lyrical piano works, written by Felix Mendelssohn (1809-1847) between the years 1829 and 1845. Each volume, five of which were dedicated to women including his friend Clara Schumann, consists of six songs of varying mood and character. The first volume was published in London in 1832 under the title ORIGINAL MELODIES FOR THE PIANOFORTE. This Kalmus edition includes five of the songs, transcribed into a suite for orchestra by Paul Hillemacher and his brother Lucien Hillemacher. Instrumentation:2+Picc.2.2.2: 4.2+2 Crnt.3.1: Timp: Str (9.8.7.6.5 in set). Movements: I. Allegro di molto (Le Départ); II. Allegretto tranquillo (Le Gondolier); III. Presto (Scherzetto); IV. Andante maestoso (Marche Funèbre); V. Molto Allegro (La Chasse). | 2+Picc.2.2.2: 4.2+2Crnt.3.1: Timp: Str (9.8.7.6.5 in set) | |
| 2400 | 21D3B288-6FF0-4492-AA2D-E68874737B21 | MP308001 | Variations on a Handmade Theme | One of Warren Benson’s most popular pieces of all time, this clapping piece is suitable for a chorus or any group of musicians. Makes a great companion piece to his Rondino for 8 Handclappers. | 8-part Hand clappers or chorus |