Titles
Showing 2,581-2,600 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 2581 | 245FAAC6-B84B-429C-85E2-63E183B3C3A5 | SC22 | O Savior, Precious Savior | Satb | ||
| 2582 | 2461FD59-D65E-4860-BAB6-619E38966E52 | SC468 | Welcome, Springtime | Satb | ||
| 2583 | 2464A0BF-3D84-4847-8A72-E88BBBD3F9A6 | A2 | Concertino (out-of-print) | Full Orchestra | ||
| 2584 | 2464A70E-8200-4FB5-92FB-B040A1B31E1C | S577CB | Crown Point Celebration | This exciting piece for intermediate bands begins with a rousing melody in four that passes between the sections before transitioning to a smooth, slow section in three, before finally returning to the original theme. | Concert Band | |
| 2585 | 24652032-29EA-4FD5-8BC1-B0667EC5D31C | F30 | MUSIDEX INSTRUMENTAL S | |||
| 2586 | 24699B6A-B888-435D-92FC-A99A4B2515CA | 52701017 | Six Canonic Sonatas: Sonatas No. 3 & 4 for String Duo | Sonatas 3 and 4 with part 2 written out (includes a score for use in adjudicated events). Now playable as a mixed duet, with viola or cello. Violin and Viola parts are Grade 3, Cello part, Grade 4. | Violin Duet | |
| 2587 | 246AA230-CB0C-4CF2-AF03-53DEB6042560 | A487902 | Il Barbiere di Siviglia: Overture (The Barber of Seville) | 2, 2, 0, 1 - 2, 0, 0, 0, str | ||
| 2588 | 246B4042-D62F-4E10-B211-00040D74BB4D | ST238 | March of the Buffoons | This fun solo is wonderful recital or contest selection for the beginning to intermediate flute player. | Flute | |
| 2589 | 246DCDBB-3263-4D5A-9BA7-79B55E08DE00 | SS904 | Suite No. 4 | This advanced Suite for unaccompanied baritone saxophone allows the player to show off their skills both technically and lyrically. Movement names are: Prelude, Allemande, Courante, Sarabande, Bourree I & II, and Gigue. | Bari-sax Unaccompanied | |
| 2590 | 2477BC19-207C-4E4E-A744-C398B062FED4 | D814035 | 20 Songs Vol. 1: Pierrot | (not set) | Voice, Piano | |
| 2591 | 24786D68-4757-47FB-A367-7B98F2B7C346 | A573602 | La Scuola Di Gelosi Overture | 0, 2, 0, 0 - 2, 0, 0, 0, str | ||
| 2592 | 247BEC21-027D-47EA-A119-D313E75515C6 | S660CB | Prairie Wind | To Don Lewellen and the Prairie Wind Ensemble. | Concert Band | |
| 2593 | 247BF155-9E5C-4195-985A-275E31D36931 | 50760016 | Four Pieces | These lovely and expressive pieces include a prelude, a movement in the manner of Chabrier (a paraphrase from Gounod's Faust), a waltz in the manner of Borodin, and a movement in the form of a habanera. They are distinctively different and make a wonderfu | Piano Solo | |
| 2594 | 2480E2BD-59C7-4EDE-9D2A-1816A4F46A87 | X503010 | Contrasts | Recorded by the Western Arts Trio on Laurel LR- | Piano Trio | |
| 2595 | 248430D8-7EC8-43B0-AE9A-9930A0C4B897 | E8 | Omea 1994 State Sight Reading | Choral | ||
| 2596 | 2485213B-F7BB-488A-AFF2-15652508E109 | B165 | Drumming Together | This collection of 30 duets in dedicated entirely to a variety of rhythmic patterns and time signatures. Styles include mambo, bop, swing, rumba, rudimental, novelty, and jazz. | 2 Snare Drums | |
| 2597 | 248754BA-4E60-41EE-9AEC-5258A770529F | A515302 | Romance in F minor, Op. 11/ B. 39 (critical edition) | The ROMANCE in F minor, Op. 11 (B. 39) was composed by Antonín Dvo?ák (1841-1904) in 1877, reworked from the Andantino movement of his 1873 STRING QUARTET NO. 5 in F minor, a work written before he was well-known. Created at the request of Josef Markus, leader of the Provisional Theatre Orchestra in Prague, the romance for solo violin and orchestra received its premiere on December 9, 1877, with Adolf ?ech conducting. This work, with the swaying melodies and deft construction so common to Dvo?ák's music, now holds a place among the most popular romances in the orchestral repertoire. This critical edition has been edited by Jarmil Burghauser. Instrumentation: 2.2.2.2: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Violin (in set). | 2.2.2.2: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Violin (in set) | |
| 2598 | 2488c343-9e3b-11f0-a418-0022482c9682 | M358691 | Eighteen Nocturnes | The term "Nocturne" was first used in the Romantic era sense of the term by Irish composer John Field (1782-1837). This collection of EIGHTEEN (18) NOCTURNES was edited by Franz Liszt, and it includes a preface written in French by Liszt, then also translated into English and German. Nocturnes included: 1. Nocturne in E-flat major, H 24; 2. Nocturne in C minor, H 25; 3. Nocturne in A-flat major, H 26; 4. Nocturne in A major, H 36; 5. Nocturne in B-flat major, H 37; 6. Nocturne in F major (Berceuse), H 40; 7. Pastorale in A major, H 14; 8. Romance in E-flat major, H 30; 9. Nocturne in E minor, H 46 (Melancolie); 10. Nocturne in E major ("Nocturne pastorale"), H 65; 11. Nocturne in E-flat major, H 56; 12. Nocturne in E major, H 13 ("Midi or Rondo Favori"); 13. Nocturne in C major ("Reverie"), H 45. Traumerisch; 14. Nocturne in G major, H 58; 15. Nocturne in D minor ("Lied ohne Worte"), H.59; 16. Nocturne in C major, H 60; 17. Nocturne in C major, H 61; 18. Nocturne in F major, H 62. | Piano Solo | |
| 2599 | 248A31FC-F71F-4B3E-9BB1-1DED7C69EDC0 | EBM0630021 | Dettingen Te Deum: Day by Day We Magnify Thee | Choral part available seperately for sale from the publisher. | SATB, 0202 0300 Str | |
| 2600 | 248CCE22-F104-4C88-9784-A5E4B262CC0A | ST280 | Prelude and Fugue No. 6 in g Minor | An accessible and impressive arrangement of J.S. Bach's "Prelude and Fugue No. 6" provided by Stephen Anthenien. AATB with optional soprano sax. | Sax Quartet |