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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
250123429955-AF4D-46D8-A2A0-241F617BBD8AST506SonataMovements: I. Precipitando, II. Song of Sirens, III. Vivace Scherzando, IV. Apotheosis.Trombone and Piano
2502234A4343-5D80-4A01-AD04-CDD1A311B57FMP814036Jersey Side, The: An Entertainment (Med./Low Voice vers.)
2503234A4E6A-577E-4784-ADCB-1CCA59351B6AA751490Olympiade Overture (Pastore)0, 2, 0, 0 - 2, 0, 0, 0, str, hpchd
25042351EF81-7B3F-4B8A-B8B0-59CACC21625ES747MBAttention(not set)Marching Band
2505235594EE-1ED6-4A00-B070-D04FB3DC9FDEJ12Little Champ First Year Drum Solos, RecordingLp
25062355A988-B053-4471-A006-9280E7943365A180602Symphony No. 31 in D, K. 297/300a 'Paris Symphony'In 1778, Wolfgang Amadeus Mozart (1756-1791) charmed his way into the music scene in Paris with his Symphony No. 31 in D major, first performed on June 12 at the house of Count Sickingen by the Concert Spirituel. It follows a three-movement structure, which was preferred by his new audience, and absorbs the Parisian appetite for flamboyant style over melodic substance. Though the original slow movement (featured in this Kalmus edition) has found more popularity, Mozart wrote another one at the request of the director, Jean LeGros. In a letter to his father, Mozart declared that he felt more satisfied with the replacement, but that version is the less performed of this most famous symphony. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set).2.2.2.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set)
2507235A29B0-311E-4327-991E-90F170C5D9F7X632714Compass Points (Puentos en la Brujula) for Clarinet, Violin and PianoCompass Points was commissioned by Trio Verdehr and Michigan State University. The title of the work alludes to the fact that each of its three movements was composed in a different geographical location. The movements do not follow any particular program but each inevitably unfolds under the spell of a different state of mind or circumstance associated with each particular locale. The titles of the movements are: 1. Verde que te quiero Verdehr 2. In memoriam (Robert Avalon) 3. Scherzarengue.Clarinet, Violin, Piano
2508235C24A3-618E-4B5B-978B-FD05323BCD68S416MBBig Sounds for Young BandsThis piece for marching band Includes two short fanfares: 1. Jayton Fanfare (dedicated to James C. Van Zandt.) 2. Weis Jr. Fanfare (dedicated to James Lemond.)Marching Band
2509235F66A7-3DBC-47AE-9885-23867952DDECB170Southern Special Drum SolosIncludes 28 progressively arranged intermediate snare drum solos plus 4 duets and 1 trio. Unaccompanied. Many of these solos are included on state and regional contest and festival lists throughout the world.Snare Drum Unaccompanied
2510236DE0D8-74E5-4324-9F53-B68909ECCB8910250207Prelude In CPrelude in C from J. S. Bach's Well-Tempered Clavier is a beautiful arrangement that features the piano along with very simple string parts. There is an alternate violin 3 part provided for viola. Nelhybel suggests the use of keyboard instruments other than just the piano for the keyboard part. A combination of many keyboard instruments or even a harp would serve well. Other performance suggestions are printed in the arranger's notes. This beautiful piece of Baroque literature will stop the show!String Orchestra
25112371207A-614B-4687-A534-996A65CE05DDA210202Geschichten aus dem Wienerwald Walzer, Op. 325 (Tales from the Vienna Woods Waltz)One of six works by Johann Strauss II (1825-1899) featuring a zither solo, GESCHICHTEN AUS DEM WIENERWALD (TALES FROM THE VIENNA WOODS), OP. 325, was inspired by the Wienerwald, a place known to be frequented by composers such as Beethoven and Schubert. Composed in 1868, the waltz was dedicated to Prince Constantin zu Hohenlohe-Schillingsfürst. It premiered on June 9 of that year at a garden party given by its dedicatee and has since become one of his most celebrated works. Instrumentation: 2+Picc.2.2.2: 4.3.3.1: Timp.Perc(2): Str (9.8.7.6.5 in set): Solo Zither.2+Picc.2.2.2: 4.3.3.1: Timp.Perc(2): Str (9.8.7.6.5 in set): Solo Zither
251223767710-D230-466A-B48A-FA2D0C59CEFCA109202Serenade for Strings in E-flatKnown primarily for his comic operas, Ermanno Wolf-Ferrari (1876-1948) began his formal education at the Royal Academy of Music in Munich. He studied counterpoint with Joseph Rheinberger and in 1893, completed the SERENADE FOR STRINGS in E-flat Major. The work was first performed as a string nonet at a student concert at the end of the year under the direction of the 17-year-old composer himself. Instrumentation: String Orchestra (8-8-5-5-5 in set).String Orchestra (8-8-5-5-5 in set)
2513237865E3-32A7-4BC1-8EA0-EEB9A1E746AEB297Melodious and Progressive Studies, Bk. 1This collection includes works by Ozi, Depas, Demnitz, Lee, Bordogni, and Nocentini in addition to scale, argeggio, and velocity studies, and is compiled and edited by Alan Hawkins. It also includes orchestral excerpts from the standard bassoon repetoire by: Wagner, Beethoven, Mahler, Tchaikovsky, Brahms, Mendelssohn, and Haydn.Bassoon
2514237A52DD-9546-4F3C-8D47-AAE7567CE489A724802Four Hindu Poems(not set)2, 2, 2, 0 - 0, 0, 0, 0, hp, 2vn, va, vc soli (set as scored), solo voice
2515237BC4F1-E610-4AE6-92D7-668AC84EC205SC483Worthy Art Thou(not set)Ttb a capella
251623805543-2D83-44B8-B13F-6780E0EEDD21M345091Six String Sonatas, Critical Edition Nos. 1-3String Quartet
2517238082B7-D102-4012-A1F4-5E7A8A198202SU543Frost FireThis work, based on traditional forms and models, is in three movements. Movements: I. "Bright and Fast" is a joyous celebration of sonorous chords, playful motives and rhythmic gestures. II. "Gentle and Mysterious" has a waltz-like feel. III. "Tense and Dramatic" brings back material from the first movement, but sets it in a much more turbulent and frenetic environment. "Frost Fire" was commissioned by and is dedicated to the American Brass Quintet to commemorate the 30th anniversary of the founding of the ensemble.Brass Quintet
2518238693A9-616A-42A5-80BF-B1B40FAA036ESC748My Early HomeVoicings for SAB and SATB are available from the publisher. Text is by John Clare (1739-1864).Sab
25192388656B-B8C4-45E5-9321-6E0A0745D5A410460195Chorale FantasyThis work is a perfect lyrical selection for a developing saxophonists contest or recital. Versions for alto saxophone and tenor saxophone are available from the publisher.Tenor Saxophone and Piano
2520238B13A8-4688-4A02-B01A-7918414A7BA5V21Texas, Pride Of the SouthPiano/vocal