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15081DDAFD156-73FA-491E-80A1-EF85C155BD94CP082014LAUREN KEISER MUSIC PUBLISHING 2014 PUBLICATION CATALOG
15082ddb7f214-9e39-11f0-a418-0022482c9682A337302Symphony No. 3 'Ilya Murometz' in B minor, Op. 42: Movement IVReinhold Glière (1875-1956) composed this large symphonic work between 1908 and 1911, and it earned the composer his third Glinka Award. The SYMPHONY No. 3 in B minor, Op. 42 ("ILYA MUROMETZ" or "ILIA MOUROMETZ") is a programmatic work that depicts the life of folk hero Ilya Murometz, with each of the four movements depicting an episode of the epic. The 80 - 90 minute long work premiered on March 23, 1912, in Moscow by the Russian Musical Society Orchestra under the baton of Emil Cooper. In Movement IV, Les prousses et la pétrification d'Ilia Mourometz (The Feats of Valor and the Petrification of Ilya Muromets), Ilya defeats Batygha the Wicked and his army of pagans in a great battle. Ilya and his bogatyrs later encounter two heavenly warriors who multiply each time they are killed; pushed to retreat, Ilya and his men are transformed into stone. This movement quotes Taneyev's cantata JOHN OF DAMASCUS, Op. 1 quite frequently. The Kalmus edition of Glière's work is published in four volumes, one for each movement. Instrumentation: Movement IV only: 3(3rd d.Picc)+Picc.3+EH.3+BCl.3+CBsn: 8.4.4.1: Timp.Perc(6): 2Hp.Clst: Str (9-8-7-6-5 in set) or Complete Symphony: 3(3rd d.Picc)+Picc.3+EH.3+BCl.3+CBsn: 8.4.4.1: Timp.Perc(6): 2Hp.Clst: Str (9-8-7-6-5 in set). Reprint edition.Mvmt IV: 3(3rd d.Picc)+Picc.3+EH.3+BCl.3+CBsn: 8.4.4.1: Timp.Perc(6): 2Hp.Clst: Str (9-8-7-6-5 in set) or Complete Symphony: 3(3rd d.Picc)+Picc.3+EH.3+BCl.3+CBsn: 8.4.4.1: Timp.Perc(6): 2Hp.Clst: Str (9-8-7-6-5 in set)
15083DDB86B6F-9EC9-4759-9B86-ED9D89B54246X077452Meadows of Emerald and Iron
15084DDB91F1C-182F-48E2-894B-E78F9366D663SC341Charlie He's My DarlingThis text by Robert Burns was set for SSA chorus by R. Paul Drummond and is part of University of Texas Interscholastic League series.Ssa
15085DDBD6B32-4C23-42FE-BE32-1285183CDF23RCSS195SC8 Madrigals for 7 FlutesFlute Choir
15086DDC0A24C-E890-4FB3-B57D-59352FEF833FX531008Sonata for CelloRecorded by Timothy Eddy and Gilbert Kalish on CRI CD 590Cello, Piano
15087DDC43F51-F31A-4CBC-9987-D9977FEF63E0SU18String Quartet Rag, TheThis rag for four violinists offers intermediate players an introduction to double stops and allows them to practice alternating between pizzicato and arco.Violin Quartet
15088DDC6BF6A-0E0F-4EDC-A9C1-67FC5D0E56E0S231CBSerenade Espagnole
15089DDC8469E-23E2-40AF-87B7-C4BC2DC3C1AFX628506Cataclysm for Viola and PercussionViola and Percussion
15090DDCCF4F4-56EC-427F-84CE-0FFA302C120DX815002Witness: Six Original Compositions in Spiritual Style for Baritone and Double BassSix Spiritual song texts include We Has a Hard Time, Didn't My Lord Deliver Daniel, Death is Riding, Sorrow Song, And He Never Said a Mumbalin' Word, and My Lord What a Morning.Baritone, Double Bass
15091DDCEFB84-B222-4F99-A194-E8708CDD59A4C4CSSwing With 6 And 6 Band Book (out-of-print)
15092DDD245B5-A183-46ED-A065-FB6FBF2763C0HLCaprice Impromptu for Flute and OrchestraFlute W/ORCHESTRA
15093DDD27AE5-F77F-4858-B6D6-EF5E112FDFF820702101Trio Sonata(not set)Violin 1, Violin 2 and Violoncello
15094DDDAD7D3-6BB2-4AB1-B358-FC8DD23BDE73EBM0630063By Yearning and By Beautiful (POP-see MP509004)Dedication: Russell Atkins, stimulated by his poem of the same name. Première: 1972; Richmond; Richmond Symphony Orchestra, Joseph Kennedy, Jr., conductor.String Orchestra
15095DDDDC5F8-565E-43B3-846B-912AB37B3AE0A292602Cosi fan Tutte, K. 588: No. 14: Act I, Aria: Come scoglio (soprano)Wolfgang Amadeus Mozart (1756-1791) wrote the music to COSÌ FAN TUTTE (So do they all), his third collaboration with librettist Lorenzo da Ponte, only after his contemporary Antonio Salieri rejected the initial commission. Its first performance took place on January 26, 1790 at the Burgtheater in Vienna, Austria. Despite the strained credibility of the story, in which two men undertake a dare to deceive their lovers through feeble disguise and pretense in order to prove their faithfulness, Mozart enriched its characters with emotional depth, motivation, and humor. Though it took longer to achieve popularity than the other da Ponte operas, by the middle of the twentieth century, COSÌ FAN TUTTE had become a staple in opera houses all over the world. Don Alfonso wagers that he can make both Guglielmo and Ferrando’s girlfriends fall in love with someone else, so they dress up in costumes to try to woo the other’s girlfriend. When Fiordiligi is approached by the “strangers” she sings the aria COME SCOGLIO (Like a rock) telling them that she will not change her mind and to go away. Instrumentation: 0.2.2.2: 0.2.0.0: Str (9.8.7.6.5 in set): Solo Sop.0.2.2.2: 0.2.0.0: Str (9.8.7.6.5 in set): Solo Sop
15096DDDF22EC-0018-41A8-8872-64F43E8C586BST754Aria from SaulThis short aria ("Oh Lord, Whose Mercies Numberless") from the oratorio "Saul" provides the soloist an opportunity to explore a more lyrical playing style. The solo part may be played on trumpet or baritone T.C.Trumpet and Piano
15097DDE07708-7FBF-4AB5-9116-595406FC24E6A478702Anna Bolena: Act I: Come innocente giovane (soprano)2, 2, 2, 2 - 4, 2, 3, 0, timp, str, solo S
15098DDE0B671-EE38-4FA8-9683-5831968CED34MP105005Synchronisms No. 8 POP see MP015005 SubitoSynchronisms No. 8 (1974) for Woodwind Quintet and Tape by Mario Davidovsky. Duration ca. 10'Woodwind quintet, tape
15099DDE5AD99-4B69-4501-8A02-7C92BDED6466A835090Gesu Bambino [orchestration for high voice, F]The Italian-American Christmas carol GESU BAMBINO, despite being a relatively new addition to the holiday repertoire (written in 1917), manages to fit right in among the older carols in style and popularity. This version in the key of F, written for high voice, has been orchestrated by William Ryden. Instrumentation: 2.2.2.2: 2.2.3.0: Timp.Perc(2): Hp: Str(9-8-7-6-5 in set): Solo High Voice.2.2.2.2: 2.2.3.0: Timp.Perc(2): Hp: Str(9-8-7-6-5 in set): Solo High Voice
15100DDE9CCBB-5CCE-4D5F-9BB2-6AF5097C7116EBM0610164Season's GreetingsPremiere Dec. 15, 1983, San Diego, San Diego Symphony; Matthew Garbutt, conductor3 (pic)-3 (E.hn)-3 (bcl)-3 (cbsn); 4-3-3-1; perc (3), cel, hp, str