Titles
Showing 15,101-15,120 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 15101 | DDEC77BB-CECD-424A-9625-7CAF2697BCA1 | S676 | The Dream Catcher | A "dream catcher" is an American Indian hoop. In Indian folklore, when dream catchers are suspended over the body of someone sleeping, they catch the bad dreams and let the good ones through. This title is full of percussive sound effects and instruments that all players employ. "The Dream Catcher" was commissioned by and is dedicated to the Renbrook School Concert Band, West Hartford, Connecticut, Gary L. Partridge, conductor. | Concert Band | |
| 15102 | DDEDDCF8-AFF3-4DD6-B4B9-E596F7E759AE | 50345004 | Competition Solos, Book 1 Alto Sax | The practical collection of competition solos that are included in this book were selected from state competition lists throughout the United States. While each selection is included on the list of at least one state, check with your director, private instructor or state music association to confirm that your desired solo is an approved selection in your state. The piano book includes alternate accompaniments for instruments of different pitch and therefore can be used for any instrument in the book one series. Codes to download audio are included on each solo book. Titles include: Cripple Creek; Dance of the Bears; Gavotte; Happy Song; Harvest Waltz; Little Caesar; Rooster; Swan; The Tortoise and the Hare. | Alto Saxophone | |
| 15103 | ddeeb5aa-9e39-11f0-a418-0022482c9682 | A340402 | Aida: Act II, Coro: Gloria all'Egitto, ad Iside | AIDA, with music by Giuseppe Verdi and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenged by jealousy and loyalty to country and family. Commissioned by Cairo’s Khedivial Opera House, it was premiered there on December 24th, 1871 in a performance conducted by Giovanni Bottesini, although, due to a limited audience, Verdi considered the performance at La Scala in Milan on February 8th, 1872 to be the true premiere. The chorus "Gloria all'Egitto, ad Iside" (Glory to Egypt, and to Isis!) takes place at the beginning of Act II, Scene 2, as Radamès and his troops return victorious to the city after their battle with the Ethiopian army and its King Amonasro, Aida's father. Instrumention: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(1): Banda (ECl.2Cl.3Hn.3Cnt.3Tbn.Bar.2Tba): Str (4.4.3.3.3 in set): Mx Chor. Reprint Edition | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(1): Banda (ECl.2Cl.3Hn.3Cnt.3Tbn.Bar.2Tba): Str (4.4.3.3.3 in set): Mx Chor | |
| 15104 | DDF1CF34-1B42-4E3B-8828-3E99FCE7F383 | 50703016 | This Land for String Quartet | String Quartet | ||
| 15105 | DDF4A5D4-F5A2-4A83-9D32-0F62EA6B7F35 | R00603 | Symphony No. 1, Op. 26 | (not set) | 3.3.2.3: 4.4.3.1: Timpani.Percussion(3).Piano.Harp: Strings | |
| 15106 | DE0292E9-C327-4D98-86CC-2CD2CD2BB546 | V101 | Two Songs from Leopard Flowers: Art Songs by American Women Composers v.6 | This series is the first published collection of art songs set to music exclusively by American women of the 20th century. All of the songs have been selected on the basis of poetic choice, strength in text-setting, and accessibility in performance. This settings are of two ninth-century Japanese poems in a delicate, sculptured setting recalling their Asian origin. | Vocal | |
| 15107 | DE07EB21-E2FD-4B4D-B13D-BDB86FDBA217 | SO97C | Ode to Joy Blues | (not set) | String Orchestra | |
| 15108 | DE0B62EF-13D4-42D3-9EE7-C696AFEFA6BE | R01516 | Death of the Honeybees: Grand Ballet in 2 Acts | 2+1:2+1:2+Eb:2+1: 4.3.3.1: Timp.Perc(4).Pno.Clst: Child Chor(opt.): Str | ||
| 15109 | DE0D0938-964B-424C-992F-73F251490DBF | 52723008 | Canon in D for Viola Quartet | In G Major, Parts 3 and 4 share continuo. | Viola Quartet | |
| 15110 | DE13624B-C52C-40CD-AEB5-CAEE8FEDDD72 | M258591 | Concerto in E minor for Violoncello and Piano, Op. 85 | In the aftermath of World War I, Edward Elgar (1857-1934) wrote some of his most personal and introspective music. The last of his major completed works, the Cello Concerto in E minor, Op. 85, began as a melodic idea that came to the composer as he was recovering from a surgery to remove an infected tooth. Despite the woeful premiere, the concerto later achieved fame in light of a now-iconic recording made by Jacqueline du Pré. | Violoncello and Piano | |
| 15111 | DE189A53-43E2-4513-9E52-12B3B7296AE3 | B500802 | The Picadore March | Concert Band | ||
| 15112 | DE1E7568-79FE-4692-AE33-93582911956C | R00698 | Into the Light | (not set) | 2(2d Piccolos)+Piccolo.3(1d English Horn).3.2+ContraBassoon: 4.3.3.1: Timpani.Percussion(2).Piano(d Celesta).Harp: Strings | |
| 15113 | DE2AF3AB-29F9-444C-A528-02732AE6A005 | R00843 | Double Concerto for Flute, Oboe, and Orchestra | This can be either the solo flute or solo oboe. | Flute, Oboe Soli Percussion(1).Harp: Strings | |
| 15114 | DE2F3696-7DA5-4D5C-A739-C7DC1EA08652 | M225691 | Three Preludes | (not set) | Piano Solo | |
| 15115 | DE383328-E26D-4949-A263-0CB3661C7611 | SU333 | Angelus | (not set) | Clarinet Choir | |
| 15116 | DE39270C-9FCF-4279-BDEB-3924C01D8CC0 | M226891 | Romance, Op. 62 | A gentle and poignant work originally written for Solo Bassoon and Orchestra, the Romance for Bassoon was composed in 1910, during one of Elgar's most creative periods, between his Violin Concerto and his Second Symphony. This arrangement for Bassoon and Piano allows the advanced player to showcase expression and range. | Bassoon and Piano | |
| 15117 | DE3D71C0-28FA-4C1B-A520-836CD6838736 | J06401 | Hold On! | Native American composer/singer/guitarist Phillip White Hawk has been writing songs about America almost all of his life and has over 300 songs in the Phillip White Hawk Collection, including HOLD ON!. Portraying Phil’s beautiful song is Connie Bellet’s meaningful depiction in oils of Native American symbols. The nest is made of human hands and forearms showing diverse ages and races; the egg in the “nest” is the earth; and the eagle is bringing the peace pipe to the nest. In such a beautiful way, we are shown how to “Hold on together every day.” The rhythmic variety in the main vocal line of Hold On! is both challenging and intriguing. It is, in all cases, a direct vocal response to the original guitar part developed by Phil. In fact, the two elements are so closely interlinked that it would be hard to determine which came first, or if both occurred simultaneously, each responding to the other. This arrangement for chorus maintains each of these elements and attempts to remain as true as possible to Phil’s original recording. Rhythm parts are available for bass and guitar. Optional percussion may include shakers or shakers simulated with brushes on snare drum, while playing verses in "half-time" feel and the choruses in "double-time." The original TTBB version and an SATB version are available from the publisher. | TTBB Chorus with Piano, Guitar, Double Bass, and Percussion (opt.) accompaniment | |
| 15118 | DE3EF778-B887-4B14-B3AC-750022C46286 | 50100028 | Partiot Sketches | Cross-curricular opportunities abound with this tribute to three of America's founders. Written in three sections, representing Thomas Paine, Abigail Adams and Thomas Jefferson, this work is ideal for any patriotic program. The work starts in B and ends in F while keeping ranges and tessitura easy for the developing band. Second clarinets stay below the break throughout. | Concert Band | |
| 15119 | DE41582B-79BA-4245-A106-D5A12772A626 | X504082 | Mary Cassatt: Scenes from Her Life | Based on the life and paintings of the American Impressionist Mary Cassatt. Premiered by the Cassatt Quartet in 2013. | String Quartet | |
| 15120 | DE4B0C94-79C9-4905-9C99-506941A27BF5 | SC477 | Will You Still Love Me? | U.I.L. Sight Reading Selection for 2B Junior High and 3C Middle School. | Ssa |