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12001AFA2A002-FDAA-4C0E-BA3F-1DB98E04886ESU304SortieOriginally written for organ by little known child prodigy Lefebure-Wely (b. 1817). This work is an oustanding example of his imagination and abilities as an improvisor, written to be played at the end of a church service.Flute Quintet
12002AFA2A805-31EA-4FA6-95BE-229D807C0574A233502Samson and Delilah, Op. 47 (Samson et Dalila)Camille Saint-Saëns' (1835-1921) opera SAMSON ET DALILA, Op. 47 tells the biblical story of Delilah's betrayal of Samson. Originally conceived as an oratorio due to Saint-Saëns’ admiration of such works by Handel and Mendelssohn, it was converted to an opera when the composer was convinced by a family member to abandon the less-used oratorio, designed to stage works with biblical themes, in favor of the more common and contemporary secular form. While composition began in 1867, consistent rejection by the French music world of any biblical stories used as a libretto caused numerous delays and spurts of abandonment of the project by the Saint-Saëns. And when the work was completed in 1876, the 1877 premiere in Weimar was only able to take place due to the support of Franz Liszt. Further interest around the world, including France, finally started to grow in the 1890s, leaving SAMSON AND DELILAH Saint-Saëns most performed opera today. Instrumentation: 3(3rd dPicc).2+EH.2+BCl.2+CBsn: 4.2+2.3.3: Timp.Perc(5): Hp(2): Str (4-4-3-3-3 in set): Vocal Soli (8 roles, ATTTBBBB): Chorus.3(3rd dPicc).2+EH.2+BCl.2+CBsn: 4.2+2.3.3: Timp.Perc(5): Hp(2): Str (4-4-3-3-3 in set): Vocal Soli (8 roles, ATTTBBBB): Chorus
12003AFA3BD2C-14EB-4554-AC1E-33E7CE9CB034A141702Symphony No. 9 in E minor, Op. 95/B. 178 (From the New World)Popularly know as the “New World Symphony,” Antonín Dvo?ák’s Symphony No. 9 in E minor was composed in 1893 while he was the director of the National Conservatory of Music of America. A major part of the orchestral repertoire, this symphony’s melodic material was influenced by the music of Native Americans and African-American spirituals he heard during his tenure in North America, while his sense of America’s “wide open spaces” after a visit to Iowa’s prairies also inspired the feeling of the work. Instrumentation in set: 2(2dblPicc).2(2dblEH).2.2: 4.2.2(+BTbn).1: Timp.Perc(1): Str (9-8-7-6-5 in set).2(2dblPicc).2(2dblEH).2.2: 4.2.2(+BTbn).1: Timp.Perc(1): Str (9-8-7-6-5 in set)
12004AFA616FA-2937-4E6D-9849-625B8C7032E1A014790Minute Waltz, Op. 64/1Don't try to play this in a minute! The nickname “Minute” Waltz means a “small” waltz and was affixed by the original publisher. Let the grace and charm of the dance come through at the bright but manageable tempo the composer intended.Full Orchestra
12005AFA7CFFD-50DB-4261-B1BB-66AD9073BE9BA281702Romeo and Juliet, Act I, Waltz Song: Je veux vivre (soprano) (Fr/Ger)2+1, 2, 2, 2 - 4, 2, 3, 0, timp, perc, 2hp, str, solo S
12006AFA8722D-6F85-4C2A-8BE4-60BF401B82F7MP699903Quadrilith I for Computer Synthesized TapeMurdock Donald MacInnis (April 4, 1923 – April 20, 2003) was an American composer and associate professor of music at the University of Virginia. MacInnis attended Princeton University, completing his music degree as an undergraduate in 1948 and a masters in 1950. His studies were interrupted by World War II, during which he served with the 13th Armored Division of the United States Army, seeing combat in Germany. While at Princeton, he was musically active, directing the band and managing the Princeton Glee Club. He studied composition and theory with Milton Babbitt, Edward Cone, Joseph Kerman, Bohuslav Martinu, Roger Sessions and Randall Thompson, and conducting with Leonard Bernstein at Tanglewood. MacInnis was elected as an instructor in the faculty of music of the University of Virginia in 1950. He was granted a leave of absence in 1968 to serve as composer in residence with Robert Shaw and the Atlanta Symphony Orchestra. As an instructor, he conducted the University of Virginia Band; later, he was tapped as acting department head in 1955. As a composer, MacInnis employed early electronic music techniques, including computer-synthesized music and tape loops, such as his Quadrilith 1 for computer synthesized tape. Duration ca. 6'CD of computer synthesized tape
12007AFACD84A-615C-4BEB-AF02-B8814AD9126550250072Folk Song Suite No. 1Three original folk songs comprise this suite for string orchestra. The works parallel traditional folk-song forms: the hornpipe, the lament, and the slip jig. This is excellent material in the Irish-Scotch-English folk music tradition.Score and Set
12008AFACED70-D6CF-40F7-B47F-DC4F33F98031X065028Keep the Change for Any Five Treble Clef InstrumentsFor any five treble clef instruments with the same transposition. Commissioned by Bennington Chamber Music Conference.Any five treble clef instruments
12009AFB7F56F-BD1B-4C8E-B3AF-55ADD3187E21A245302HMS Pinafore (Simpson/Jones)H.M.S. PINAFORE; or, The Lass That Loved a Sailor is a comic two-act opera and the fourth opera collaboration between composer Arthur Sullivan and librettist W. S. Gilbert. Lampooning British social class, the Royal Navy, and unqualified people who rise to positions of authority, the work became an international sensation following the London premiere at the Opera Comique on May 25, 1878, becoming the second-longest running musical theater work up until that time. This new edition has been completed by Carl Simpson and Ephraim Hammett Jones. Vocal score.Vocal soli (9 roles, SAATTBBBB): Chorus; Keyboard or Orchestra accompaniment
12010AFBA6B17-3FCE-4074-B320-518A92959A1150100302GreensleevesThis arrangement of the classic carol is manageable for all players. Everyone gets a shot at the melody and there are many different percussion colors to set the arrangement apart. Chromatics have been limited as much as possible to help young players with intonation.Concert Band
12011AFC03FD7-FC8B-40D3-957E-B4975D9D002AA710502Six Dance Suites: Nos. 1-3These works by Michael Praetorius (1571-1621) are written for string orchestra and/or recorders. The son of a Lutheran pastor, Praetorius composed numerous collections of Lutheran chorales and other liturgical works. He is largely known, however, for his collection of 312 dances, TERPSICHORE, MUSARUM AONIARUM QUINTA, published in 1612. Adolf Hoffmann edited this Kalmus edition of six of the four-part dance suites, of which this is the first volume. The second volume, A710602, is also available. Reprint edition. Instrumentation: Str (4-4-3-3-3) (and/or recorders).Str (4-4-3-3-3) (and/or recorders)
12012AFC3A9A6-F4EF-405D-A257-C3D46C4CB982SU414Suite After Old English Songs for HornThe Suite was originally commissioned by Roger Rush as a solo vehicle for English Horn and band after he experienced difficulty finding suitable repertoire for this combination. The successful 1996 premiere led to the composer making additional versions of the solo part for F horn and alto saxophone, with piano reductions for all three instruments and an arrangement with string orchestra accompaniment. The work is comprised of four movements, each based on a combination of English folk melodies: I. Early One Morning, II. Green Bushes, III. I'll Love My Love, IV. The Wraggle-Taggle Gypsies. Duration ca. 20'.Horn, Piano
12013AFC8A6F6-90B3-422F-BFD0-B6F4886F361110410464The Swan(not set)Flute and Piano
12014AFC970DE-BBB3-4F35-897A-D6BD99ADA0E8R00174Antiphonies(not set)0.2(1d English Horn).0.2: 2.0.0.0: Piano: Strings (minimum 6.5.4.4.2)
12015AFD0FA41-D43D-4103-B25D-7949172B0AB7SS96Allegro Vivace (from K387)This piece is the first movement of the Mozart String Quartet, K387. The style of composition used in this movement lends itself well to clarinets with little or no change to the original score. The ebullient mood of the music will amply reward both the performer and the listener. This is arranged for mixed clarinet quartet or three Bb clarinets and bass clarinet.Clarinet Quartet
12016AFDD5E2B-E070-4F44-87E5-B77C0D038C5AR01595King Mangoberry: Five Allegories for Symphonic Wind EnsembleThe first movement (King Mangoberry's Triumphant Entrance) was commissioned and written as a stand-alone work in 1993. This larger work revises the orignal piece to better suit the addition of four new movements. Movements: I. King Mangoberry's Triumphant Entrance, II. Princess Cherrygus Reveals Her Dream, III. Sir Lempple Contemplates His Reflection in the Mirror, IV. Court Jester Rumffee's Juggling Fixation, V. Wizard Walconut's Unwelcome Spell and Exit of King Mangoberry's Entourage. Commissioned by The University of South Carolina Symphonic Winds, Cormac Cannon, conductor.3(dbl Picc).3(dbl EH).3(dbl EbCl)(+BsCl).2(+CtrBsn): 1SSax.1ASax.1TSax.1BSax: 4.3.2(+BsTbn).2Euph.1Tuba: Harp.Pno.Timp.3-5 Perc
12017AFE3D53C-5B1F-4FC3-A7C0-C33459C012B6D3258New Music for Band 2000Cd
12018AFE63EFA-6756-4A0D-82CF-BA1C7008A435BSMIS107Excursions for Trumpet and PianoThe Bruce Broughton Solo Series features solos by one of the country's most outstanding composers of concert and film music. This new series by seven-time Emmy award winning composer features music that is notable for its wonderfully rich harmonies, flowing melodies and rhythmic vitality. These pieces are ideal for recitals and contests and are great teaching pieces that are appealing to performers and audiences alike. The demanding trumpet work EXCURSIONS, originally written with band accompaniment on a commission by the United States Air Force Band (and recorded by that band on the album, "Excursions") is here offered for solo trumpet with piano accompaniment. In the aptly named work, Mr. Broughton explores the diverse technical and expressive capabilities of the trumpet, with the angular melodies and driving rhythms that characterize the piece used by the solo trumpet to lead the accompaniment.Trumpet, Piano
12019AFE8BBFE-41F2-422B-A7D7-AB16ACE7EC55SC296Daughter Of ZionSsa
12020AFED419F-C7B7-4D1B-9E35-9CC41CE24444X134002Dark Romance3 B-flat Clarinet, Bass Clarinet