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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
12041B02BCBDE-FD66-49F5-8094-F905B19C26B7X420003Blue Johannes for Solo HarpsichordOriginally written for piano, this version for harpsichord consists of a combination of diverse music elements: blues, Persian folk melodies, tango, etc… It is a blues "hommage" to Johannes Brahms, whose music Reza Vali loves.Harpsichord
12042B0372D36-AAEB-46A1-A969-0B2E02944856M412691Sinfonia ConcertanteWritten in a musical form from the Classical period, a sinfonia concertante mixes characteristics from a concerto and a symphony. A group of soloists are on display, yet they also blend in as part of the whole ensemble. Scored for oboe, bassoon, violin, cello and piano.Oboe, Bassoon, Violin, violoncello and Piano
12043B03EC0E0-C549-4C4D-B940-39BA0E1FA1A7M3PAVictor Method, Bk. 3Violin
12044B03F4332-1E9E-479A-A72D-CE419466AA7FM120491Eight Pieces For Viola and Piano(not set)Viola and Keyboard
12045B041AE98-0974-42F4-A0A6-BBA9AF35CBF720623171The Welsh and the IrishThe Ash Grove, known as Llwyn Onn (win-ON) in Wales, is one of the best known melodies of the Welsh folk tradition. The melody was used by John Gay in his Beggar’s Opera in 1728, even though it is an instrumental piece in origin. It has been used as the setting for several hymn texts and is still often played on its instrument of origin, the Welsh harp.

The Galway Piper has sometimes been called Piping Tim, with appropriate lyrics first published in 1746. It also has another text as a drinking song named The Rakes of Mallow. The tune has long been popular with bagpipers, who have had on occasion to slightly modify the melody to fit the unique characteristics of their instrument.		Marimba (Xylophone) 1,2, 3 and Bells (Vibraphone)
12046B041B81A-BD3B-4E00-84BF-4F86FE8FCB7ESS827Sonata No. 3The only edition of this work that includes a Bb treble solo part for trumpet or euphonium in addition to the bass clef part. Originally for flute, this five movement sonata is an ideal recital piece; lengthy enough to be considered a major work, varied enough to prove the performer's ability in technique, sound, control, range and musicianship; yet not so difficult to be out of the range of the average high school trombonist.Trombone, Trumpet or Baritone (TC/BC) with Piano
12047B047EE2D-6DA2-43CE-85A3-EF671C10B62FR00901NocturneNocturne or ‘night piece’ for Clarinet and String Orchestra is a reflective and quiet work in 3 movements—Canto, Tarantella and Appassionato.B-flat Clarinet, Piano Reduction from String Orchestra
12048B048EC8C-8240-4C8E-AC30-8A197D068687SS494Duo in CClarinet Duet
12049B048EDBF-7D08-4036-8A4F-2266CA9B5F36A768002Blest Pair of Sirens (At a Solemn Music)Best known as the composer of the anthem JERUSALEM, Charles Hubert Hastings Parry (1848-1918), wrote a number of songs for choir and orchestra. One of these, BLEST PAIR OF SIRENS (AT A SOLEMN MUSIC), came about as the result of a commission by contemporary composer Charles Stanford for a concert celebrating the Golden Jubilee of Queen Victoria. Performed on May 17th, 1887 at St. James’s Hall in London, Stanford conducting, it quickly achieved acclaim and has been performed at such events as the Last Night of the Proms and the wedding of Prince William and Catherine Middleton. Instrumentation: 2.2.2.2+1: 4.3.3.1: Timp: Org: Str (9.8.7.6.5 in set): Mx Chor.2.2.2.2+1: 4.3.3.1: Timp: Org: Str (9.8.7.6.5 in set): Mx Chor
12050B04B054B-9C06-4EFE-A8BE-89250B5C38A8D511060Violin Sonata 5Digital publication by Edition Gulidoff, Ukraine.Violin, Piano
12051B050899E-43F0-4F49-A6AF-47F87E0F82DDSS24Scherzo for PercussionThis composition for seven percussionists requires the following instrumentation: Tambourine, Snare Drum, Field Drum, Suspended Cymbal, Crash Cymbal, Bass Drum, and TimpaniPercussion Septet: Tambourine, Snare Drum, Field Drum, Suspended Cymbal, Crash Cymbal, Bass Drum, and Timpani
12052B051052A-93E8-4A31-A8F5-7AA87DD0A093A301002Barber of Seville, The (Il Barbiere di Siviglia): No. 5: Act I, Aria: La calunnia (bass; D) (excerpt)The Barber of Seville (Il barbiere di Siviglia) was written by Giocchino Rossini (1792-1868) in 1816. The two-act comic opera is considered one of the greatest opera buffas ever written, and it remains a popular masterpiece staged frequently today, despite its disastrous February 20, 1816, premiere at the Teatro Argentina in Rome. The libretto by Cesare Sterbini is based on a three-part series of French comedic plays under the same name by Pierre Beaumarchais, and other composers also borrowed from the source, including Mozart for his Marriage of Figaro, although that opera was based on the second comedy in the series. Rossini's The Barber of Seville uses the first comedy as its source, showing the exploits that Count Almaviva engages in to convince Rosina to love and marry him before her ward Bartolo marries her first, with the barber Figaro conniving to help Almaviva the entire time. In Act I, Dr. Bartolo seeks the advice of his servant and Rosina's music teacher, Don Basilio, for a way to remove Count Almaviva. In the well-known aria La Calunnia, Basilio suggests that they start rumor to slander Almaviva. Instrumentation: 1.1.2.2: 2.2.0.0: Timp.Perc(1): Str (4-4-3-3-3 in set): Solo Bass (aria). This version is in D, the original key. Also available from the publisher in C.1.1.2.2: 2.2.0.0: Timp.Perc(1): Str (4-4-3-3-3 in set): Solo Bass (aria)
12053B05167BD-7536-44A5-9FAD-80F79AAB520ASU392Variations in F(not set)Woodwind Trio
12054B0585909-9C90-4C8D-9887-784765C0DE2BSS770Sonata No. 2This publication of Johann Baptist Wanhal's "Sonata" makes available what is, at the present time, the earliest known clarinet sonata. Since the original score called for clarinet in C, it was decided to leave the clarinet part as it stood and transpose the piano part to Bb. This edition includes editorial markings from editor Lyle Merriman.Clarinet and piano
12055B05CE07B-1FA6-4D5E-A357-15D37B38773EM358591Six Duos(not set)Soprano and Alto Voices and Piano
12056B05D7427-A353-4976-8C58-24ECD993A2B7X520012Elegy on the Name "Dmitri Shostakovich" for Solo ViolaDedicated to Elena Ozol. Also available for cello.Viola solo
12057B0618084-07AA-4007-B019-7D1F44C24854A271002Christmas Oratorio, Op. 12 (Oratorio de Noel)Camille Saint-Saëns (1835-1921) wrote his Oratorio de Noël in a matter of weeks, completing the work ten days before it premiered on Christmas in 1858 in Paris. Written and structured in a style that resembles the oratorios of the early Baroque period, Saint-Saëns’ study of choral music from composers such as Bach, Handel, Mozart, and others, had a great influence on the work. Instrumentation: Harp: Organ: Str (4-4-3-3-3 in set): Soli SSATB: Chorus. Study score.Harp: Organ: Str (4-4-3-3-3 in set): Soli SSATB: Chorus
12058B063C08D-A3CC-4961-80E1-037D8B4B236B50250042Andante ModeratoYou may use one or several violinists to cover the solo part (Violin 1) in this arrangement for string orchestra. All of the rhythmic drive of Vivaldi remains in this representative example of the early Baroque.String Orchestra
12059B06F74CC-F5A6-452F-8D4E-EAEE9478E547M14729112 New PiecesFrench composer Théodore Dubois (1837-1924) won the Prix de Rome in 1861. A professor at the Paris Conservatoire, he composed a variety of instrumental and chamber works, as well as music for the stage including ballets and operas. Each of his TWELVE NEW PIECES FOR ORGAN (DOUZE PIÈCES NOUVELLES POUR ORGUE), published in 1886, was dedicated to a prominent organist of the nineteenth or early twentieth centuries. Titles: 1. Prélude et Fugue; 2. Chant Pastoral; 3. Cortège Funèbre; 4. La Fête-Dieu; 5. Canon; 6. Alleluia; 7. Noël; 8. Fiat Lux; 9. In Paradisum; 10. Offertoire; 11. Thème Provençal varié; 12. Marche Triomphale.Organ Solo
12060B0703AAE-F521-4BE2-B71D-D216078C2A7850250086Jubilant OvertureScored for a full sound, this concert opener is just what the title indicates. Its syncopated themes, bright tempos and sophisticated scoring will energize your string orchestra. The middle lyrical section flows gently and beautifully before returning toString Orchestra