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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
132111EF92AA-CF06-4E69-B736-85EF42D19ABBSC141God's CreaturesSab
132211F15E52-1D31-4BF6-83CB-C571899CF7AAR00205The Dark Horse2(2d Piccolos).2.2.2(2d Harmonica): 4.2.2.1: Percussion(3).Piano.Harp: Strings
132311F3899B-0DA1-41BF-B671-055FC398AF35D511040Evening Song, Op. 85 No. 12Violin, Piano
132411F41E44-23CA-4B2B-A90C-2388A930FF0FS343National Vaudeville Artists (out-of-print)Marching Band
132511FFB781-9605-4222-AFBA-524189B047AFS51200412 Duets for Two Violins, Vol. 2This edition of the TWELVE DUETS FOR TWO VIOLINS by Mozart is based on the 1798 edition by J.André in O?enbach and the 1800 edition by Artaria & Co. in Vienna. These duets are masterful adaptations of Mozart’s original settings; (piano sonatas, violin - piano duets, a string quartet and the CLARINET TRIO). Unfortunately, the identities of these eighteenth century transcribers are unknown. Judging by their expert handling of the original material, they belonged to Mozart’s inner circle and most likely were his disciples. While maintaining Mozart’s original phrasing, this edition includes contemporary bowings and ?ngerings. Included in Volume 2: 4. Duet for Two Violins in C Major K 296; 5. Duet for Two Violins in A minor K 310; 6. Duet for Two Violins in D Major K 575.Violin Duo
132612002A44-F2FC-4994-A227-6020752F4196S111005Sachamama
1327120104CB-CD80-44D1-BF8D-58A2A90CB456M285091Five Quartets4 Horns
13281201FC4A-71AE-47A4-B8B1-C80F1E26F266X816305StarMusicians Accord National Competition PrizeSoprano Solo:  Cello, Perc(1), Piano
1329120682AA-4423-4DA4-A216-CE2F4A6F55AESC178Rose, TheSatb
1330120F99FC-5230-41B1-90D2-A3C8B36A1B9710450231La Villageoise (The Village Maiden)La Villageoise (The Village Maiden) is a delicate and evocative piece from the Suite in E minor by Jean-Philippe Rameau (1683-1764). Also available for other instruments using the same piano accompaniment.Alto Saxophone and Piano
13311210054E-55BC-4BF2-A750-B6CB4F0F67B9RMR3CBUn BalThree of the movements of "Symphonie Fantastique" have been transcribed for band and are available from he publisher: Movement II- "Un Bal", Movement IV- "March To The Scaffold", and Movement V- "Dream of a Witches Sabbath".Concert Band
133212105DE3-D168-45E4-BD47-CCD8F4AC803720412459Colonial Country DanceThe melodies are original but have been created in the style of a country folk dance. The hand slaps on the leg near the end are in character with the music and should be for for the performers and audience. A wonderful ensemble experience for a young group!Flute Trio
133312130C08-DF78-44F9-8290-ADAD08A6F121M269491Nocturne and GigueReprint edition of two works for flute and piano by the French composer Georges Hüe (1858-1948). NOCTURNE in D-flat, IGH 14 (1901) and GIGUE in E-flat, IGH 10 (1903). Orchestral materials for each are available from Edwin F. Kalmus under the catalog numbers: NOCTURNE: A8318; GIGUE: A8319.Flute and Piano
13341218C11D-9171-4D9F-BC9B-9617F07E77E4P24Chicago Tribune (out-of-print)Piano
1335121F74CC-E52D-4F43-B2AB-3532F197C43A50200047Elizabethan CarolThis charming and harmonius arrangement from Albert Oliver Davis is a wonderful choice for a holiday concert. The original hymn by Arthur H. Brown has appeared in at least seven hymnals. Solidly in the medium grade of difficulty, it remains in the key of G throughout. When Christ Was Born of Mary Free was probably composed in 1859 and appeared in the 1916 hymnal approved by the United States Episcopal Church and Christmas Carols New and Old (1870, 1871, and 1878). It was printed in at least seven hymnals over the years. The words are from a traditional carol taken from the fifteenth century Harleian Manuscript.Full Orchestra
133612233841-9149-42ED-BB55-A8FEE0B07962EBM0610673Circus Overture: Into the Eighth Decade for OrchestraBolcom’s curtain raiser, Circus Overture, was written in honor of Slatkin’s 70th and premiered by the conductor and Boston Symphony, which commissioned it. It’s a 5-minute riot, full of marching evocations of the midway - or perhaps the parade of life? - along with lickety -split wind lines, exaggerated tempo changes and a snippet of Ellingtonian talking brass, including a muted trombone growling out a reference to Chopin’s ‘Funeral March.’ That’s vintage Bolcom wit: Slatkin, who has championed the Ann Arbor composer for decades, specifically asked him not to quote ‘Happy Birthday.’ The Detroit Free Press, Oct. 10, 2014. Subtitled "Into the Eighth Decade," versions for both orchestra and band are available for rent.3(3dblPicc).2(+EH).2(+BCl/EbSopCl).2(+CBsn): 4.3.2(+BsTbn).1: Timp.Perc(3): Pno(dblCel).Hp: Str
133712282AE1-E351-444E-86CB-8B5732B7F1DFB398402The Enchanted IslandWritten by Alfred Reed, THE ENCHANTED ISLAND, a Mystic Idyl is drawn from William Shakespeare's "The Tempest." It is an attempt to portray in purely musical terms the moody, mysterious setting that is Prospero's island kingdom, where he and his daughter have lived in exile for many years following their banishment form Italy.Concert Band
1338122B4AE1-840B-4671-AE02-8687D8917771MR00458Letter from the Front/ Dedication
13391231BA0A-4B98-4416-A177-899532544706BSMIS111Rondo for Clarinet and Piano(not set)Clarinet, Piano
1340123325CC-DFAC-4070-A0CA-577C323D4660R00801Four American PortraitsTheme and variations inspired by Thomas Edison, Lillian Gish, Neil Armstrong, Jesse Owens2(1d Piccolo).1(d English Horn).2(1d Bass Clarinet).1(d ContraBassoon): 2.1.0.0: Percussion(1).Piano: Strings