Titles
Showing 12,061-12,080 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 12061 | B0713C09-FF0F-4903-B1F5-11E1673D457A | SU190 | Canon in D | This gorgeous setting of Pachelbel's famous Canon in D for three violins and piano or organ is one of many arrangements available from the publisher. It is part of the Andrew Gurwitz Memorial Series of music for strings. | Violin Trio and Piano | |
| 12062 | B076FEB2-386C-4A26-8F91-3A1036E4E985 | 10610645 | Swinging The "26" | "Swinging the 26" is a rudimental snare drum solo for an intermediate to advancing percussionists. Contest solo also included in Modern Rudimental Swing Solos, catalog number 2045409. | Drum Solo | |
| 12063 | B07A7797-5165-4D28-8E85-62463081D9D8 | 52703177 | Opera Favorites for String Quartet | Some of the best loved operatic tunes are featured in this collection arranged by Lynne Latham. Ideal for the advanced quartet, players will find performances of these Opera Favorites fulfilling and enjoyable. Included: 1. O mio babbino caro from Gianni Schicchi (Puccini), 2. The Flower Song from Lakme (Delibes), 3. Der Vogelfänger from The Magic Flute (Mozart), 4. Bei Männern from The Magic Flute (Mozart), 5. Barcarolle from Tales of Hoffman (Offenbach), 6. Habanera from Carmen (Bizet), 7. The Toreador’s Song from Carmen (Bizet), 8. Meditation from Thaïs (Massenet). | Violin 1, Violin 2, Viola, Cello | |
| 12064 | B07BC62C-FF90-4441-8A65-399C58096510 | W700891 | Three Romances, Op. 94 | The THREE ROMANCES (DREI ROMANZEN) for Oboe and Piano, Op. 94 is Robert Schumann's (1810-1856) only work written for the oboe, and it is considered amongst the best works written for the instrument still. Composed during one of the most productive years of Schumann's career, the work was not written for any particular player or for a commission, but it was rather given to his wife Clara as a Christmas present. While a private performance took place on November 2, 1850, with Clara Schumann at the piano and Francois Schubert playing violin, the first public performance, performed on oboe as intended, did not occur until January 24, 1863, featuring Emilius Lund playing oboe with Carl Reinecke at the piano. Schumann only ever conceived of the three-movement work as a vehicle for the oboe, but against his wishes, versions for violin and clarinet in A were also offered by the original publisher. This edition, edited and fingered by Henry Schradieck, does retain the option of violin or clarinet. Reprint edition. | Oboe (or Violin or Clarinet) and Piano | |
| 12065 | B07F2A34-6ED6-4699-B235-07C626220306 | 50513001 | Flourish for Four Trumpets | This is an original quartet for young trumpets from a fine educational writer. | Bb Trumpet 1, 2, 3 and | |
| 12066 | B083FC18-FE9C-4A8A-B4FB-385D16013DE4 | A883102 | Londonderry Air, The | The Irish folk tune LONDONDERRY AIR, which is among the very best known folk melodies in the world, has been arranged by Irish composer Hamilton Harty (1879-1941) for solo violin, harp, and string orchestra (8-8-5-5-5 in set). Reprint edition. | Hp: Str (8-8-5-5-5 in set): Solo Violin in set | |
| 12067 | B086F137-9D77-4F09-926F-D4ED48FB451B | 50733002 | Tres danzas populares Argentinas | These three Argentinian dances have beautiful melodies and use lots of strumming and other effects to imitate guitar playing. Cross-rhythms and clef use requires four strong players; the upper three parts use bass, tenor, and treble clef. | Violoncello 1, 2, 3 and 4 | |
| 12068 | B09611AF-157B-4142-B0F5-1BFDB5CE2F85 | MP816602 | Hills, Woods, Brook: Three Love Songs | Commissioned by the University of Connecticut and premiered bytheU-Conn Chamber Players in 1983 with Doris Yarick-Cross singing. The work was revised in 1987. Voice range: Bb3-A5. The texts for the first two songs ("Love Song" and "Love Song [2]") are from The Selected Poems by A. R. Ammons. The text of the third song, "Keepsake," is from Ammons’s A Coast of Trees. | Mezzo-soprano, Clarinet, Trumpet, Violin, Cello, Percussion, Piano | |
| 12069 | B096F7F9-94E1-4307-B01F-FB5A81299329 | SS941 | Two Water Colors | Two Water Colors by Robert Roden for Clarinet Choir has two contrasting movements: I. Moderato expressivo II. Allegro moderato. It's a fun and lively piece that is sure to become a favorite in your clarinet choir's repertoire. | Clarinet Choir | |
| 12070 | B09E960E-6F25-458C-9ADB-014FB3FC5338 | SS145 | Concert Piece | An andante-allegro work in a single movement edition inscribed for the National School Music Competition-Festivals. | Baritone B.C. or Trombone, Piano | |
| 12071 | B0A3EE25-E5ED-4D2C-84C5-28F2B4477AF0 | A006590 | NOP - See A1323 - Jeux D'enfants, Op. 22 | 2d1, 2, 2, 2 - 2, 2, 0, 0, timp, str | ||
| 12072 | B0A467D6-0CB5-4B9B-BBAA-43A1B6E710DB | 50250097 | The Elephant's Trumpet | Feature your young bassists! With glissandi and pizzicato in all parts, everyone has a chance to share in the fun. Using solid, on the string slides, the work features a bouncy, syncopated melody that is perfect for working on subdivision of the beat. | String Orchestra | |
| 12073 | B0A4BB71-C528-4D26-AAD9-3F760CA3089C | M263291 | 66 Chorale Improvisations, V.2 | (not set) | Organ | |
| 12074 | B0A5438C-BA73-4A8A-AF39-795ADF6B81AC | 50100258 | Remember the Little Things | Solemn, reflective, yet positive in outlook, this is a wonderful work for more mature ensembles. The instrumentation is exposed and demands a sensitivity that will challenge many members. Your students will long remember performing this gem of the concert band literature. | Concert Band | |
| 12075 | B0AA38D8-772F-4751-97A1-31B1F064BD8C | M173091 | Humorous Bagatelles | Woodwind Quintet | ||
| 12076 | B0ACED55-EBA8-4746-9E80-E56E4E15E0DD | 52791955 | Tunes with Changes You Can Use | (not set) | String Orchestra with Rhythm | |
| 12077 | B0AEE5A8-965F-409A-BE69-261DFB77A1F2 | X410041 | Piano Sonata No. 4 | Solo Piano | ||
| 12078 | B0B08BC5-16C7-4519-BF9B-DBBD5B4826D7 | M309791 | Deep River (24 Negro Melodies, Op. 59, No. 10) | Samuel Coleridge-Taylor's (1875-1912) transcription contained in his collection 24 NEGRO MELODIES, Op. 59 has been praised as "the most complete expression of Mr. Coleridge-Taylor's native bent and power." Using native songs of Africa and the West Indies with those that came into being in America during slavery, he has preserved their distinctive characteristics and individuality, while giving them an art form fully infused with their musical essence. DEEP RIVER, No. 10 in the collection is among the more popular melodies. This transcription for Violin and Piano has been completed by Maud Powell (1867-1920). Reprint edition. | Violin and Piano | |
| 12079 | B0B138C9-6E6B-40F4-91CF-0EDA6FC78998 | TC122 | Thou Art All Fair (Tota Pulchra) | (not set) | SATB | |
| 12080 | B0B1FFAC-06A6-4AD8-9596-293F441ECB75 | X531023 | Pampas | Pampas (2009) earned Lalo Schifrin his fifth Grammy Award in the Best Contemporary Classical Composition category. Commissioned and recorded by Cellist Antonio Lysy, Schifrin described the work as “a very moving piece reflecting desolation and the infinite horizons of The Pampas,” from his home country of Argentina. Thematic material from the slow movement of Schifrin’s Sinfonia Concertante for Guitar and Orchestra provided the springboard for this haunting and original arrangement for cello and piano. | Cello, Piano |