Titles
Showing 1,361-1,380 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 1361 | 127e3273-9e3b-11f0-a418-0022482c9682 | M237591 | Lassus Bassoon | Henry Fillmore (1881-1956) is most famous for his numerous successful marches, but he also earned the title "father of the Trombone smear" as the result from his famous LASSUS TROMBONE. Andrew Balent has given the bassoons the opportunity to try and smear some notes in his arrangement of the work, titled LASSUS BASSOON for bassoon quartet. | 4 Bassoons (4th is optional Contrabassoon) | |
| 1362 | 127FF8F9-CD9E-47E5-BA4E-3D610F0E08E2 | A105002 | Octet, Op. 20 | Written when Felix Mendelssohn was only 16 years old, his "Octet in E-flat Major, Op. 20", written in 1825 for four violins, two violas, and two cellos, contributed to the creation of a new chamber music genre and is one of Mendelssohn's first works to be well-received. While double string quartets were gaining in popularity during the time this octet was composed, Mendelssohn noted in the score that the piece should "be played by all the instruments in the style of a symphony," making the ensemble undivided. The scherzo movements was later scored for orchestra to replace the minuet at the premiere of Mendelssohn's First Symphony. The work as a whole make extensive use of counterpoint, showcased most notably in the eight-part fugato during the finale movement. | 4vn, 2va, 2vc (set as scored) | |
| 1363 | 1284992B-863D-480D-BBB2-4B87ED392FAA | A169102 | Scenes Pittoresques: Orchestral Suite No. 4 | Published in 1874, this fourth of seven orchestral suites by Jules Massenet (1842-1912) premiered on March 22, 1874, in Paris at Châtelet, Colonne conducting. Titled "Scènes pittoresques," the suite in four movements was dedicated to the composer's friend, E. Paladilhe. The work has proven to be one of Massenet's most popular concert works. The second and fourth movements are derived from the overture to L'ADORABLE BEL'-BOUL'. Movement titles: 1. Marche, 2. Air de ballet, 3. Angélus, 4. Fête bohème. Instrumentation: 2(2dPicc).2.2.2: 4.4.3.0: Timp.Perc(3-4): Str (9-8-7-6-5 in set). | 2(2dPicc).2.2.2: 4.4.3.0: Timp.Perc(3-4): Str (9-8-7-6-5 in set) | |
| 1364 | 12876ed6-9e3b-11f0-a418-0022482c9682 | M237691 | Quartet Concerto for SATB Saxophones and Piano | Walter S. Hartley (1927-2016), whose works for saxophone and low brass significantly expanded the repertoire available for those instruments, wrote the QUARTET CONCERTO for SATB saxophones in 1992 for a commission by the Atlanta Saxophone Quartet for a premiere with the DeKalb Symphony Orchestra. In four movements, the soli players are treated as a composite unit pitted againt the orchestra, somewhat as in the Baroque concerto grosso. The harmonic style is freely tonal. A version with orchestra accompaniment is available from Edwin F. Kalmus, while versions with wind ensemble or piano accompaniment are available from LudwigMasters Music. | Soli Saxophone Quartet (SATB) and Piano | |
| 1365 | 128E6177-4B60-4032-98B4-6E324268BF28 | SS340 | Concerto No. 1, K412 | This was transcribed to Eb from the original key of D. The arrangement and the cadenza are by Lorenzo Sansone. | Horn and piano | |
| 1366 | 128FF72F-D8B7-4CE0-B8DD-8B41F9DC7098 | RCSS822 | Parade of the Tin Soldiers | Flute quartet | ||
| 1367 | 12938BD3-0EA8-460C-BA9D-84686BD0AD4B | 18803002 | Six Silly Songs No. 1 | (not set) | SA and Piano | |
| 1368 | 129F1CC1-565E-4DF1-B609-E1DC73F1728B | SU436 | Divertimento No. 2 | Karl Philipp Stamitz (1745-1801) was born into a Bohemian family of musicians dating back to the mid-17th century. Following the example of his renowned father, Karl gained wide recognition as a violinist, violist, and composer. Noted primarily as an orchestral composer, his Four Divertimenti for two clarinets, two horns, and two bassoons are among the few chamber pieces that have not been lost as a result of the bombing of the Berlin Public Library during World War II. These editions by Harry H. Hall have been meticulously researched, documented, and edited to bring this music back to the public. All Four Divertimenti are available from the publisher. | Woodwind Sextet | |
| 1369 | 12A3345B-45C7-472B-B1D0-E39C9BAFB8CE | F504 | Musidex File Set Band/ Orchestra, 400-numbers | Forms | ||
| 1370 | 12B66D07-EF44-4C59-8C9B-C155BA77D3E3 | X520015 | Three Movements for Solo Viola | Solo Viola | ||
| 1371 | 12B8EB17-5540-4B48-AF20-8125287221E7 | SS329 | Sonata for Horn | Dedicated to Conrad Bohn (Christmas 1945). I. Scherzo, II. Andante Sostenuto, III. Allegro Moderato | Horn | |
| 1372 | 12BC359D-5566-41CF-BAAC-CFFD71137324 | A759402 | Three Lachian Dances | This orchestration for 11 wind instruments of three (Starodávný I, Dymák, and Starodávný II) of the six Lachian Dances (Lašské Tance) by Czech composer Leoš Janá?ek (1854-1928) has been completed by Graham Sheen. Instrumentation: 2.2.2.2+CBsn(opt.): 2.0.0.0. | 2.2.2.2+CBsn(opt.): 2.0.0.0 | |
| 1373 | 12C03F0D-CA63-460D-84D0-59C6B5E9CB77 | X121008 | Into a Cloud | A brief fable with optional narration from The Learning Maestros catalog about a teenage boy named Lan Tsai Ho whose character is portrayed by the oboist. | Oboe, Piano | |
| 1374 | 12C1AD6D-3F69-44A1-B28C-81188617E913 | ST625 | Chanson | Oboe | ||
| 1375 | 12C50D6B-4243-4893-81F4-CBE4BA50FA73 | A574002 | Der Graf von Luxemburg (The Count of Luxembourg) (original opera) | DER GRAF VON LUXEMBURG (The Count of Luxemburg) is a three-act operetta that tells the story of an impoverished aristocrat and a glamorous opera singer who enter into a fake marriage without ever seeing each other but later fall in love at first sight, unaware that they are already husband and wife. Much like Franz Lehar's earlier success with THE MERRY WIDOW, this operetta deals with themes of how the promise of wealth impacts love and marriage and also the contrast between the gaiety of Parisian society and Slavic seriousness. An immediate success upon its premiere in Vienna on November 12, 1909, the libretto has been translated into many languages and remains in the standard repertory until the present day, particularly in German-speaking countries. Instrumentation included in the set: 2(1dPicc).2.2.2: 4.2.3.0: Timp.Perc: Clsta: Str (4-4-3-3-3): CS (Pno-Cond) in set. Reprint edition. | 2(1dPicc).2.2.2: 4.2.3.0: Timp.Perc: Clsta: Str (4-4-3-3-3): Vocal soli (9 roles SSATTTTTB).Chorus (SATTBB): CS (Pno-Cond) in set | |
| 1376 | 12D2062D-7AA3-45D7-AF9B-CB39707A8EB9 | SS918 | SARABANDE (OUT-OF-PRIN | |||
| 1377 | 12D6F004-EE32-46FE-887E-D2F332A89463 | 51672545 | I Saw Three Ships | 2-3 Octave Handbells | ||
| 1378 | 12D74854-B9A6-474D-B3AE-A0D88131A895 | X157004 | Larghetto | Grade III. Tenor Saxophone, Piano | Tenor Saxophone, Piano | |
| 1379 | 12DB1E2D-2CFD-4E80-BD92-94DAE446D6CA | 20100676 | St. Louis Blues | Band | ||
| 1380 | 12E11366-3256-4E91-A9C4-714F14A0FE67 | 52250974 | Nanigo | Based on a West African dance form, this fun piece is written in 6/8 and offers challenging interlocking rhythmic motifs. Drum part is included. | String Orchestra |