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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
124110D8CE5B-B1EA-44E5-A115-E278A6B73C6010710242Rondo (La Voltigeuse - The Little Rope Dancer)Subtitled "La Voltigeuse" or "The Little Rope Dancer," this edition for violin with piano accompaniment of a work originally written by the 18th century German composer for keyboard has been arranged by A. Louis Scarmolin. It is also available for other instruments using the same piano accompaniment.Violin and Piano
124210E073B9-54A0-4FE6-AEC2-3400B8FD296ER00517Aquillae2+Piccolo.2.2.2: 4.3.3.1: Timpani.Percussion(3).Piano: Strings
124310E61943-2F8C-4BF4-9189-AD2A52A13C36R01384Flute ConcertoCommissioned by Mary Pappert School of Music, Duquesne UniversityFlute Solo: 2 (2dPicc).2.2.2: 4.2.3.1: Timp.Perc(3).Hp: Str
124410E8AE9B-B22D-417D-8881-B126B74A85C2SU373IncantationsThis piece attempts to evoke a magical dialogue between the double bass and percussion performers. The 1st movement uses a pedal point in the bass to focus the pitch content while the tam-tam and suspended cymbal hold together the non-pitched sound. The 2nd movement is a light-hearted scherzo with some percussive effects assigned to the double basses. The 3rd movement features a more lyric line in the double bass with light counterpoint in the percussion. The 4th movement combines 7/8 meter with a dorian melody, bringing the piece to a frenzied close. Percussion instruments include: bass bow, 4 tom-toms, snare drum, 5 temple blocks, 3 wood blocks, 2 suspended cymbals, and tam-tam.String Bass and Percussion (bass bow, 4 tom-toms, snare drum, 5 temple blocks, 3 wood blocks, 2 suspended cymbals, and tam-tam.)
124510EF0174-8734-448F-8636-661DBA3E01E6X814012This Heart That Broke So Long... Three Songs on Poems by Emily DickinsonHigh Voice, Piano
124610EFC179-7178-4454-90C7-09201B629239M118091Collected Songs, Vol. 1This collection of songs by Arnold Schönberg is available from the publisher in five volumes. Included in Volume 1: Two Songs, Op. 1 (1. Dank; 2. Abschied); Four Songs, Op. 2 (1. Erwartung; 2. Schenk mir deinen goldnen Kamm; 3. Erhebung; 4. Waldsonne). Reprint edition.Voice and Piano
124710F14446-9ED8-4DBE-B93A-9D53D5581DA6X013003Trio for Oboe, Bassoon and PianoCommissioned by the University of Cincinnati College Conservatory of Music. Recorded by Sara Lambert Bloom, Lynette Diers Cohen, and James Tocco, Premiere Chamber Works, CENTAUR CD CRC 2217.Oboe, Bassoon, Piano
124810F1D533-3F82-44C2-B5A3-915402FF2863A292502Mass in G: Gloria in Excelsis Deo [Spurious attribution to Mozart as Mass No. 12, K.Anh. 232/C1.04]Spuriously attributed to Mozart, the MASS IN G is a work for chorus and orchestra by Wenzel Müller (1767-1835). The most prolific opera composer, with 166 operas to his name, he also wrote art songs and music for the church. Published by Novello in 1819 as Mozart’s MASS NO. 12, the work appeared in a Simrock edition for full orchestra in 1821. The mass had grown to enormous popularity by the middle of the nineteenth century. Regardless, Ludwig Köchel rejected the Mozart attribution in his own catalogue. More recently, Müller was brought forth as the probable composer and its likely date of composition between Mozart’s death and the first mention of the mass in a library record in 1803. Instrumentation: 0.2.0.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set): Mx Chor.0.2.0.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set): Mx Chor
124910F2AAC7-D091-4F66-AC45-C0C761DC54B5R00338Hill Song No. 11+Piccolo.1(or 2)+English Horn.0.1+ContraBassoon.Sopranoanino, Tenoror sarrusophones (may be played on Saxophone Ensemble). SA Saxophone Ensemble: 1.1.0+Euphonium.0: Timpani.Percussion(1).Piano.Harmonica: Strings Septet (2 Violins, 2 Violas, 2 Cellos, Dou
125010F42360-8F27-479A-876C-82A8CCAAEDCCA604190Espana Cani (Paso-Doble)España cañí ("Gypsy Spain") was a paso-doble written by Pascual Marquina (1873-1948) around 1923 and is one of the most well-known works of Spanish music. It has been here orchestrated by Graham Prince. Instrumentation: 1.1.2.1: 4Sax(ATAB): 2.3.3.1: Perc(2): Str (9-8-7-6-5 in set).1.1.2.1: 4Sax(ATAB): 2.3.3.1: Perc(2): Str (9-8-7-6-5 in set)
125110F97E3A-8C42-44C2-8A84-F87FAAD2DA17R01477Tchaikovsky Valse from Serenade Op. 48 for Violin and OrchestraTranscription of the beloved second movement to Tchaikovsky's Serenade Op. 48 by the celebrated violin titan Jascha Heifetz.Violin Solo: 2.1.2+BCl.2: 2.0.0.0: Strings (5.4.3.3.3)
125210FD0F97-FA91-4B9A-A0AD-B67C227CF08352250482Overture to JosephA beautiful E minor andante with ornaments and dotted rhythms leads to an allegro with scale-passage work for everyone. A rather disjunctive theme in the allegro teaches good bowing skills and offers a wonderful opportunity for a Baroque style lesson. Upper strings will shift to third position and lower strings to fourth.String Orchestra
125310FD7B09-7D1F-4D51-B4D7-3D24A771E1B0R00577America, No en Vano Invocamos Tu Nombre, Op. 57(not set)Soprano, Baritone Soli TTBB Chorus    3.2.3.3: 4.2.3.1: Timpani.Percussion(2).Piano.Harp: Strings
12541101E5A4-ADB4-4726-A3E4-ECA2F9D522B9R152.3Sketches of a Sunday: 3. Children's Dance (Danza Mexicana)Children's Dance (Danza Mexicana) is excerpted from Jacob Datshkovsky's 14 movement suite entitled Sketches of a Sunday (Bosquejos de un Domingo).2+1.2+1.2+Bcl.2+1: 4.3.3.1: Timp.Perc(2).Hp: Str
125511089694-1868-481D-BB49-30309EAC53A4S110004Circular Breathing for the FlutistDeveloping the essential coordinations to master circular breathing.Flute
1256110D32BD-D0B7-49CF-AC43-03DCB2F67C6BTC706Bist Du Bei Mir(not set)Four-Part Chorus of Mixed Voices a Cappella
12571111F817-85D5-4F55-A562-99986BB420FDR00898The Light of Three Mornings: Sketches of Braintree Hill (Chamber Orchestra)This symphonic portrait conveys the essence and mood of three distinct mornings in rural Vermont. Winner of the New England Philharmonic Composition Competition.1.1.1.1: 1.1.1.0: Percussion(1): Strings (minimum 4.2.1.1.1)
12581115C762-4109-4749-AA19-C56D1A5B530720502310Regimental March and CanonThe title of this trio is a play on words as the regimental march pictures soldiers marching and perhaps firing a canon. However, the canon is a canon in the musical sense. In this piece the three parts are marching along together to the same beat, but all are playing different melodies and rhythms making this a great exercise in independent counting and playing.The 8th notes must be short and crisp, but not chopped, and the quarter notes well separated. Baritone is a good substitute for the trombone, and the second trumpet part can be well played by a French horn with a high range only up to E. A tuba part is also supplied for the possibility of using the trio as a brass choir with multiple players on a part. The optional parts make this a very useful brass trio.Bb Trumpet 1, Bb Trumpet 2 (F Horn) and Trombone/Euphonium (Tuba)
12591119B07A-6A6D-4603-B7DA-8BDD947AED39V93Psalm I for Voice, Flute and HarpVoice, Flute, Harp
12601119FF4B-2A99-49ED-9FC5-C5721CB8F8A2ST585Suite No. 1 in E MinorMovement titles: I. Praeludium, II. Allamande, III. Courante, IV. Sarabande, V. Bouree, VI. GigueMarimba Unaccompanied