Titles
Showing 15,121-15,140 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 15121 | DE4B2C04-3CC0-4256-8B6D-986B75924F75 | M390691 | Two Old Viennese Dances: Liebesleid & Liebesfreud | Fritz Kreisler originally wrote THREE OLD VIENNESE DANCES (ALT-VIENER TANZWEISEN) for violin and piano in 1910. Emilio Colón arranged two of the three dances, 'Liebesleid' (Love's Sorrow) and 'Liebesfreud' (Love's Joy) for four violoncellos. | Four Violoncellos | |
| 15122 | DE5615F1-5386-4415-AF15-208C0165A56E | EBM0610267 | Cecilia Valdes: Gran Duo (excerpt) | This selection from the Cuban Zarzuela "Cecilia Valdes" was arranged by Evan Hause. Duration ca. 6'. | Soprano, Tenor 2222 4331 Timp 3Pc Hp Str | |
| 15123 | DE5B3E0F-9A6D-44C1-9D7E-21D694346BE0 | 10100495 | Circus Bee March, The | One of the greatest 'screamers' (circus marches) of all time and a favorite of Merle Evans, The Circus Bee, like Fillmore's Rolling Thunder is a real challenge for the low brass. Meticulously edited, this is an important addition to concert band libraries. | Concert Band | |
| 15124 | DE600E8F-BBE7-44CD-B06A-BCD604ACFE46 | B401402 | Festival Fanfare | Festival Fanfare-March is bright in color, quick in tempo, and effervescent in spirit. The work received the Ostwald Award in concert band composition. It was premiered by the United States Air Force Band, Major Albert Bader conducting at the 1973 American Bandmasters' Association Convention. | Concert Band | |
| 15125 | DE61E846-B537-4893-BA20-A6E437B34AB8 | R00848 | Fanfarria from In The High Country | Composed for the 100th anniversary of the Cincinnati Symphony Orchestra. Movement 1 of In the High Country. | 1+2 Piccolo.2+English Horn.2+Bass Clarinet.2+ContraBassoon: 4.4.3.1: Timpani.Percussion(3): Strings | |
| 15126 | DE628807-6F0A-4528-8CF5-CE66C5D725A9 | SU468 | And the Band Played On | Nine Winds & Perc | ||
| 15127 | DE62BCA8-5438-4711-9A6D-3103384A59FE | R00070 | Awaking the Winds (Full Orchestra) | Also available for chamber orchestra. | 3(2d Piccolos).3.3(1d Bass Clarinet).3: 4.3.3.0: Piano.Celesta.Harp: Strings (minimum 12.12.8.8.6) | |
| 15128 | DE674F34-C8B0-49C7-AFE7-2A3CB7DAE097 | S583CB | Lone Star | (not set) | Concert Band | |
| 15129 | DE6897B2-E65A-4FF0-AA15-7EA4117CEE64 | A328102 | Symphony No. 1 in G | Frederick II (1712-1786), known also as Frederick the Great, served as King of Prussia during most of the 18th century. While he had great success militarily during his rule, he was much more personally interested in music and philosophy than conquest. A great patron of music, he also played the transverse flute and composed numerous works of his own in addition to the well-known composers he brought to court and supported. His output includes a significant number of sonatas and concertos for the flute, but also several symphonies. This edition of his SYMPHONY No. 1 in G was edited by Gustav Lenzewski. Instrumentation: Str (4-4-3-3-3 in set): Hpchd in Sc. | Str (4-4-3-3-3 in set): Hpchd in Sc | |
| 15130 | DE6BE430-67B0-4739-9F91-DD8B833379CB | EBM0630020 | Theodora: Come Mighty Father, Mighty Lord | Choral part for sale from the publisher. | SATB, 2 Oboes, Continuo, Strings | |
| 15131 | DE6CBFD7-20E1-4D14-A16F-D3030938E2F8 | SS753 | Concerto for Tenor Saxophone, Op. 50 | Tuthill's Concerto, Op. 50 for Tenor Saxophone and Orchestra was completed in 1965 and dedicated to Cecil Leeson. This publication includes the solo part with piano reduction. Movements titles: I. Andante Molto, II. Slowly, III. Snappy and Rhythmic | Tenor Saxophone and Piano | |
| 15132 | DE6F01B2-262B-456E-B2C0-7E9790DB84E9 | 10620203 | Evening in the Country for Mallet Instrument | This captivatingly beautiful solo by Bartok is artfully arranged for two mallet keyboard percussion with piano accompaniment by Scott R. Meister. It is true to the original but just one minute shorter with some of the repetition removed. A short but interesting solo full of singing melody and quirky, fun, flashy rhythmic interlude. Perfect for a variety of settings and programs. | Mallet Instrument Solo and Piano | |
| 15133 | DE72CC80-17A2-4920-9D11-A64EDA37CF10 | 52722469 | Intermediate Viola Trios | (not set) | Viola Trio | |
| 15134 | DE7496AE-8DF0-4452-A677-26D756500B40 | A266102 | St. Paul Oratorio, Op. 36 | (not set) | 2, 2, 2, 2+1 - 4, 2, 3, 0, timp, org, str (2.2.1.1.1), solo SATB, mx chor | |
| 15135 | DE7B902B-E7A4-45F0-8245-416215814A88 | R127 | Brass Fragments | Commissioned by the brass choir of Ithica, New York High School, Ronald Socciarelli, cond. Movement titles: 1. Sounds of Clusters 2. Scales and Skips 3. Miniature March 4. Interrupted Song 5. Toccatina | Brass Choir (6 Trumpets, 5 Horns, 6 Trombones, Euphonium, 2 Tubas) | |
| 15136 | DE7DA566-4210-448B-8CBA-53F29429B4BC | 10200086 | Irish Tune from County Derry for Orchestra | Irish Tune from County Derry is one of the best known of Grainger's settings based on a folk melody. This version, published here for the first time, was prepared for Leopold Stokowski who recorded it in 1950 (omitting the cymbal part). These parts have been carefully combed through to remove errors and to clarify Grainger's parts from which the musicians played at that recording session. Grainger used his own previously published parts to the string orchestra version for that session but he did not put the changes into these parts as has been done in this publication. Also, his wind parts were handwritten and these materials have been clearly annotated, giving dates on the score, in this publication. Grainger's 'blue-eyed English' terms have been placed into this publication as Grainger had wanted (e.g. the published string parts used at the 1950 session were in Italian which Grainger used to save himself time in preparing parts). Even the cymbal part as it appeared between Grainger's score and his handwritten part differed. This has now been treated in a manner which the editor feels best serves the material. Instrumentation: 2.1.2.1(2): 2.1.0.0+1: Perc: Str. | 2.1.2.1(2): 2.1.0.0+1: Perc: Str | |
| 15137 | DE8A9FA2-5118-4582-8972-86485D92C954 | 50100143 | The Labyrinth | This thrilling work depicts the story of Theseus and the minotaur in a dramatic and exciting manner. The synthesizer part may be played by a pianist and a harpist if those instruments are available. A fine work from a young and developing composer. | Concert Band | |
| 15138 | DE8EAF57-4B3E-40CD-BBB2-227B85493BAF | A799602 | Gianni Schicchi: Ah! che zucconi! | 2, 2+1, 2, 2 - 4, 3, 3, 0, timp, perc, str | ||
| 15139 | DE926612-A126-4B72-A76E-F355BBE4D262 | 10733545 | Cello Quartets | (not set) | Violoncello Quartet | |
| 15140 | DE94B84C-FC6D-4E2D-9CC9-4AC121223D16 | SC792 | Praise for Peace | Texas University Interscholastic League Sightreading for 2A, 1A, and 3B Varsity Mixed (SAB) Choirs and 5A, 4A, and 3A Non-varsity Mixed (SAB) Choirs. Text by Angus S. Hibbard. An arrangement for SATB choir is also available from the publisher. | SAB |