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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
12121B18233D0-6FBC-4225-9091-06AD422A1905A234302Otello: A Lyric Drama in Four Acts (complete)OTELLO marked Giuseppe Verdi’s return to composing following his first retirement after writing AIDA. This retelling of Shakespeare’s classic revenge tale was originally titled IAGO, after the Moorish general’s villainous subordinate, so as to prevent confusion with Rossini’s OTELLO. Iago, upset with Otello’s decision to promote the younger soldier Cassio over him, devises a plot to convince Otello that his wife Desdemona has been unfaithful to him while implicating Cassio in her infidelity. The jealous Otello strangles his wife just before learning the truth about Iago’s plot, after which he kills himself. The notoriously difficult title tenor role has been played by such luminaries as Ramon Vinay, Placido Domingo, and more recently, Russell Thomas. Instrumentation: 3(3dPiccc).2+EH.2+BCl.4: 4.2+2Crnt.4.0: Timp.Perc(2): Hp: Str (4-4-3-3-3 in set): Band (3Hn.9Tpt/Crnt.3Tbn.Mand.2Gtrs.Lightning.Thunder.Org): Vocal Soli (9 roles, SATTTBBBB): Chorus.3(3dPiccc).2+EH.2+BCl.4: 4.2+2Crnt.4.0: Timp.Perc(2): Hp: Str (4-4-3-3-3 in set): Band (3Hn.9Tpt/Crnt.3Tbn.Mand.2Gtrs.Lightning.Thunder.Org): Vocal Soli (9 roles, SATTTBBBB): Chorus
12122B184200E-6A89-4F4F-917E-DE7EB4CE88B4A361402Hungarian Dance No. 9 (WoO 1)Originally written for piano four hands in 1879, Hungarian Dances (WoO 1), a set of 21 lively dance tunes mostly based on Hungarian themes, are among Johannes Brahms’ (1833-1897) most popular works today. They have been arranged for many different instruments and ensembles over the years. In 1850, Brahms was introduced to “gypsy-style” music through Hungarian violinist Ede Reményi, including the csárdás “Bártfai emlék” (Memories of Bártfa) by Hungarian composer Béla Kéler, which became the basis for Hungarian Dance No. 5. Hungarian Dance No. 9 in E Minor, here orchestrated by Sam Dennison, playfully collides fast and slow tempos into each other, inspired by the military recruiting dances performed for the Hapsburg Emperors in the mid-nineteenth century. Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set).2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set)
12123B18DAC83-51D9-496F-900A-878B3E11997CR1Concerto in GOriginally composed by Cimarosa (1749-1801) for two flutes and orchestra, Louis Moyse revised this piano reduction version and wrote cadenzas for the flutes. It may be performed with two flutes or flute and oboe. Chamber orchestra and piano reduction version are available from the publisher. Movements: I. Allegro Vivo, II. Largo, III. Rondo2 Flute (alt Fl, Ob): 0.2.0.1: 2.0.0.0: Str
12124B193A917-106C-473F-9DDF-FA4BAFFC4D37SU73Farandole(not set)Mixed Clarinet Quartet
12125B19A07EC-1DB9-4F1F-943D-3AC159A8DF38X642711Music for a Summer Evening (flute, piano trio)Set of 5 short movements focusing on summer evening themes including romance, shooting stars, and fireflies.Flute (Alto Flute, Piccolo), Violin, Cello, Piano
12126B19ADE74-937D-4FC8-8414-51708F73B47EX130013For Cl - Aaron - et(not set)Solo B-flat Clarinet
12127B1A00133-5CD0-4F2A-95CF-287D49F615F420100715Sipping CiderBand
12128B1A50DD9-1EB6-483F-85D8-76EF7364857A52724005La vie Parisienne: Tout TourneThematic material and difficulty is equally distributed throughout the parts in these arrangements for quintet, which are compatible between violin, viola, and cello versions.Viola Quintet
12129B1A852C3-B5F7-445E-BB8F-DBEFABCD9609S750CBFireworks - Movement 4 from Symphony No 2 for Band(not set)Concert Band
12130B1AD371B-467B-4219-A947-FCAF72B62217M915802Emerald SuiteEach of the three movements of this work uses a particular section of the North Texas State Alma Mater as its formative material, since it was commissioned in honor of Dennis Fisher and his 25 years of service to the North Texas State community. The Rondo is mostly in 7/8 and 6/8 time and is highly energetic, though it ends quietly. The Air is gentle and lyrical as it builds to powerful climax and then recedes to the same gentle mood that uses to open the movement. The March provides a perfect balance to the other movements and ends with great excitement. Each of these three movements stands well on their own and can be programmed either separately or in their entirety.Concert Band
12131B1AEEDF7-62F5-4658-BD21-9AE341887BA8M111291VCElegy No. 2, S. 131Franz Liszt's (1811-1886) ELEGY No. 2 (ZWEITE ELEGIE; SECOND ELEGIE), S. 197 was written originally for piano in 1877. The following year, the composer arranged the work first for cello and piano as S. 131, then violin and piano as S. 131bis. Both the cello and violin versions are available separately from the publisher. Reprint edition.Violoncello and Piano
12132B1B2D5F5-5203-4BB1-A998-4C4258FF5029A268902Mass K. 258(not set)2 tpt, timp, str (2.2.0.1.1), solo SATB, mx chor
12133B1B7178B-C6D1-429A-AD30-26A8DDA5B72DST324First Light Dances(not set)Marimba Unaccompanied
12134B1BA3741-969D-40FD-BACA-7BEDB11D8C05S003301Concerto for Cello in B minor, Op. 104/B. 191 (Critical Edition)Anton�n Dvo?�k (1841-1904) composed his Concerto for Cello in B minor, Op. 104/B. 191 in 1894. It was the last solo concerto that the composer wrote, and it was the final work that he wrote during his three-year term as Director of the National Conservatory of Music in New York. While the encouragement to write the concerto came from cellist Hanu� Wihan, the work was premiered in the end by cellist Leo Stern on March 19, 1896, with Dvo?�k conducting the London Philharmonic. This critical edition based on the composer's manuscript has been created by Otakar �ourek. Instrumentation: 2(2nddPicc).2.2.2: 3.2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo Cello. Study score.2(2nddPicc).2.2.2: 3.2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo Cello
12135B1BEA767-7CD3-4C9C-9FA9-BEB4E111F31DM345191Six Songs, Op. 1(not set)Voice and Piano
12136B1C72D73-66E9-4623-8C44-FAC9D0E70B5EB362702Summer Skies for BandLeroy Anderson completed four works in 1953: SONG OF THE BELLS, SUMMER SKIES, THE GIRL IN SATIN, and CONCERTO IN C FOR PIANO AND ORCHESDTRA. He commissioned a modern home for himself and his family on Grassy Hill in Woodbury, Connecticut. He was Guest Conductor in concerts at the University of Michigan, at Grant Park in Chicago, Illinois, Fort Wayne, Indiana, Cleveland, Ohio, Worcester and Boston, Massachusetts and Fairfield University, Connecticut. The Connecticut concert attracted a record-setting 8,500 people in the audience. While THE GIRL IN SATIN is in a Latin style, similar to SERENATA, and SONG OF THE BELLS is a waltz, SUMMER SKIES is much less descriptive than the other works he completed in 1953. SUMMER SKIES evokes a softer, enigmatic mood, somewhat like his 1962 work BALLADETTE. - Program note from Leroy Anderson's website. This edition for band was transcribed from the composer's original score by Floyd E. Werle, the long-serving chief arranger for the U.S. Air Force Band beginning in 1951.Concert Band
12137B1CDE2E7-24B3-4141-8958-E117F7720689R104The Night Before Christmas for Orchestra(not set)(not set)
12138B1CFC2C9-1A80-4498-B925-4FFF23EAE76CST841RhapsodyCello
12139B1D65135-1212-4314-AB9D-5F22FD0BF3E2SC437I Will Praise My God and KingTexas University Interscholastic League Sight Reading Seletion for 2C Junior High and 3C Middle School (SA).Sa
12140B1DE60D3-D97C-4214-9B6A-C07C42F172ADR162FOConcerto for Tuba and Orchestra, Op 96The orchestral score was completed on February 6, 1996 and was later transcribed for band accompaniment by Mark Rogers and tuba with piano by Yukiko Nishimura. The premiere took place on February 1st, 1997, with Scott Watson accompanied by the U.S. Army band, conducted by the composer.Tuba Solo: 2+1,2+1,2+1,2: 4,3,3,4: Perc. Str