Titles
Showing 15,001-15,020 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 15001 | DCA80B2A-F994-4A82-9FDD-D8ACC8D59A53 | A125802 | Symphony No. 6 in F, Op. 68 'Pastoral' | Ludwig van Beethoven (1770-1827) completed Symphony No. 6 in 1808. Also known as the “Pastoral Symphony,” it was first performed at a benefit concert that took place at the Theater an der Wien on December 22, 1808, alongside the composer’s Symphony No. 5, his Piano Concerto No. 4, and his Choral Fantasy. A lover of nature, Beethoven often spent a great deal of time walking in the countryside away from Vienna – it was from these walks that he drew inspiration for Symphony No. 6, stating that it is “more the expression of feeling than painting.” The composer titled each movement of the symphony; it is one of Beethoven’s few works that contains explicitly programmatic content. Instrumentation: 2+Picc.2.2.2: 2.2.2.0: Timp: Str(9-8-7-6-5 in set). | 2+Picc.2.2.2: 2.2.2.0: Timp: Str(9-8-7-6-5 in set) | |
| 15002 | DCAD604C-5B13-4F77-8EB8-34606849F2CE | R00936 | Overture to a Wink | 2.2.2.2: 4.3.3.1: Timpani.Percussion(2).Harp: Strings | ||
| 15003 | DCAE0B4C-6A40-4A7C-A4F1-B8BCD9AD4EF7 | LV170CB | Old Bill Bailey | (not set) | Marching Band | |
| 15004 | DCBEC96E-46E0-45EB-85E6-B63EE6605879 | EBM0610032 | Antiphonal Fantasy on a Theme of Vincenzo Albrici | Commissioned by Austin Organs, Inc. Dedicated to the memory of Paul Hindemith. | Organ, Brass and Strings | |
| 15005 | DCC24259-5BDC-4C90-9D47-34CD875E9F77 | 52701003 | Five Duos for Violin and Viola | (not set) | Violin and Viola | |
| 15006 | DCC2529F-7830-47F1-99DE-58936A254DE0 | SC558 | Baker Street | (not set) | Tbb | |
| 15007 | DCC257E6-C529-4E00-8C67-7C0890A8ED14 | A765702 | Rosenkavalier, Der, Op. 59: Concert Suite | In 1945 Strauss allowed an orchestral Rosenkavalier Suite to be published, but he was apparently not involved in creating it. It is likely that conductor Artur Rodzi?ski arranged it, as he had conducted the Suite's first performance, which was in October 1944 by the New York Philharmonic. This edition is by Robert Mandell. Instrumentation in set: 3(3dPicc).3(3dEH).3+BstHn(dBCl).3(3dCBsn): 4.3.3.1: Timp.Perc(7-8): Hp(2): Cel: Str (9-8-7-6-5 in set). | 3(3dPicc).3(3dEH).3+BstHn(dBCl).3(3dCBsn): 4.3.3.1: Timp.Perc(7-8): Hp(2): Cel: Str (9-8-7-6-5 in set) | |
| 15008 | DCC469ED-1CB4-42F6-A00A-2E0E601581C9 | A012490 | Nimrod | (not set) | 2, 2, 2, 2 - 4, 3, 3, 1, timp, str | |
| 15009 | DCC5F724-0834-44CD-9B1A-BF208BB1AE9D | SS826 | Variations for Flute and Percussion | This piece for flute and one percussionist is a theme followed by a set of six variations. Required percussion: 4 tom-toms (includes one snare drum), bass drum, suspended cymbal, wood block, triangle, and vibraphone. | Flute, Percussion: 4 tom-toms (includes one snare drum), bass drum, suspended cymbal, wood block, triangle, and vibraphone. | |
| 15010 | DCC94792-6FE8-480F-862B-ED18C434783E | 20442152 | Peasant Dance | This original trio is written in the style of an Austrian folk dance, which is often played by a clarinet accompanied by an accordion and string bass or tuba. Picture dancers in lederhosen skipping lightly to the music - punctuated by an occassional stomp - and you will capture the light-hearted spirit of the music. | Clarinet Trio | |
| 15011 | DCCDAF01-5DC4-4596-A3B4-A611C66EDE8F | SS831 | CANZON QUINTA (OUT-OF- | |||
| 15012 | DCCF2FFE-55CE-4896-AD7B-60AE1B27C0D3 | A002890 | POP - See M982890 - Pictures at an Exhibition, Part III | 2+1, 2, 2(+1), 2 - 4, 3, 3, 1, timp, perc, str | ||
| 15013 | DCCF8B2E-A605-4536-AB17-91187702C929 | S959CB | Genesys Fanfare | Genesys Fanfare was written for and performed by the members of the Brass and Percussion sections of the Flint Symphony Orchestra. Later the work was rescored for full orchestra and ultimately for concert band in this present arrangement. This band version was first performed in 2016 by the combined Wind Ensembles of Texas Lutheran University conducted by Beth Bronk. The musical ideas for this fanfare are straightforward--the theme is a rhythmic representation of the name of the institution that commissioned the piece – Genesys Hospital. The asymmetrical repetition of the spoken rhythm however yields a refreshingly compelling pulse which drives the music all the way through. | Concert Band | |
| 15014 | DCD05291-7467-4C9D-9F0F-32C1AF8B97F5 | R00992 | Statue of Liberty: A Symphonic Celebration | Written in celebration of the 100th birthday of the Statue of Liberty on October 28, 1986, Schifrin wrote: "In 1958, when I first came to this country, it was a very moving welcome for me to see her in the New York Harbor. I personally re-experienced those feelings some months ago when I was inspired to write this dedication and join today's festivities around the nation." | 2+Picc.2+EH.2+Eb Clar.2+Cbsn: 4.3.3.1: Timp.Perc(4).Hp: Str | |
| 15015 | DCD630A0-E2EA-4563-B86C-E586DE728672 | S656CB | Centennial Vista | This processional march was written for the 100 year celebration of Buena Vista college. | Concert Band | |
| 15016 | DCD9ED6F-7F15-42BE-96BF-457943085B04 | A418002 | Symphony No. 17 in F | (not set) | 0, 2, 0, 0 - 2, 0, 0, 0, str | |
| 15017 | DCDA5868-FE17-413F-9A99-98C4C6906FA4 | 52726001 | Chinese Folk Songs: Volume 1 for Viola Duo, Trio, or Quartet | Chinese Folk Songs is a compilation for string duo, trio or quartet, arranged by Albert Wang. The collection includes six songs: 1. Fall Recollections at Dressingtable (Zhuang Tai Qui Si); 2. Whether He Knows or Not (Zhi Dao Bu Zhi Dao); 3. Little Cabbage (Xiao Bai Cai); 4. General's Command (Jiang Jun Ling); 5. Jiaocheng Mountain (Jiao Cheng Shan); 6. Elunchun Folk Tune (E Lun Chun Xiao Chang). Volume 1 for viola duo, trio, or quartet. | Viola Duo, Trio, or Quartet | |
| 15018 | DCDCE137-4855-424A-B92E-93C548AED666 | M108391 | On An Overgrown Path | Leos Janacek wrote the first part of the cycle for solo piano "On an Overgrown Path" between 1902-1908. The second part was later published along with the second edition of part one. The cycle originated during Janacek's autobiographical period, a period of gloom and sorrow for the composer. Songs included: 1. Our evening, 2. A blown-away leaf, 3. Come along with us!, 4. The Virgin of Frydek, 5 They chattered like swallows, 6.Words fail, 7. Good Night!, 8.Unutterable anguish, 9. In tears, 10. the little owl continues screeching, 11. Andante, 12. Allegretto - Presto, 13. Piu mosso, 14. Vivo, and 15. Allegro | Piano Solo | |
| 15019 | DCEDD1EC-B4B7-4336-810E-E4A4B49C7D58 | S111011 | Romania! Fantasy for Flute and Piano | In preparation for Carol Wincenc's landmark Naumburg Award Recital at New York’s Lincoln Center, she asked composer Daniel Paget to create a work drawn from the world of wonderful Romanian folk music for nai, or panpipes. The result was Romania! Fantasy for Flute and Piano, a duet suggestive of both the nai and the cimbalom (hammered dulcimer). The work is a brilliant "tip-of-the-hat" to Wincenc's Austro-Hungarian heritage and her "inner tzigane-style temperament". Great care has been taken to select dynamics and articulations that allow the phrases to make the best use of the flute's capabilities, given the rich harmonic language typical of this part of the world. Filled with meltingly beautiful lyricism and dazzling technical gestures, this new edition is bound to bring years of enjoyment to all those who have it. | Flute, Piano | |
| 15020 | DCF90642-DA5F-45FD-935B-6D080AE69297 | SU122 | Fantasy on a Lakota Theme | William Kenton Bales was professor of music at University of Nebraska- Omaha from 1988. His "Fantasy on a Lakota Theme" for tuba and piano is a post-modern tribute to the Native American Lakota tribe that had inhabited that part of the country. | Tuba and Piano |