Titles
Showing 14,981-15,000 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 14981 | DC5558FB-3CBC-42F5-84B4-0B1DDA2E5D4C | M108991 | Moods and Fancies, Op. 9 | (not set) | Piano Solo | |
| 14982 | DC61EA61-CFBB-4891-8A34-B5EF8082A432 | X094020 | Persian Folklore | This SATB a capella choral piece includes a pronunciation guide and an optional piano accompaniment for rehearsal. | SATB Chorus | |
| 14983 | DC62782F-D70F-4A8A-BDA7-108B2BC59EFE | ST388 | Andante in C, K315 | (not set) | Flute; Piano | |
| 14984 | DC646800-D074-48B9-AF9E-0ACA48D4A158 | B281 | Seven Solo Dances | Seven solos written with the advanced timpanist in mind. Movement titles: I. Opening Toccata, II. Minuet, III. Beguine and Samba, IV. Polka, V. Ballade, VI. 5/8 Dance, VII. Rock Stock | Timpani Unaccompanied | |
| 14985 | DC688E88-C2F7-4EC1-830A-84BBCB072DF5 | A916891 | Ave Maria in B flat | (not set) | Full Orchestra | |
| 14986 | DC692BF7-AB53-4947-9806-799F3BA0E3FB | SS619 | Double Diddle (only-in-b170/so-special) | Snare Drum Unaccompanied | ||
| 14987 | DC6C2DCB-0C9A-4589-8E3F-2FC8C695086C | 10100546 | Stone Ghosts | Haunting sounds and eerie effects describe the stone sentinels that dot the landscape of historic New Hampshire. The music resonates with the sounds of aging graveyards, some sacred in nature and some scary. Eventually the sounds merge into an aural tapestry, with the distant sounds of colonial fifes and drums. | Concert Band | |
| 14988 | DC6EF46D-39AC-4694-B8DF-5432E9E74EB9 | SS631 | Time for a Change | Snare Drum Unaccompanied | ||
| 14989 | DC741E2F-66E5-43E4-BA87-86D2926AF039 | M262691 | Three Melodies for Piano | (not set) | Solo Piano | |
| 14990 | DC7D0F89-7646-49B4-85FE-FE1102897668 | 10100561 | Drive! | Drive! is, in essence, an uplifting journey through music. As the title implies, the piece is driving, forward moving, and constantly pushes the listener onward through musical interactions. It is fast paced, with a relentlessly energetic motion throughout. Percussion players are active and important to successful performance of a piece that could open or close your program with impact. | Concert Band | |
| 14991 | DC7DC829-4A7D-4E77-B637-109F2A7C902A | R00836 | Mizmor l'David (Psalms of David) | In Hebrew/English. | SATB Chorus Violin, Cello, Harp | |
| 14992 | DC7FD49B-FE56-4B0A-BECA-3C166E9DE45C | LV436MB | Mr. Quarterback | Part of the Easy to Play March Series. | Marching Band | |
| 14993 | DC8F47CA-0DBE-471C-9FB2-8C12E78C4898 | MP410014 | Contentment - A Rag | Premiered by Tom Brier at the Sacramento Ragtime Festival, 2015 | Piano | |
| 14994 | DC912EFE-A15E-475E-BB16-1C8A88A3B421 | ST873 | Before the Ark | Violin | ||
| 14995 | DC91BC12-9672-47E1-9484-94B9F0926109 | EBM0610425 | Rapsodia Argentina | Rapsodia Argentina is based on traditional older Argentinian tangos, the most famous being “Buenos Aires,” which is heard at the outset. The whole piece is a kind of huge rondo and is divided into several sections, most of which recur during the course of the composition. One of them is a milonga, a native peasant dance of Argentina (and Bolivia) that is a variation of the tango. Rapsodia Argentina is probably the least known of the three rapsodias for piano and orchestra by Lecuona. For sale is the solo piano part. It is not a 2-piano version or a piano reduction. The solo part matches the available orchestration as arranged and recorded by Thomas Tirino. | Piano, 2Pi222 4230 Timp 3-4Pc Hp Str | |
| 14996 | DC943AF0-6EDE-4E50-A35D-2F8760BF739F | 20100744 | A Spiritual Christmas | How about a lively spiritual this holiday season? This festive setting of Mary Had a Baby allows all the sections to share the melody and rewards the percussion section with imaginative instrumentation. A little something different for holiday programming. | Concert Band | |
| 14997 | DC97A660-0069-471F-8352-FEE3F49C2C66 | A448202 | Scherzo in G minor from the Octet, Op. 20 (composer's orchestration) | SCHERZO IN G MINOR was orchestrated in 1829 as a replacement movement for Felix Mendelssohn’s (1809-1847) SYMPHONY NO. 1 IN C MINOR, Op. 11, which he had originally written at age 15. Dissatisfied with the original Menuetto movement, Mendelssohn substituted the third movement from his OCTET, Op. 20. It is valued both as a standalone concert work and as an illuminating window into his evolving symphonic voice, marking a bridge between Classical form and Romantic expression. It occasionally appears in place of or in addition to the Menuetto in concert hall performances of the symphony. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set). Reprint edition. | 2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set) | |
| 14998 | DC99E7B0-B8E8-4FC6-B430-A4A971B8E66D | M284791 | Sonatine for Two Violins | (not set) | Violins | |
| 14999 | DC9F0F24-5C1B-4CF3-9CED-45D226A90337 | S228 | Concert Piece (on-rntl-only-r23) | Two Horns And Concert Band | ||
| 15000 | DCA2DF57-FD5B-49B0-A476-7C99DB5DCC65 | 50100014 | Apollo 11 | This upbeat concert work in ABA form celebrates the first mission to put men on the moon. The cheerful outer sections are in four while the lyrical B section is in three. Flutes are featured in the middle section before adding the rest of the band. The recapitulation features the percussion section in alternating measures with the band that builds to a big ending. Very exciting! | Concert Band |