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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
262124D38B0A-7B1F-4080-ADF6-8A3CC921EF8BM223391Pieces de Fantasie, St. 3(not set)Organ
262224D3D9C2-3F8F-4D27-9B87-C929A63D62EBM378991Concert Phantasy on Rimsky-Korsakow's "Le Coq d'or"Efrem Zimbalist (1889-1985) was a Russian – American composer and violinist. His inspiration of other great composers can be seen throughout his works. Zimbalist’s Concert Phantasy was inspired by the themes of Rimsky-Korsakov’s Le Coq d’or (The Golden Cockerel). Reprint Edition.Violin and Piano
262324D3FC5E-F67A-4B12-AD5B-2270DC4A4770R00552RevenantsMezzo-Soprano Solo   Flute, B-flat Clarinet, Percussion(1), Piano, Violin, Viola, Cello
262424DA9040-9F0E-4633-B6B3-66A8C2C55DAAX660501Suite for Horn and Jazz ComboHorn solo with jazz combo commissioned by the International Horn Society for Douglas Hill.Horn Solo: Flugelhorn, Tenor Sax, Piano, Bass, Drums
262524DCFFB7-BF10-4721-A9FC-20D5485F66CCS154009Five Miniatures(not set)Saxophone Quartet
262624DF6B67-B2C1-4311-805A-9EBAD0C721D9EBM0630012La Figlia che piange for Tenor and Chamber Orchestra“La Figlia Che Piange” (“young girl weeping”) is the final poem in T.S. Eliot’s Prufrock and Other Observations (1917). This short (24-line) poem describes a lovers’ parting, but its speaker plays a curious dual role. This eponymous work for Tenor and Chamber Orchestra is a musical setting of the poem, composed in 1962 by Edward T. Cone.Tenor, Chamber Orchestra
262724E2B344-B311-433A-AA07-1CACBAD4034DSS688Scary Scherzo, AA melodic, compound meter timpani solo in a single movement. There is an emphasis on dynamics and syncopation in the performance of this work. Requires three drums.Timpani Unaccompanied
262824E5980B-992C-4A10-8972-ACDE9BCC03D1BSMIS110Folksong for Bassoon and PianoThe Bruce Broughton Solo Series features solos by one of the country's most outstanding composers of concert and film music. This new series by seven-time Emmy award winning composer features music that is notable for its wonderfully rich harmonies, flowing melodies and rhythmic vitality. These pieces are ideal for recitals and contests and are great teaching pieces that are appealing to performers and audiences alike. Bruce Broughton's beautiful FOLKSONG created versions for trumpet, trombone/euphonium, and bassoon, all with piano accompaniment and available from the publisher.Bassoon, Piano
262924E6BF11-DF4E-4E06-9867-F57EC964DD70SU408Concertino for Flute and Chamber OrchestraFlute & Chamber Orchestra
263024EB2948-C89A-4D27-B6D8-F315184B8479SU523Prelude and PrestoBrass Quintet
263124EB4097-4674-4657-B751-D5BBE6CC9F00B365Songs By John Duke, Vol. 3This four volume collection of songs was created with the avowed purpose of offering a substantial group of John Duke's previously unpublished songs. It is published in collaboration with The Society of the Friends of John Duke.

Volume 3 Contents:
1. Bredon Hill (?.?. Housman)
2. Reality (Dorothy Duke)
3. Penguin Geometry (Donald Wheelock)
4. Good Morning (Mark Van Doren)
5. Walking in the Rain (Mark Van Doren)
6. Those Great Clouds There (Mark Van Doren)
7. Water that Falls and Runs Away (Mark Van Doren)
8. Listen to Us, the Leaves Say (Mark Van Doren)
9. Merry-go-round (Mark Van Doren)
10. Stillness (Karen Duke)
11. Lovely (Mary L. Fortson)
12. The Sheaves (E.A. Robinson)
13. ? Winter Night (Sara Teasdale)
14. The Return from Town (Edna St. Vincent Millay)
15. When, in Disgrace with Fortune (William Shakespeare)
16. Politics (W.B. Yeats)
17. Old Ben Golliday (Mark Van Doren)
18. Tiger! Tiger! (William Blake)
19. She's Somewhere in the Sunlight Strong (Richard LeGallienne)
20. I Lost My Heart (A.E. Housman)
21. The Wind Has Changed (Mark Van Doren)		Voice, Piano
263224F04478-AE41-42C9-9CD4-174B8EB40CB810610644Battin' 'Em Out"Battin' 'Em Out" is a heavily rudimental contest solo by one of the greats. It is also included in Modern Rudimental Swing Solos. This piece is dedicated to Robert Matson of the Cleveland Orchestra.Drum Solo
263324F060A3-13CB-4A04-B87A-3876F60C4BFASC97Angler's Song, TheTbb
263424F1E646-5C6C-4B0F-BA22-7373859A15CB10710501Sonata No. 4Violin and Piano
263524F4F75B-5DB7-4128-BD98-10495901B235B48723 CapricesAdapted from a set of 30 flute caprices and a separate set of studies for saxophone by Sigrid Karg-Elert. A few of the flute caprices have been transposed or otherwise adapted to better suit the saxophone range and/ or technique. Throughout the collection is an emphasis on developing optional fingerings, in particular "side C". Overall, these caprices are excellent preparation for melodic, rhythmic and harmonic patterns common in early 20th Century music and beyond.Sax
263624FC3C19-F07E-49D4-BFDA-F6D574F628FE52735059Brandenburg Concerto No. 6 for Cello SextetCello I and II difficult.Cello Sextet
263724FFE2F0-1644-4936-8C4D-ACFA22BD3C78M808090Hungarian Dance No. 2Brahms considered his series of Hungarian dances to be arrangements. He crafted this specific dance from the Emma-Csárdás by Mór Windt and a folk song collected by Ignác Bognár.String Orchestra
26382500B012-E305-4BE6-AAA4-FBD923C8D829SC642The Ice Cream ShoppeVersions of this piece for SAB and SATB voicings are available from the publisher.Sab
26392501f6ff-9e3b-11f0-a418-0022482c9682M362291Marche Religieuse, Op. 107Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote MARCHE RELIGIEUSE, Op. 107, for organ in 1897. Reprint edition.Organ Solo
26402503002C-4288-4E94-A32F-BB4A1A4C1ABCS430001Altarpiece