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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
1341123BDFF8-DB07-415E-8532-B0C6608BEC71S371POP See R111A, The Land BeyondConcert Band
1342123F34F8-B540-4362-BB8F-BA0DA8385EA6S410010Five Miniature Preludes and FuguesCollection of five prelude-fugue pairs for the development and enjoyment of late beginner to intermediate pianists.Piano Solo
1343124418A7-10BB-4B68-8C97-C45764A6786BLV702CBBeguine Modernique(not set)Concert Band
13441245CB64-F6FC-4E8B-B38F-75FC8428CDFBSS973RhapsodyTrumpet Quartet
13451247F338-D424-492A-B9BE-DC7A292CB3C3A228302Lustige Witwe, Die (The Merry Widow)The operetta DIE LUSTIGE WITWE (THE MERRY WIDOW), IFL 12 was written in 1905 by Austro-Hungarian composer Franz Lehár (1870-1948), with a libretto by Viktor Léon and Leo Stein. The story tells of a rich widow for whom her countrymen attempt to find her a new husband that will keep her money in the principality. The operetta was successful when it premiered on December 30, 1905, at the Theater an der Wien in Vienna, with Lehár conducting, and it has remained a staple of the opera repertoire ever since. Instrumentation: 2 (2nd d. Picc).2.2.2: 4.2.3.0: Timp: Perc(6): Hp: Str (4.4.3.3.3 in set): Banda (Gtr.Tamburin.BFid.3 Lutes.Str 1-1-1-1-1): Vocal Soli (14 roles SSSAATTBBBBBB): Chorus. Piano-Conductor in set. Reprint edition.2 (2nd d.Picc).2.2.2: 4.2.3.0: Timp: Perc(6): Hp: Str (4.4.3.3.3 in set): Banda (Gtr.Tamburin.BFid.3 Lutes.Str 1-1-1-1-1): Vocal Soli (14 roles SSSAATTBBBBBB): Chorus: Piano-Conductor in set
1346124B6BFF-CEB7-48E6-84C2-55F9288FE7E4A929290Mozart OvertureBorn in Venezuela, but raised in Paris, Reynaldo Hahn (1874-1947) was drawn early in life to fashionable salons, singing his own songs from the piano. There he mingled with such luminaries as Mallarme and Proust, the latter with whom he formed an amorous relationship. After the first world war, he accepted an appointment of voice teaching at the École normale de music de Paris. His colleagues included Nadia Boulanger, Pablo Casals, and Jacques Thibaud. One of many musical works he composed for the stage during this time, MOZART, a musical comedy (comédie musicale) in 3 Acts, IRH 52, premiered at the Theatre Edouard VII in Paris on December 2, 1925. The libretto was written by Sacha Guitry for their first of two collaborations. The MOZART OVERTURE, here edited by R. Mark Rogers, serves as a vibrant introduction to this underrepresented work. Instrumentation: 2.1.1.1: 2.1.00: Pno: Str (9-8-7-6-5 in set).2.1.1.1: 2.1.00: Pno: Str (9-8-7-6-5 in set)
1347124E92C7-7A87-4FD5-9C7D-D674AFA5B123SC292The Cherry OrchardThis piece for two treble voices is written in a homophonic form. Versions for SA and SSA are available from the publisher.SA
1348125204C2-FE03-48B5-A524-9CDA84A1E582LV412MBCeremonial(not set)Marching Band
13491255A47F-1844-4A4C-AE58-3FE189CD367CF54Football Worksheet, 6 to 5 (pad of 50 sheets)Drill Design
1350125DB7DE-2A5B-4374-84D3-C1945C6F4A75R00980Sinfonietta Concertante for Flute, Cello, and Chamber Orchestra(not set)Flute, Cello, Soli    0.0.0.0: 2.0.0.0: Strings
1351126527D2-5B35-4E01-B42C-052BBFC376A1S113001TrioThe Trio for Three Flutes presented here appeared in 1964, when Jean-Pierre Rampal acquired a non-original manuscript of this work in the Czech Republic. Attributed to an early period for its light character and instrumentation, the Trio was taken into serious consideration by Beethoven scholars and listed in the chronological and thematic catalogue of all Beethoven’s works. The catalogue included the unpublished works and the unused sketches (1968), whose 849 entries include the opus numbers, the Kinsky-Halm, the Hess, and the Grove catalogues. The Trio for Three Flutes is cited in the Biamonti Appendix II 64, as a work of uncertain authorship, but nonetheless attributed to Beethoven.

The first recording of the piece was released by Jean-Pierre Rampal, who recorded the complete chamber works with flute by Beethoven for the Club Français du Disque label in 1964, together with Alain Marion and Christian Lardé.

While further information is unavailable to confirm Beethoven's authorship of this work, all that is left to the listener and performer is to enjoy the particularly brilliant vivacity of the composition, which may corroborate the hypothesis of a Beethovenian attribution.		3 Flutes
1352126607A8-BD56-44DD-B050-CCF5F9F79D82S1032CBVictory March"Victory March" brings a fresh, new sound to a familiar and revered form. This is partially a function of tonal center and partially due to sparkling melody and a well-constructed harmonic base. A splash of originality, the march fits well in just about any spot on a program.Concert Band
1353126702D6-4AAB-4DA2-AFCD-19512E5C85BCM144891An Die Jugend Part 3(not set)Piano Solo
1354126ca761-9e3b-11f0-a418-0022482c9682M237391Alla GitanaThis brief work, ALLA GITANA (also titled VOCALISE-ÉTUDE), in the Gypsy style by Paul Dukas (1865-1935) was originally composed for voice and piano. This edition for cello and piano was transcribed by Luigi Silva. Reprint edition.Cello and Piano
1355126D41D2-7D53-4E47-90BA-D189AF0B7E6AS565CBGlasgow FairAs a companion to his popular Scottish march, PENTLAND HILLS, the composer has taken the melodies "Kelvingrove", Charlie is my Darling", and "Annie Laurie", as the main themes in GLASGOW FAIR, with suggestions of "Highland Laddie", "Scotland the Brave", "Will Ye No' Come Back Again", and "Scots Wha Hae" in the bridge sections. Kelvingrove is one of the beautiful parks in Glasgow, and is the the scene of some of the popular fairs that are held in the city. The march is often played by bands of the Household Division at the ceremony of Changing the Guard at Buckingham Palace, and also featured at the famous Edinburgh Military Tattoo.Concert Band
1356126E4985-BCBB-4B48-B1BB-6F1C704C63D352733094Mendelssohn Songs vol. 2Cello Quartet
1357126E8FE5-3774-4EAD-88D0-45AE0063A2BCA823102Tosca (reduced orchestration)TOSCA is a melodramatic opera in three acts set in Rome in June, 1800, with the Kingdom of Naple’s control of Rome threatened by Napoleon’s invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini’s best-known lyrical arias. With a libretto by Luigi Illica and Giuseppe Giacosa, based on a play by French playwright Victorien Sardou, the opera was an immediate success with the public upon its premiere in 1900, and its characters continue to fascinate both performers and audiences as the work remains one of the most frequently performed operas. This orchestral reduction has been completed by Osbourne McConathy. Instrumentation: 2(2nd d. Picc).1(d.EH).2.1: 2.2.1.0: Timp:Perc(2-3): Str (4.4.3.3.3 in set): Vocal soli (9 roles, SATTBBBBB): Mixed Chorus. No score is available for this reduction, but the score for the original orchestration is available from the publisher as A232601.2(2nd d. Picc).1(d.EH).2.1: 2.2.1.0: Timp:Perc(2-3): Str (4.4.3.3.3 in set): Vocal soli (9 roles, SATTBBBBB): Mixed Chorus
135812701DF0-2302-4AD2-94DA-76B771CA719550100023My Dog Ate My HomeworkWhy not write a band work that celebrates the most famous excuse in school? This sounds like a job for Clarence Barber! Students get to tear paper and crumple it up in this fun novelty work. Your audience will truly enjoy this homage to youthful creativity in the face of certain disaster. Warning: Do Not Use Real Homework!Concert Band
1359127483EB-AAC7-4BFE-B865-0BB3EE384B6FA379802Eugene Onegin, Act I No. 12, Aria: If in this world a kindly fortune (baritone)(not set)2, 2, 2, 2 - 4, 0, 0, 0, str, women's chor
1360127AF637-0472-419C-A709-4B514FA15760R00847Earth BeatCommissioned by the Duquesne University Wind Symphony for Stanley Leonard.Timpani Solo:  3(1-3 dPicc)+Alto Flute.2.2+Eb Cl+BCl.2: 4.4.3.1: Perc(4).Synth