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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
2641250796BB-E81C-4E43-9BA2-B1C14461CCCEMP504014String Quartet No. 3Julie Mandel, composer and lyricist, has written chamber music, opera, musical theater, popular and art songs, in addition to being Concert Director of the Long Island Composers' Alliance and the long-time Treasurer of New York Women Composers. Her "String Quartet No. 3" received a Burton Award for Contemporary Music and was recorded by the Meridian String Quartet on their album "DIVERSE LIGHT."String Quartet
2642250AA510-41EE-404B-A7A9-FA15C2869512X411008Capriccio IIThe original Capriccio was commissioned in 2005 by the University of Southern California as a short piano concerto. Capriccio II is a response to, a rethinking of, the original Capriccio, now for two pianos instead of piano and orchestra. The overall mood is one of joyous abandon, with fast, rather athletic music surrounding a central chaconne of lyric intensity. Capriccio II was completed in March 2016, with premiere performances by HOCKET in Fall 2016.Two Pianos
2643250CCE9B-DBDE-40B2-A261-DF452066C1A7ST431SonatinaThis is three movement sonatina is wonderful recital of contest selection for the intermediate to advancing player. Versions for horn in F, Trombone/Euphonium, and Tuba are available from the publisher.Tuba
26442512799b-9e3b-11f0-a418-0022482c9682M362491Waltzes, Op.39Johannes Brahms (1833-1897) wrote these short Sixteen Waltzes (Sechzehn Walzer), Op. 39, in 1865, dedicated to the music critic Eduard Hanslick and written as a tribute to Vienna, Brahm's newly adopted city. Originally written for piano four hands, Brahms also arranged two different versions, one difficult and one easier, for solo piano. All three versions proved popular when published in 1866. This edition for violin and piano was transcribed by Paul Klengel and published in 1911.Violin and Piano
264525130975-972E-4E63-B7A7-2D5188A22E99ST807Lullaby for AlexandraAlso known by the title "Cancion de cuna de Alejandra:. This short and lyrical contest piece is a contest favorite. Available from the publisher include solo flute, alto flute, horn, oboe, saxophone, cello and several other combinations including a woodwind quartet arrangement.English Horn
26462513AFE9-BD9B-4591-9CA5-05A69A1D2D2152723015GavotteOriginally for 2 violins and piano, this little gem from Shostakovich is a wonderful addition to the viola ensemble repertoire. Quite accessible to student ensembles and ventures into some interesting chromatic passages.Viola Quartet
26472519EEF5-D174-4EEF-BC4A-89BF4CE72197B343702Themes from Scheherazade, Op. 35(not set)Concert Band
2648251A3E60-35FE-4D45-9DA2-9DA388F0EBD0B47112 AriettasVincenzo Righini (1756-1812) began his career as a well-known opera tenor until vocal damage drove him to begin composing himself. ( He is most well-known for his operas, sacred music and songs.) He drew the attention of the Emperor in Vienna in 1780 whose patronage make him one of the most sought after voice teachers in Vienna and Berlin, where he later became Kapellmeister and Director of the Italian Opera. The Ariettas are small songs, less elaborate than arias, and they some bear interesting influences; many of the themes show an affinity for Mozart; No. 3 has a Romantic feeling, a "Beethovenesque" quality; Nos. 11 and 12 foreshadow Rossini and Bellini. This edition by Edwin Penhorwood includes editors' additons and performing suggestions in brackets, but the indications are only one suggestion as these songs will benefit from the imagination of the performer limited only by the style of the period and the spirit of the composition. Songs: 1. Placido zeffiretto, 2. Pur nel sonno almen talora, 3. Io lo so che il bel sembiante, 4. Or che il cielo a me ti rende, 5. Affetti, non turbate, 6. D'un Genio che m'accende, 7. Sol che un istante io miri, 8. Aure amiche, ah! non spirate, 9. Mi lagnero tacendo, 10. Vorrei di te fidarmi, 11. T'intendo, si, mio cor, 12. Se amor l'abbandonaVocal
264925205426-BCAB-4EBF-892D-133D6BF9F2C8X430009Water MusicWater Music (2000) for organ was commissioned by a consortium consisting of the Broeker Fund for New Music, the Council for the Support of New Church Music, Raynard Brown, and Mr. and Mrs. Leonard Burch. The goal behind the commission was to create a large organ work which could be used both as a recital piece and as service music (either in its entirety or with individual movements used as service voluntaries.) Movements: I. The Water Changed Into Blood, II. Poured Out Like Water, III. Beside Springs of Water, IV. Clean Water, V. Walked on the Water, VI. Of Water and the Spirit, VII. Water of LifeOrgan Solo
26502523E1BB-B5DB-482D-9335-079880D7761B50380006Sertao no estio (Cantico Brazileiro)(not set)Voice and Piano
26512526D2DE-77B2-40EB-B782-02EB89958711R01232Blue Earth: Sinfonia Concertante for Orchestra(not set)3(1d Picc).3+EH.2+BCl.3: 4.3.3.1: Timp.Perc(3).Hp: Str
2652252D293E-20C6-4B98-BD1E-0B40DA3BB829SF2112PFanfare and Processional (flexible ensemble)Fanfare and Processional is a rousing concert opener for younger bands in the vein of the familiar Pomp and Circumstance by Edward Elgar. Careful consideration has been given with respect to the technical requirements of beginning musicians in this score. As suggested by the title, the work is also ideal as an occasional piece at ceremonies. This arrangement for flexible instrumentation by Aric Branchfield can be played by any SSATB combination of instruments with optional percussion, from 5 players through large ensembles.Any SSATB combination of instruments with optional percussion, from 5 players through large ensembles
2653252DD456-D5F8-4B11-BBEF-2800407B311250100182ValedictoryThis is a sonorous, melodic tribute that gives the concert band the opportunity to do what it does best. The work is scored to bring out the most from each section of the ensemble and combines weaving contrapuntal lines that emphasize the vertical chordalConcert Band
2654253200EF-45B4-497E-80D6-7F2E12E7F6C1ST174AlboradaTuba
265525361E60-6411-4860-B7D3-F5CBBBE7543FS55Old Black Joe (out-of-print)Marching Band
26562536A853-4B68-4120-A3B0-7FB9AE6877EBM403391Album of Songs, Vol. 1: Twenty Songs, Book 3 (20 Songs) Low VoiceA reprint edition of these important vocal works by the turn-of-the-century French composer, Cécile Chaminade (1857-1944). Affiliating herself with nationalist composers such as Saint-Saëns and Gounod, her style was very much rooted in both Romantic and French tradition. Her tuneful and highly accessible works were also tremendous favorites in the United States. Chaminade's Album of Songs was originally published between 1892 and 1893 and included thirty-seven total songs across two volumes, with versions for both high voice and low voice made available. LudwigMasters has made all thirty-seven songs available, with three books for each volume, totaling six books each for both high and low voices. Included in Volume 1, Book 3: Amour d'automne (W276, 1889); Souhait (W264, 1886); Colette (W285, 1891); L'absente (W271, 1886); L'anneau d'argent (W284, 1891); Amoroso (W283, 1891); Sur la plage (W286, 1892).Low Voice and Piano
26572537EF37-0E72-4E77-B805-1056B199B987M383991Sonate De Concert(not set)Violoncello and Piano
26582539E9D5-6498-48AA-BA48-E50EBF9D2DD0R00469Strange Attractors2(1d Piccolo).2(1d English Horn).2(1d eb).2(1d ContraBassoon): 4.3.3.1: Timpani.Percussion(3).Harp: Strings
2659253C9AED-2E97-435E-A7CA-EA5C26FF5198A906602Miroirs, No. 4: Alborada del Gracioso [composer's transcription]A five-movement suite originally written by Maurice Ravel (1875-1937) for solo piano, MIROIRS ("Mirrors") was written between 1904 and 1905, with each movement dedicated to a fellow member of the French avant-garde artist group Les Apaches. Ravel later orchestrated both the third movement called "Une barque sur l'océan" ("A Boat on the Ocean" - dedicated to Paul Sordes) and the fourth movement named "Alborada del gracioso" ("The Jester's Aubade" - dedicated to Michel-Dimitri Calvocoressi) himself. Ernesto Halffter later orchestrated the fifth movement ("La vallée des cloches" - "The Valley of the Bells" - dedicated to Maurice Delage), as did Percy Grainger, while Felix Günther scored movement two ("Oiseaux tristes" - "Sad Birds" - dedicated to Ricardo Viñes). Orchestrations of movement one ("Noctuelles" - "Moths" - dedicated to Léon-Paul Fargue) are more recent. This edition of the composer's transcription of "Alborada del Gracioso" has been edited by Clinton Nieweg and Nancy Bradburd. Instrumentation: 3(3rd dPicc).2+EH.2.2+CBsn: 4.2.3.1: Timp.Perc(6): 2Hp: Str (9-8-7-6-5 in set).3(3rd dPicc).2+EH.2.2+CBsn: 4.2.3.1: Timp.Perc(6): 2Hp: Str (9-8-7-6-5 in set)
2660253D641A-B3BC-4C53-9AF4-3F7B11AD7381SS276FantaisieClarinet