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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
25612425357C-61C3-48F0-9FD6-2E2D9EF1619BD511009Lithauisches LiedViolin, Piano
25622427FA7B-B683-4182-9709-F4286ADBCB44M108791Puppets, Book 3(not set)Piano Solo
256324307264-06AF-4B62-9B12-550DA7AF1D22S295CBOjo De Aguila (Eagle Eye)This short Spanish March is written by Everett Maxwell and includes Db piccolo and both Eb and F horn parts.Concert Band
256424342794-DA44-49CD-9225-6B5283F89AF2X943401Fire in the Reed Garden for Male Chorus and Four Daf DrumsWritten for a male chorus (TTBarB) and four daf drums, Reza Vali has translated four Persian poems by Moshtâgh Alishâh and Rumi: I. Fire in the Reed Garden (Moshtâgh Alishâh), II. You Are My Soul (Rumi), III. A Moment Away from the Beloved (Rumi), IV. When I Think of the Creator (Rumi). A version for four male soloists, where they each play the four daf drum parts themselves while singing, is also available from the publisher.TTBarB Chorus and Four Daf Drums
25652436CEFC-F2B5-4DBD-B9D6-09F68185129452720604Developing Virtuosity bk. 3 - ViolaThe third volume moves students toward more advanced playing techniques and literature. This text continues to develop playing skills found in Book 2 and advances the student through more rigorous and lengthy literature. Instrument-specific selections promote performance, reinforcing shifting skills, more advanced bowing techniques, and complex and multiple-meter pieces. The book contains solo literature that: enables the student to use higher positions with suggested fingerings; features accidentals that challenge left-hand intonation; utilizes more complex time signatures, multiple-meters, and challenging rhythmic patterns; and develops the bow stroke to perform more expressive dynamics and musicianship. Digital audio available.Viola with Bonus Online Media Bundle
25662439411F-F26B-4732-B221-69D0228FCA5352740606Developing Virtuosity bk. 3 - BassThe third volume moves students toward more advanced playing techniques and literature. This text continues to develop playing skills found in Book 2 and advances the student through more rigorous and lengthy literature. Instrument-specific selections promote performance, reinforcing shifting skills, more advanced bowing techniques, and complex and multiple-meter pieces. The book contains solo literature that: enables the student to use higher positions with suggested fingerings; features accidentals that challenge left-hand intonation; utilizes more complex time signatures, multiple-meters, and challenging rhythmic patterns; and develops the bow stroke to perform more expressive dynamics and musicianship. Digital audio available.Double Bass with Bonus Online Media Bundle
256724394D18-D49E-4C09-9CED-A6D3C80B5902M390791Divertissement Sur(not set)Violin And Piano
2568243A304E-0C0E-42F0-BAAE-57E23449D25AA566002Des Knaben Wunderhorn, No. 10: Lob des hohen Verstandes, GMW 33, high voice (D, original key)Gustav Mahler (1860-1911) began composing the songs of DES KNABEN WUNDERHORN (THE BOY'S MAGIC HORN) in 1892, finishing in 1901. Comprised of 15 songs total by the end, each sets folktale texts, as published by Achim von Arnim and Clemens Brentano, to music with piano accompaniment, though some also have orchestral accompaniment. The tenth song, LOB DES HOHEN VERSTANDES (IN PRAISE OF HIGH INTELLECT), is a humorous song depicting a singing competition between a cuckoo and a nightingale. The judge, who happens to be a donkey, obviously favors the cuckoo. This Kalmus edition is presented in the original key of D for high voice. Instrumentation: 2.2.2+ECl.2 : 4.1.1.1: Timp: Perc(1): Str (9.8.7.6.5 in set): Solo High Voice. Reprint edition.2.2.2+ECl.2 : 4.1.1.1: Timp: Perc(1): Str (9.8.7.6.5 in set): Solo High Voice
2569243D278E-EAB2-4730-9578-0B3627D2015DLV315Merry Christmas (out-of-print)Concert Band
2570243D3817-4611-4C1B-9C6C-E9DAB581466BSS998Scherzo, Aria and FugatoThis work is an ideal choice for recital or contest for the advanced oboist wanting to perform a contemporary piece.Oboe and Piano
257124408E85-639E-4747-B63C-211A1C41934EV50Learn to LovePiano/vocal
25722440D8AA-50D9-4151-905C-C0F003F5531CSO129CSonata in B Minor, K. 87, L. 33Scarlatti’s Sonata in B Minor, K. 87, L. 33 is a plaintive work originally written for keyboard. This beautiful transcription by Yukiko Nishimura presents the piece in the key of a minor, making the musical and technical apects easier to play, yet retaining the harmonic richness of Scarlatti’s score, with interesting counterpoint in each part.String orchestra
2573244104B0-336C-43DE-B578-B6F95DBB6E03SO113CA Schubert Melody: from Trio for Piano, Violin and Cello, D. 898Give your more advanced string group the chance to play some authentic chamber music! Originally a trio for piano, violin, and cello, this is arranged to work for string orchestra with or without the piano. It's classic Schubert so you'll find all the melodic beauty and surprising harmonies you expect from him. A worthwhile challenge!String Orchestra with rehearsal Piano
25742444876D-9FA4-4A25-93D2-7DE4B403B966MR00496Fantasia for OrchestraRobert David Cogan (1930-2021) served as Professor of Composition at New England Conservatory in Boston for over thirty years. This Fantasia was written in 1951, when the composer was still a young man.2+Picc.2.2+BCl.2: 4.3.2+BTbn.1: Timp.Perc(2): Hp: Str
2575244791D6-57A6-4B59-BAF3-C859C3F1875ES263CBSaxophone Royale for Alto Saxophone and Band(not set)Alto Saxophone Solo: Concert Band
257624533DE0-B950-44BD-AB11-4E9F7B1EE418A562402Belsazars Gaestabud, Suite from the Incidental Music, Op. 51 (Belshazzar's Feast)Jean Sibelius (1865-1957) composed the incidental music for the play Belsazars gästabud (Belshazzar's Feast), by Hjalmar Fredrik Eugen Procopé, in 1906. In eight movements for orchestra and singers, the work premiered in Helsinki on November 7, 1906, at the Swedish Theatre with the composer conducting, and 21 more performances followed over the next three months. In 1907, Sibelius extracted four of the numbers for a purely orchestral suite, and this was premiered by the Helsinki Philharmonic Society on September 25 of that year, along with Sibelius' Symphony No. 3, again with the composer conducting. The four movements included in the suite are: 1. Oriental March (originally Alla marcia); 2. Solitude (originally The Jewish Girl's Song); 3. Nocturne (originally Prelude: Notturno); 4. Khadra's Dance (originally Dance of Life and Dance of Death). Instrumentation: 2(2nd dPicc).1.2.0: 2.0.0.0: Perc(4): Str (9-8-7-6-5 in set).2(2nd dPicc).1.2.0: 2.0.0.0: Perc(4): Str (9-8-7-6-5 in set)
2577245996c6-9e3b-11f0-a418-0022482c9682M356091Etudes-Tableaux, Op. 39Sergei Rachmaninoff (1873-1943) composed this second (Op. 39) of two sets of piano études in 1917. The title Études-Tableaux translates as "study pictures." But while the works were inspired by some visual stimuli, Rachmaninoff did not disclose what those were, preferring to "let [the listener] paint for themselves what each of the nine tableaux’s most suggests.Solo Piano
25782459D18F-1513-407D-A75D-D70E96DA09DFR00256DreamcatcherBased on the circular, webbed hoop thought to have originated with the Onedia Indians of the northern woodlands, "Dreamcatcher" is shaped into four large sections, delineated by tempo. The third section is a variation of the pitch material of the first section, and the fourth section is an expansion of the principal ideas of the second section. The piece closed with a brief coda recalling the opening moments.Flute (d Piccolo), Oboe, B-flat Clarinet, Horn, Trumpet, Trombone, Percussion(2), Piano, Violin, Viola, Cello, Double Bass
2579245CCE70-397A-4813-9853-8AE5F313AE01A249302Cantata No. 4: Christ lag in Todesbanden, BWV 4 (3rd version)The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mulhausen. It is the first of his cantatas to construct its textual and melodic material on a chorale. His first cantata for Easter Sunday, it was later revised in Leipzig in 1724 and 1725 with additional instrumental parts in order to harness the rich musical resources available to the composer. The original version has not survived. The piano reduction for this vocal score was completed by Gustav Schreck, and the edition was edited by John Ebenezer West. Reprint edition.0.0.0.0: 0.1.3.0: Org: Str (2-2-2-1-1 in set): Soli SATB: Mixed Chor
2580245D4B59-81FD-406C-BB25-08ADC02780A5A818702Symphony No. 5 in E-flat, Op. 82Originally composed and premiered in 1915 from a commission by the Finnish government in honor of his 50th birthday, Jean Sibelius' (1865-1957) SYMPHONY NO. 5 in E-flat, Op. 82 saw two revisions, one in 1916 and the final version performed today in 1919. In four movements initially, Sibelius reworked his most popular symphony into three movements in the midst of his own internal debate about whether he should continue composing in the late Romantic style with which he was so familiar or follow the compositional changes that were taking place with modernists such as Schoenberg or Stravinsky or impressionists such as Ravel and Debussy. This crisis was resolved in his fifth symphony, where the composer chose to stay within the frames of harmonic language of late-19th century Romanticism, instead opting to innovate in the realms of macrostructure (three movements instead of four) and instrumental coloring (the swaying motif in the horns during the third movement which was inspired by swan-calls). Of the 1919 revision, Sibelius strove to give the work, "a more human form, more down-to-earth, more vivid." The 1915 premiere took place on December 8th, 1915, performed by the Helsinki Philharmonic Orchestra, with the composer conducting. The 1919 version was premiered by the same ensemble and conductor on November 24, 1919. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp: Str (9-8-7-6-5). Reprint edition.2.2.2.2: 4.3.3.0: Timp: Str (9-8-7-6-5 in set)