Titles
Showing 1,401-1,420 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 1401 | 13343214-DCDF-42A5-9AC8-4F640D6AB1DA | A719902 | Noon Witch, The (Polednice, Op. 108/B. 196; critical ed.) | In 1896, soon after his return from America to his Bohemian homeland, Antonín Dvo?ák wrote a set of four orchestral pieces based on Karel Jaromír Erben’s collection of poetry A BOUQUET OF FOLK LEGENDS. Included among these was his tone poem THE NOON WITCH (POLEDNICE), Op. 108, B. 196. It relates the tale of a mother who warns her unruly child that if he doesn’t mend his behavior, the Noon Witch will come to snatch him away. When the witch does finally appear, the mother tries to protect him in an effort that results in tragic consequences. The work premiered on June 3, 1896 at the Prague Conservatory under the baton of Antonín Bennewitz. Henry Wood directed the first public performance in London on November 21. Jarmil Burghauser expounded upon the work of Otakar Šourek to construct this Kalmus critical edition. Instrumentation: 2+Picc.2.2+BCl.2: 4.2.3.1: Timp.Perc(4): Str (9.8.7.6.5 in set). | 2+Picc.2.2+BCl.2: 4.2.3.1: Timp.Perc(4): Str (9.8.7.6.5 in set) | |
| 1402 | 1334E502-2722-4457-88CA-AC39DE12F19F | M239191 | Three Rhapsodies Op.17 | (not set) | Organ | |
| 1403 | 1337D1E2-B343-4997-BE55-D3519035D5B8 | S560001 | Divertimenti Op. 56 No. 1 Pt | |||
| 1404 | 133983C7-4C33-4FA2-97EF-AB6371A8D3E5 | 50783001 | International Folk Songs | Here's a terrific selection of folk songs from the U.S., Brazil, China, Germany, Japan, Korea, and Russia, with a wide variety of styles. The string parts use fun techniques like col legno, glissando, pizzicato, and even some clapping. The violin part use | Piano, Violin and Violincello | |
| 1405 | 133EF3E9-7265-416F-8ECF-F3C2884C036E | 50250222 | Random Rumba, The | THE RANDOM RUMBA is a fun piece for any concert, any time of the year. A catchy melody, with dance rhythm accompaniment, will keep all the players engaged and the audience will totally enjoy the change of pace. | String Orchestra and Percussion (2 players) | |
| 1406 | 13408CE1-D664-4EB0-996D-1619C1E9DC07 | A541290 | Five Pieces for Cello and Orchestra: III. Punchinello, Op. 38 | Originally written by Irish-born American composer Victor Herbert (1859-1924) as a piano character piece, PUNCHINELLO originally included the subtitle "Characteristic." PUNCHINELLO is the third movement in a collection of works arranged by Sam Dennison and orchestrated by Lynn Harrell called FIVE PIECES FOR CELLO AND ORCHESTRA. Instrumentation: Solo Vc (in set): Str(8-8-5-5-5 in set). | Solo Vc (in set): Str (8-8-5-5-5 in set) | |
| 1407 | 1341F7EC-68CD-4FBC-BC65-DB8E3C88B29D | M279491 | Spanish Dances, Book 3 | Composer and violin virtuoso Pablo de Sarasate published his eight Spanish Dances in four books between 1878 and 1882. They alternate between fiery passion and a yearning expressiveness, and are undoubtedly among his most successful compositions. This reprint edition of Book 3 contains Playera (Spanish Dance No.5) and Zapateado (Spanish Dance No.6). | Violin & Keyboard | |
| 1408 | 1342d6e1-9e3b-11f0-a418-0022482c9682 | M241991 | Fantaisie No. 3 in C, Op. 157 | Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote the FANTAISIE No. 3 in C, Op. 157 for organ in 1919. | Organ Solo | |
| 1409 | 1343BCA8-956D-462F-939D-871ADDA51BA1 | P29 | Texas Our Texas | 2 Pianos, 4 Hands | ||
| 1410 | 13442564-57B1-4B29-BF4C-78537C593965 | SC506 | Where Cross the Crowded Ways Of Life | Satb | ||
| 1411 | 1351EF8C-9AE1-4A56-887B-6E675191B505 | S152001 | Mood Music 2 (any two like saxophones) | Recorded by Eugene Rousseau and Dennis Bamber. Grade IV-V. | ||
| 1412 | 135D3CC3-F071-4C17-A145-E9109565F14F | LV504SC | Luverne Concert Band Folio | This collection of 11 pieces have been arranged and compiled with younger bands in mind. These pieces can be used for warm-ups, sight reading excercises, or programmed as a concert piece. | Tuba | |
| 1413 | 135E9827-62AF-4EA7-AC87-E760E4E68D53 | R01260 | Shenandoah: A Symphonic Portrait | 2.2(1d English Horn).2.2: 4.2.3 (1d Bass Trombone).1: Timpani.Percussion(2).Synthesizer: Strings | ||
| 1414 | 136143B3-C1B5-4AC9-BFDD-9613973DFB8E | SC463 | What Wondrous Love | This sacred choral work by Burt Szabo set the hymn, "What Wondrous Love" for SATB Chorus. Rehearsal piano accompaniment is included. | Satb | |
| 1415 | 136DF92A-7B1A-490A-B44D-F006E358DE9F | B592 | The Essential Library, Bk. 2 | This first-ever collection of essential flute solo music was selected and edited by legendary flute artist and teacher, Sir James Galway. Volume 2 contains the following works of Philippe Gaubert: Deux Esquisses Nos. 1 and 2, Romance (1908), Suite, and Sur l'eau. For Medium to Advanced players. | Flute, Piano | |
| 1416 | 136E7539-68B3-461F-B2B9-3AB6392513BA | EBM0660049 | String Quartet No. 1 | Robert Moevs (1920-2007) was a modernist composer and professor of composition at Rutgers University from 1964 to 1991. During his career, Moevs created a large body of orchestral, chamber, vocal, and instrumental music that earned him awards including a Rome Prize, a Guggenheim Fellowship, and the Stockhausen International Prize in Composition in 1978. Moevs composed at a time Kemper describes as “high modernism in academic art music in America—but there are also other influences in his music, like jazz, interesting rhythmic progressions, and intriguing things happening with timbre. Moevs' Strng Quartet No. 1 was composed in 1957. Duration ca. 25' | String Quartet | |
| 1417 | 13744712-1CF9-469E-B979-508DACC9EC82 | S612 | Fantasy Variations on a Theme of Paganini | Commissioned by the United States Marine Band, the set of twenty variations is based on the famous theme of Paganini's 24th Caprice in A Minor for solo violin, which is the same theme used by Brahms and Rachmaninoff for their famous compositions. The composer's overall concept was to use the variation technique to showcase every solo instrument and/or every instrumental section of the modern wind band. In doing so, creating a piece that could be played almost anywhere for almost any kind of audience: a piece full of energy, drama, and even a little humor. | Concert Band | |
| 1418 | 1375F1A3-79E0-4EC4-B6A7-33A3786ABBDE | X653301 | Five Four Letter Words for Flute, Clarinet, Violin, Cello and Percussion | Mixed quintet for Flute/Piccolo, Clarinet in Bb, Movements: I. Step, II. Wisp, III. Chip, IV. Heat, V. Spin. Approximately 11 minutes. | "Pierrot Ensemble": Flute (dPicc), Clarinet, (dBCl), Violin, Cello, Percussion (Vibraphone, Wood Block, Cowbell, Very Small Suspended Cymbal,Bongos) | |
| 1419 | 13766E1B-0987-4857-ADBD-DE27F3656954 | MP814017 | Cabaret Songs: Fur (Murray the Furrier) | The original orchestrations of William Bolcom's "Cabaret Songs" was created by the composer on commission from Deutsche Gramophone expressly for soprano Measha Brueggergosman, which may be heard on her 2007 CD, "Surprise!". The composer added two more songs in 2014, including the 9th called "Fur", on commission from the Grant Park Music Festival. The full set of ten songs and each individual movement is available for rent. | Solo Med. Voice and Piano | |
| 1420 | 13811C8D-2CCA-4963-A117-9BE6A111A589 | M172491 | Sextet for Winds in B-flat, Op. 271 | Carl Reinecke (1824-1910), the German composer whose style was grounded in that of Mendelssohn and Schumann until he died, wrote his WIND SEXTET, Op. 271 in 1904 and is among his last works. The SEXTET is a standard wind quintet, but expanded with one additional horn to gain more volume of sound. Movements: I. Allegro moderato; II. Adagio molto - Vivace ma non troppo; III. Finale: Allegro moderato ma con spirito. Reprint edition. | Flute, Oboe, Clarinet, Two Horns, and Bassoon |