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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
11010F1CD858-B4D6-497F-A72E-B6ADECF57F7750100145The HuntressAnother stellar march from one of the masters of the genre, The Huntress has all of the great melodies, countermelodies, and bold brassiness that made Karl King so popular. Gene Milford has skillfully adapted instrumentation to the modern concert band and unified dynamics and articulations to make this work readily accessible to bands everywhere.Concert Band
11020F1DC3DF-6502-409A-B399-C39BEEF8D71510710223SonatinaDavid Warren's "Sonatina" is a moderately fast piece that focuses on lyricism. Versions for tenor saxophone, flute, clarinet, and violin are available from the publisher.Violin and Piano
11030F1E5A37-B547-466D-96FB-65686DBC2B70ST452Rondo in DThis piece for four mallet players is arranged for a solo part on xylophone or marimba I with three accompaniment parts on marimba. While the soloist will need their own instrument, the arrangement allows the three other players to use only two other marimbas.4 Mallets: Xylophone (or Marimba I) and 3 Marimbas
11040F20218B-FF21-4D77-A181-8FA259674EF350733001Tres danzas populares Argentinas(not set)Violoncello 1, 2, 3 and 4
11050F2DD17A-B8A2-4DB8-8A19-1D193A2E72D6M914202Danza No. 2Written as a memorial piece, this is unlike most. Highly energetic and vibrant, this work displays vivid contrasts between winds and percussion as it drives relentlessly from start to finish.Concert Band
11060F2EF513-F94C-43CF-9AE4-AC4B8E72F042SS401OVERLAP (OUT-OF-PRINT)
11070F314C08-4A69-4DD8-8DA5-F0C58012F15CA118202Corsaire Overture, Le, Op. 21/ H. 101While Hector Berlioz (1803-1869) is usually closely associated with programmatic music, his LE CORSAIRE OVERTURE, Op. 21/H. 101 has no narrative behind the music, despite the title tempting an association to Lord Byron's poem. When first composed between 1844-1845, Berlioz took inspiration from ruined coastline fortification in Nice, where the composer watched the fishing boats and more distant ships. The original title was THE TOWER OF NICE. When it was rewritten for a 1851 performance in London, he changed the name to LE CORSAIR ROUGE after James Fenimore Cooper's novel THE RED ROVER, which also features a cliff-side tower. Berlioz later removed "rouge" from the title to avoid confusion, resulting in the assumption that the work was based on Byron's poem, a misconception reinforced by the music's swashbuckling nature. Instrumentation: 2.2.2.2: 4.2+2Crnt.3.1: Timp: Str (9.8.7.6.5 in set). Reprint edition.2.2.2.2: 4.2+2Crnt.3.1: Timp: Str (9.8.7.6.5 in set)
11080F39B585-1931-431A-B78E-7D2869C725DBS546CBLiturgical DancesA remembrance of an earlier time when the composer was a student at commissioning body Central Methodist College's Phi Mu Alpha Sinfonia music fraternity. The composition displays two images: the first a prelude of reflection on the emotional and spiritual bonds that unite men of like hearts; the second, exuberant praise and celebration for the service of men to their vocation and a glorious Lord, who created music that man would have a wonderful vehicle with which to exhibit his exhilaration with life!Concert Band
11090F39E89A-81A2-4A5B-911A-3FC574E058E2ST39Total EclipseBaritone B.c.
11100F3E585A-A074-47A9-9C1B-C44630202CED10100358Dance of the New WorldDance of the New World (1992) was completed the very month - 500 years later - that Christopher Columbus first landed in the New World. As few journeys have had such an impact on the fate of world culture, this piece is a tribute to the blending of styles and attitudes that have taken place in the "Latin" American region of this hemisphere, where Columbus first landed. It is also intended to suggest the hopeful awakening of the Renaissance that his voyage symbolized. Beginning with faint percussion patterns gradually layered one on top of the other, the work burgeons, suggesting along the way the continuing "journey" of the West over the past 500 years, in all of its intricacy, difficulty, and drama.Concert Band
11110F404387-1236-43DE-B9CC-03E83CEA22C220100206Fanfare and Songs of AraratBand
11120F477065-1D45-4990-8827-5DCADEC81656B343502Trumpet And Drum(not set)Concert Band
11130F4B05DB-FA38-4D9E-BEAF-D260B224F605X504081String Quartet No. 2Written for Cuarteto Latinoamericano, this 4-movement work marks a stylistic shift from Vali's first quartet, which followed mid-20th Century atonal and serial techniques. In contrast, String Quartet No. 2 is a fusion of traditional Persian melodic modes with Western classical harmonic and formal sensibilities, a style which would become a signature characteristic of the composer's later works.String Quartet
11140F542251-7680-4145-B7CC-D50AC2848495C51Caprice Sentimental for Clarinet Choir(not set)Clarinet Choir
11150F5A8781-92F2-4253-B166-A3A574965DCAEBM0610114Ozark SetMovements: 1. Morning In the Hills, 2. Camp Meeting, 3. Lazy Afternoon, 4. Saturday Night. Premiered by the Minnesota Orchestra (née Symphony) on November 11, 1944 under the direction of Dmitri Mitropoulos.2(2dPicc).2(2dEH).2.2: 4.3.3.1: Timp.Perc(8): Str
11160F5AC0AB-F2BC-4B83-AD8D-C63B7A02F7A1A861890I've Got You Under My Skin
11170F5BE019-1B31-4867-963B-17D09C2A336820522174Clouds(not set)F Horn Trio
11180F5E81CC-DCCA-419C-B28A-5BB8DFEACFA0SS636On the Q T2 Snare Drums
11190F5F5C68-5F25-424C-B06C-4914C3AE3A44M238791Memories of Childhood and Other PiecesThis collection of works by Modest Mussorgsky features his works titled MEMORIES OF CHILDHOOD. This collection, edited by W. G. Karatygin also includes 10 other pieces: Scherzo, Impromptu passioné, Intermezzo, Une plaisanterie, En Crimée. Hoursoff. Notes de voyage, Méditation. Feuillet d’album, Une larme, La Couturière. Scherzino, En Crimée. Capriccio, Au village. Reprint edition.Solo Piano
11200F6BC043-F70C-4361-B73A-5575F3F13A7EM333091Reverie et Petit ValseBest known for orchestrating the works of his friend, Claude Debussy, Andre Caplet (1878-1925) was a fine composer in his own right. Though he composed predominantly for voice, he has several instrumental compositions, including these TWO PETITES PIÈCES (1897) for flute and piano, often referred to as RÊVERIE ET PETITE VALSE, written while studying at the Paris Conservatory. The premiere likely took place March 30, 1900.Flute and Piano