Titles
Showing 12,081-12,100 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 12081 | B0B8EC87-6F1E-4469-875A-E3A89EC43FF4 | R01281 | Concerto for Saxophone and Orchestra | (not set) | Alto Saxophone (d SSax) Solo: 2+Picc.2+EH.2+BCl.2+Cbsn: 4.3.3.1: Timp.Perc(2).Harp.Pno: Str | |
| 12082 | B0BC0C29-45E9-4797-8BAE-5EE498165ED1 | SC223 | Wie Melodien Zieht Es Mir (How Like a Melody It | Satb | ||
| 12083 | B0BE7546-FED3-419B-A60F-E6782063570E | SC96 | Limericks, Limericks, Limericks | Ttbb | ||
| 12084 | B0C4854E-AA2C-46F2-9D16-3BFE3BF744D9 | S831 | Carnaval in Sao Paulo | A light encore which features a clevertune, solid scoring, interesting modulations and easy, effective Latin percussion, playable by any good high school band. Carnaval in Sao Paulo is dedicated to all the students in the Senzoku Gakuen Symphonic Wind Orchestra. | Concert Band | |
| 12085 | B0D33DD1-4892-4E05-B190-8B4D844A35BC | A231502 | The Magic Flute Overture, K. 620 (Die Zauberfloete) | This overture, written two days before the fairy-tale opera's 1791 premiere, is among the best known in the classical literature. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set). Study score. | 2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set) | |
| 12086 | B0D5F0BB-60EC-4F7D-B296-9936FC3CF221 | 50100180 | Parade March | The stately and dignified nature of this march lends itself well to processions and ceremony. Composed in 1905, the march remains as refreshing a work as ever, with a full harmonic background and a timeless melody. | Concert Band | |
| 12087 | B0EE40B9-5751-4B0F-8EBF-C929C7B45369 | X816401 | Grace Notes for Soprano and Mixed Quartet | Original song settings of the poetry of Rita Dove for soprano, clarinet, cello, percussion and piano. | Soprano, Clarinet, Cello, Percussion, and Piano | |
| 12088 | B0F99489-8E55-4BB2-88C5-18573965D33E | ST683CO | Napoli Revisited | Brass Quintet | ||
| 12089 | B1006278-DF83-42E5-98BE-E5FE24706C6B | R75 | Concerto for Flute and Orchestra | (not set) | Flute, Orchestra | |
| 12090 | B1017414-349A-46B5-83D2-F5DE7655AC82 | ST999 | Adagio | Originally for clarinet and string quartet, this beautiful adagio has over the years been mistakenly attributed to Richard Wagner. In 1964, it was discovered that the work was actually the middle movement of Heinrich Baermann's Clarinet Quintet, Opus 23. | Tenor Sax and Piano | |
| 12091 | B10228EE-58C6-4164-A888-0C0B03318D9B | SS23 | Synco Styx (only-in-b226/17+1) | Snare Drum Unaccompanied | ||
| 12092 | B1039F46-7B4B-4984-B2B8-418143B7336F | S511034 | Tchaikovsky Complete Works for Violin and Piano | This Critical Performance Edition is primarily based on the first print by the Russian publisher Jurgenson. In the Andante Funebre and Humoresque, the quartet and piano versions, respectively, were used for comparison. The composer accepted corrections by Leopold Auer and Vasily Bezekirsky, which are indicated in the violin part. The Meditation, Scherzo and Melodie (collectively named Souvenir d’un lieu cher) and Serenade Melancolique are dedicated to the famed Russian virtuoso and pedagogue Leopold Auer. The Valse Scherzo was dedicated to the budding virtuoso violinist Josif Kotek. The Andante Funebre is dedicated to the memory of Ferdinand Laub, perhaps Tchaikovsky’s favorite violinist. The Humoresque is an irresistible piece for piano transcribed by the composer for violin and piano. No violinist, nor indeed any performer, has been capable of doing justice to the enormous stylistic and emotional range of these works more than Jascha Heifetz. Mr. Heifetz’s enormous repertory included the complete oeuvre of Tchaikovsky. Mr. Heifetz’s bowing, fingerings and performance suggestions are an integral part of this edition. Contents: • Andante Funebre Op. 30 • Humoresque Op. 10/2 • Meditation Op. 42/1 • Melody Op. 42/3 • Scherzo Op. 42/2 • Serenade Mélancolique Op. 26 • Valse Scherzo Op. 34 | Violin, Piano | |
| 12093 | B109D072-0854-4C27-A857-B0CF7E7313AD | 10530242 | Rondo (La Voltigeuse - The Little Rope Dancer) | Subtitled "La Voltigeuse" or "The Little Rope Dancer," this edition for trombone with piano accompaniment of a work originally written by the 18th century German composer for keyboard has been arranged by A. Louis Scarmolin. It is also available for other instruments using the same piano accompaniment. | Trombone and Piano | |
| 12094 | B109F86A-3584-4A33-A006-0C6A8BD3E2E9 | RCST359 | Fantaisie Brillante on Il Trovatore, Op. 190 | Flute, Piano | ||
| 12095 | B10B2C92-DC86-4461-9811-A03670A01E90 | A766102 | Double Concerto 2 Violin | (not set) | 2, 2, 2, 2 - 2, 2, 0, 0, timp, str, soli vn(2) in set, (fl2, ob2, hn2, tpt2 ad lib) | |
| 12096 | B1149092-5A99-4CB2-AD6B-22D64D1FE341 | 50420004 | Concerto for Piccolo or Oboe and Band (Oboe & Piano Reduction) | |||
| 12097 | B118866C-32BE-430A-AC9C-3F4043B07937 | S919 | Praeludium and Litany | (not set) | Band | |
| 12098 | B11BAF5D-3541-407E-BBF4-10678B5F5D1F | W704791 | Album of Choral Preludes, Vol. 2 | (not set) | Organ Solo | |
| 12099 | B11C07A4-5598-4A32-B3DE-6F55AF159B02 | 20100735 | Introducing the Band | A great feature for your first or second year bands which includes a narration to introduce each section of the group. Each section plays a variation of this bright melody, with all sections combining for a great finale. | Band | |
| 12100 | B1226A7C-6FD6-4AED-B9BC-AA364AF636AB | 10100375 | Three Chorale Preludes, Op. 122 | Taken from the last group of Brahms compositions before his death, Eleven Chorale Preludes, Opus 122, for organ, these retrospective works lend themselves wonderfully to the wind band medium. | Concert Band |