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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
14211384BC2F-D86F-402A-A90E-3ED36FA1EA1CM262491Sonata in C minor, Op. 21(not set)Solo Piano
1422138AB391-058B-4DE3-9190-0792E042A1FCM328691Three Songs, Op. 19Songs: 1. For Me the Jasmine Buds (text by Florence Earle Coates), 2. Ecstasy (text by the composer), 3. Golden Gates (text author unknown, though it was published in a journal called "Our Dumb Animals," which was published by the Massachusetts Society for the Prevention of Cruelty to Animals).Voice and Piano
1423138B0059-B633-4968-BA07-46002995C5C252703587Celebrate Christmas!From ethereal and mystical to virtuosic, these arrangements evoke the true Christmas spirit. There are some tricky rhythms and keys, so individual practice is recommended for these tunes. You will find they are well worth the effort! Titles included: Bring a Torch, Jeanette, Isabella; Silent Night; Joy to the World; Away in a Manger; God Rest Ye Merry, Gentlemen; Wexford Carol and Pat-a-Pan. Includes redeemable code for supplemental Bass and Harp parts!String Quartet with optional Contrabass and Harp
14241394E0EE-3E9C-40AF-A8D6-FCDF8E23D97CR00213Fast WalkFor bassoon quartet.3 Bassoon, ContraBassoon
14251398AB3C-D373-42F2-AC54-B3D88A4E51A4A104190Two Elegiac Melodies, Op. 34 (Zwei Elegische Melodier, composer's orchestration)These two short movements, arranged by Edvard Grieg for string orchestra, were selected from his "12 Melodies," Op. 33, which were settings for voice and piano of text by Norwegian poet Aasmund Olovsson Vinje. Movements: I. Hjertesår (Herzwunden; The Wounded Heart), and II. Våren (Letzter Frühling; The Last Spring). String count of 8-8-5-5-5 included in set. Reprint edition.String Orchestra (8-8-5-5-5 in set)
1426139D85BC-034A-4E6E-946A-AEC2D3561F70M801090On the Beautiful Blue Danube Waltzes, Op. 315Here is a charming arrangement of well-known dances from "The Nutcracker": The March; Arabian Dance and Russian Dance (Trepak). This arrangement is part of the new Stringmasters series of transcriptions that brings full orchestra music into the world of tString Orchestra
142713A271F8-E349-469E-A7E7-3F35D01A9EC0SC368Girl in the StarsAn original piece for SA Treble Chorus by Patti DeWitt.Sa
142813A5573A-DCDC-4A4D-B72E-D992B50F89D5R00044Prelude for Symphonic Wind Ensemble
142913A5CFC4-1648-4B56-B765-FE2372531C7352723320Ensembles for One World: Traditional Folk Songs Vol. 1 - Latin America (viola quartet)This collection of folk songs from Latin America (Mexico, Costa Rica and Guatemala) are meant to expand young player’s knowledge of music from other cultures or give them pride in the music of their own heritage. The music is mostly in 1st position with only Viola 1 wandering briefly into 3rd position. Players will use pizzicato and a variety of bowing styles.

Program Notes:
Cielito Lindo (Lovely Sweet One) was popularized in 1882 by Mexican author Quirino Mendoza y Cortés. It is one of the most widely recognized tunes throughout the Spanish-speaking world as a symbol of Mexico.
Naci en la Cumbre (I was Born on the Mountain) is a traditional Guatemalan folk song.
Vuela, suspiro (Fly, My Sighs) is a traditional Costa Rican folk song.
Ay! Tituy is a traditional folk song from Costa Rica.
La Cucaracha (The Cockroach) is a traditional Spanish song, also trendy in Latin America. It is about a cockroach who can’t walk. The song came to symbolize the Mexican Revolution (1910-20) and Pancho Villa.		Viola Quartet
143013B499B5-E1CD-4E72-93A9-E776C8F0A0E0SC466TimeSatb
143113B8ABB8-68B6-4228-A393-46C42EF73F56RCSS430Arioso and PrestoFlute, Piano
143213BE4F1D-CB2A-40A1-AAA1-C662A8DB1EAFA186002Pictures at an Exibition (Tushmakov/ Rimsky-Korsakov, excerpts)Mikhail Tushmalov (1861-1896), a Russian Georgian whose career eventually led to posts in Warsaw and Tiflis (Tbilisi) conducting opera, was a student of Nicolai Rimsky-Korsakov and is most widely discussed today as being the first person to prepare an orchestral version of Modest Mussorgsky's PICTURES AT AN EXHIBITION. While Rimsky-Korsakov had completed the performing edition for solo piano of his friend Mussorgsky's work, he asked Tushmalov to orchestrate the work for a Rimsky-Korsakov conducted performance in Saint Petersburg on November 30, 1891. Tushmalov scored only the first of the "Promenades" and omitted three of the PICTURES: "Gnomus," "Tuileries," and "Bydlo." And according to a 193 letter from composer Alexander Glazunov, Rimsky-Korsakov also re-orchestrated "The Marketplace at Limoges," the middle section of "The Hut on Fowl's Legs," and the bells in "The Great Gate of Kiev" after discovering issues following the first rehearsal. While among the least complete of the orchestratations, the score retains a dark and restrained quality, causing some to claim that it is more authentically "Russian" than the more virtuosic adaptation by Ravel. Instrumentation in set: 2+Picc.2+EH.2+BCl.2: 4.2.3.1: Timp.Perc(5): Hp.Pno: Str (9-8-7-6-5 in set).2+Picc.2+EH.2+BCl.2: 4.2.3.1: Timp.Perc(5): Hp.Pno: Str (9-8-7-6-5 in set)
143313C2F55D-18CE-4102-9464-32D0F89C0C16TC240I Am Black (Nigra Sum) TTB(not set)TTB Chorus
143413C624E0-5D00-438B-A21C-2945FB72FC57M404391Don Quixote, Op. 35 (Fantastic Variations on a Theme of Knightly Character)From Janos Starker: DON QUIXOTE by Richard Strauss is based on Cervantes's saga of the adventures of the Don, and is one of our major cello works. When I first performed it with Fritz Reiner and the Chicago Symphony in 1955, the Maestro and I spent a year dwelling on the literary references to the score. He was also telling me the composer's requests as told to him when he was a young, budding conductor. Whether my recollections are factual is up for grabs. This edition reflects my understanding of the work and of Strauss's intentions, as honed by dozens of performances and recordings. This edition is part of the Starker Perfomance Editions series.Violoncello and Piano
143513C6A6FE-12F7-458C-B1BA-3F4055393F33A724102Colonial Song(not set)2+1, 2, 2, 2 - 4, 3, 3, 1, perc, 2hp, pf, str
143613CA8FCE-1F8F-426F-9440-13902978390FA547890Sheep May Safely Graze (Schafe konnen sicher weiden) from Was mir behagt, ist nur die muntre Jagd (Jagdkantate/ Hunting Cantata), BWV 208J.S. Bach (1685-1750) wrote the secular 'Hunting Cantata' (Jagdkantate) in 1713 for the occasion of Duke Christian von Sachsen-Weisenfels birthday. Sachsen-Weisenfels, a passionate hunter. The full title of the work is Was mir behagt, ist mur die muntre Jagd (What Pleases Me is Just a Jolly Hunt). The plot of the cantata involves Diana, goddess of the hunt, proving to her lover, Endymion, that she is not indifferent to him by inviting him to celebrate the birthday of Sachsen-Weisenfels at a party to be held in his honor. Another attendee is Pales, the goddess of shepherds and fields, and her aria Schafe konnen sicher weiden (Sheep May Safely Graze) compares the Duke to a good shepherd who cares for his subjects so that they may live in peace. The pastoral aria has endured as one of Bach's most popular works. This adaptation by Alfred Reed was prepared from the original version by Bach and remains true to the Baroque master's intentions. Instrumentation: 3.2+EH.2+BCl.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set).3.2+EH.2+BCl.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set)
143713CDC37C-736A-409E-955C-D4039109AE8AR00618Concerto for Two Cellos and OrchestraCommissioned for Steven Honigberg, David Teie and the National Symphony Orchestra2 Cello Soli: 2+Picc.2.2.2+Cbsn: 4.3.3.1: Timp.Perc(2).Hp: Str
143813D2EDF8-9B25-45D0-A584-A89B3A45615C52723001A Viola Christmas(not set)Viola Quartet
143913D8C964-1692-4A47-90B2-8C0B5D397200SS767Two PortraitsWoodwind Quintet
144013DC9432-A7CC-4D6A-8400-4F4B48BDEDB8R3Concerto in D Major for Flute and Strings(not set)Full Orchestra