Titles
Showing 1,201-1,220 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 1201 | 107A28CA-6BCD-4213-BD08-DC0149523D56 | B231 | 60 Selected Duets | This book of duets is primarily for the pleasure of the performers, but also to give practice to phases of horn technique and style. Graduated from fairly easy to rather difficult, the duets are intended as being supplemental to A Beginning Method for Horn. | Horn Duet | |
| 1202 | 107BB6A2-2FD6-4053-A645-2BAD25541CF1 | V103 | Four Songs: Art Songs by American Women Composers v. 8 | Claire Brook (1925 - 2012) was a native of New York and received her education there as well, earning a BA from Queens College and an MA from Columbia Unversity. After graduation, she spent the next year studying with Nadia Boulanger in Paris, but responded to the unfavorable climate for U.S. women composers in the 1950s by turning to a career in publishing. Her songs in this volume are taken from her very sensitive settings of Wallace Stevens poetic cycle "Six Significant Landscapes." | Vocal | |
| 1203 | 107BDE85-7305-4556-8927-9C486F1058FE | 59730001 | Solo Cello Encore Series: Volume 1 | Here are six of Sean Grissom's original compositions and arrangements, running the gamut of demanding bow workouts to Irish and Japanese folk tunes. Perfect for the cellist looking for something new, cool, and exciting! Included audio features recordings of each selection. Includes performance notes and parts for additional cellists on some tunes. | Cello with CD accompaniment | |
| 1204 | 107fd861-9e39-11f0-a418-0022482c9682 | 50100372 | Overture: The Charlatan | One of many masterful but little-known works of John Philip Sousa, the overture to THE CHARLATAN is representative of the composer at his melodic peak. The work has drama, beauty, and a lively compound meter lilt that will delight all. | Concert Band | |
| 1205 | 1082C4CB-11B7-46AE-BCB5-3626F2718A38 | 51250510 | Royal Fireworks Music Selections | String Orchestra | ||
| 1206 | 1085775F-AA1E-4FBA-BB58-E42CB0018170 | ST738 | Lullaby for Alexandra | Also known by the title "Cancion de cuna de Alejandra:. This short and lyrical contest piece is a contest favorite. Available from the publisher include solo flute, alto flute, horn, oboe, saxophone, cello and several other combinations including a woodwind quartet arrangement. | Woodwind Quartet | |
| 1207 | 10889572-9e39-11f0-a418-0022482c9682 | 50100375 | Clink Clank Clunk | If you’ve got a large percussion group, you’ll be able to keep them all busy without drowning out the rest of the band with this Dan Adams tour de force. Some traditional percussion instruments are used, but the signature sounds are produced by an open-ended array of noise-making objects. | Concert Band | |
| 1208 | 1088FFF6-C0B8-42B7-9527-31E42630FA69 | 10100141 | Songs of Wales: Suite in Three Movements | From the hills and vales of Wales have come many of the world's most melodious folk songs. Rich in vocal tradition, the Welsh have a way of singing that is unsurpassed. These authentic folk melodies are among their finest. Songs included: 1. Hen Wlad By Nhadau (Land of My Fathers), 2. Morfa Rhuddlan (The Marsh of Rhuddlan), 3. Mentra Gwen (Venture Gwen), 4. Hob Y Derri Dando (All the Day), 5. Codlad Yr Hedydd (Rising of the Lark), 6. Cym Rhondda (Vale of Rhondda) | Concert Band | |
| 1209 | 108c5a68-9e3b-11f0-a418-0022482c9682 | M224791 | Three Poems, Op. 9 | Charles Tomlinson Griffes (1884-1920) wrote these settings of Three Poems, Op. 9 in 1916. These early songs by Griffes have often been difficult to obtain, so this edition is most welcome. Songs included: 1. In a Myrtle Shade (A.45, text by William Blake); 2. WaiKiki (A.46, text by Rupert Brooke); 3. Phantom (A.47, text by Arturo M. Giovannitti). Reprint edition. | High Voice and Piano | |
| 1210 | 108E457B-7A9B-4862-9679-07FAF9CDE56A | M167991 | 12 Duets | (not set) | Two Horns | |
| 1211 | 10917199-B287-4FB1-AEBC-C9DA22FFFFCD | M901991 | POP - See M901902 - Patriotic Sing-a-long | |||
| 1212 | 10927704-9e39-11f0-a418-0022482c9682 | 50100376 | Glorious Light March | A fine original march in the style of the masters, GLORIOUS LIGHT is a tuneful foot-tapper. There are a few harmonic surprises to keep your group on its toes, so to speak. This is perfect for a contest or festival performance. | Concert Band | |
| 1213 | 1094F15E-4C03-480B-97D7-1B039D534DE5 | SF2111P | Dexter Park Celebration (flexible ensemble) | The work opens with a dramatic brass fanfare before moving to a spirited allegro. The slower middle portion is rather "jazzy" in character with a trumpet solo. After several statements of this lush song, the faster music returns before the opening fanfare reprises, closing the piece in dramatic fashion. This new version for flexible ensemble is playable on any SSATB combination of winds, brass and strings with optional percussion, 5 players up to large ensembles. | Any SSATB combination of winds, brass and strings with optional percussion, 5 players up to large ensembles | |
| 1214 | 10960CF0-D509-4E3B-9F5B-75884E079747 | B500202 | Presidential Polonaise | Following a discussion with President Chester A. Arthur, John Philip Sousa composed PRESIDENTIAL POLONAISE to replace the presidential song "Hail to the Chief", which, being a Scottish boating song, was determined to be unsuitable. The work was subsequently performed for official events at the White House. This version for concert band has been edited by Carl Simpson. | Concert Band | |
| 1215 | 1098F612-C2A4-4D7A-AFF4-4DDE4FDB9C2C | R01317 | Concerto for Violin and Orchestra | (not set) | Violin Solo: 2.2.2.2: 2.1.1.0: Timp.Perc(2).Hp: Str | |
| 1216 | 10994195-0CB2-4780-930A-A07494652AF1 | 60840001 | Psaume CXXIX (Psalm 29) for Baritone Solo and Piano | Baritone Voice Solo and Piano | ||
| 1217 | 109A1A03-457D-40D3-955B-581734BF8EC5 | MP945001 | love is more thicker than forget | |||
| 1218 | 109b49f1-9e39-11f0-a418-0022482c9682 | 50100377 | Blizzard | Driving snow with gusty winds and bone-chilling cold are fascinating and beautiful. . . when you’re indoors with a cup of hot chocolate! Alternatively, you could be playing this programmatic work in the comfort of your band room or fine arts facility. It has all the beauty and excitement but none of the discomfort. | Concert Band | |
| 1219 | 109B7CA2-6AEA-4B78-B224-352B716D445D | R01608 | Three to Get Ready | THREE TO GET READY by David Ott combines seven pieces, three by Ott and four from the wider repertoire, to serve as an educational work for school students, with THE WAY MUSIC BEGINS including educational narration written by David Ott. The following works are included: 1. Slavonic Dance, Op. 46, No. 8 (Dvorak); 2. The Way Music Begins (Ott); 3. Birdsong (Ott); 4. Jesu, Joy of Man's Desiring (J.S. Bach); 5. Symphony No. 3 "Eroica": Movement 1 (Beethoven); 6. Ritual Fire Dance (de Falla); 7. Symphony No. 4: Finale (Ott) | 2+Picc.2.2+BCl.2: 4.2.3.1: Timp.Perc(2-3): Hp: Str | |
| 1220 | 109F272F-1E31-4488-8FE6-1D7BDF3A446A | A133302 | Symphony No. 2 in B minor | Although it has a four movement formal structure like the German symphonies, Borodin's Second Symphony is purely Russian. No listener can fail to identify its nationality as Russian - for all purposes it defines the dark, brooding character associated with the national musical culture. The first movement opens with a vigorous unison in the strings, reinforced by bassoons and horns, the theme forming the foundation of the whole movement. The second movement, a brilliant allegro, drives ahead irresistibly and forcefully from start to finish. Like the first movement, the third is built around a single theme - a long, haunting melody stated by solo horn. The third leads directly into the fourth movement, the opening theme being announced by full orchestra. Even though his four-hand arrangement was published in 1877, Borodin held off publishing the orchestral score until he finished incorporating a number of additional technical improvements to the orchestration that had been recommended by Rimsky-Korsakov after the 1879 performance. Upon the composer's death, the full score and parts remained unpublished in an early proof stage. Rimsky-Korsakov and Glazunov completed the proofreading before publication later that year (1887). Instrumentation in set: 3(3dPicc).2(2dEH).2.2: 4.2.3.1: Timp.Perc(4): Hp: Str(9.8.7.6.5). | 3(3dPicc).2(2dEH).2.2: 4.2.3.1: Timp.Perc(4): Hp: Str(9.8.7.6.5 in set) |