Titles
Showing 12,201-12,220 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 12201 | B26B4EC7-59E2-4837-AFE5-A786DB66ED7A | MP800004 | Falling Man for Baritone and Piano | FALLING MAN for baritone and orchestra are based on Don DeLillo's 2007 novel about the events, aftermath, and changed lives of 9/11, a book which enthralled Kenneth Fuchs. DeLillo's unflinching description of raw terror and absolute chaos provided a standpoint from which Fuchs could begin to come to terms as a composer with the shocking and world-changing events of that fateful morning. The work is cast in the form of a dramatic scena for baritone voice and orchestra, and the principal melodic and harmonic elements are organized around a falling twelve-tone theme. Recorded by JoAnn Falletta and the London Symphony Orchestra with baritone Roderick Williams at Abbey Road Studio, Naxos CD “Falling Man” 8.559753. "This is a wonderfully recorded disc that should continue to gain Fuchs the notoriety he so deserves." --Steven Bergman, Edge A chamber version for baritone and mixed octet, arranged by David Krane, is also available from the publisher. | Baritone Voice and Piano | |
| 12202 | B26C8CD4-789E-4440-862E-8CB5746EC6D6 | 20450469 | Reflection and Fantasy | A challenging work for advanced players. Written in two contrasting movements, the solo covers the full natural range of the saxophone. Describing two different kind of daydreams, the wide range of the instrument is used while creating two complimentary moods. | Alto Saxophone and Piano | |
| 12203 | B27049EA-3DE3-4861-921D-774AD73C9C70 | 50100204 | Pride of Arizona (March) | A true lost treasure from the acknowledged master of the march style. Here is a real opportunity to bring to light a terrific march that's not well known now but sure to be a hit. With all the musical qualities King is known for, this is certain to be the pride of any band that performs it. | Concert Band | |
| 12204 | B276617D-1240-4E90-A97D-BE4AD73F73A6 | ST347 | Aria and Dance | Tenor Sax | ||
| 12205 | B28972C1-747D-4453-B2A8-B89A8F6E749A | SC702 | Take Me Back to My Prairie Home | (not set) | Satb | |
| 12206 | B2899F19-67ED-4F89-895A-89E0ED1B96D5 | 52710579 | Six Meditations for Violin and Piano | Intended for the student violinist to play for church services, these lovely meditations emphasize tone production and phrasing. Topping off in third position, these settings are hymn-based, in violin-friendly keys, with equally lovely piano accompaniments. Titles: Abide With Me; O Master, Let Me Walk with Thee; Pass Me Not, O Gentle Savior; Fairest Lord Jesus; Were You There?; and Long Journey. | Violin and Piano | |
| 12207 | B28DDE90-3F74-457F-877D-9388025BC44A | SS405 | Kettle Kaper (only-in-b249/tymptunes) | Timpani Unaccompanied | ||
| 12208 | B28FDD1C-A267-4027-9990-EDDA549330A7 | TC1235 | Guide Me Oh Thou Great Jehovah | (not set) | Four-Part Chorus with Keyboard Accompaniment | |
| 12209 | B29086ED-7A54-4678-84D3-3AAE84958119 | X940028 | With This Small Key | This is a setting of the text by Sister M. Therese for SATB chorus by George Walker. | SATB Chorus | |
| 12210 | B292CD40-9AE9-4846-B657-96A6F657FE74 | 10100473 | Coronation Scene from Boris Godunov | One of the most dramatic and stirring scenes in all of opera superbly scored by a master arranger. The captivating opening creates an air of suspense and anticipation that introduces this powerful Russian masterwork. If you have a solid woodwind section, this piece has the parts to make them shine. Very useful for concert, contest, and honor band programming. | Concert Band | |
| 12211 | B299178D-8805-4321-A8E8-812FD6BED097 | SU346 | When Nod Dreams | "To Nod, who… sailed off… on a river of crystal light. into a sea of dew…" - Eugene Field (1850-1895). About this piece for woodwind trio, the composer says, "Rarely does one come across a spirit epitomizing the life-affirming qualities we admire, and which possesses a vibrancy of beeing reflecting our ideal of pure and positive energy. One rejoices to discover such a spirit… and even more when it takes the form of cat." Movements: I. Nod's Dream, II. Nod at Play, III. Lament for Nod, IV. Danse Macabre. Versions for flute, oboe and clarinet and two oboes and English horn are available from the publisher. | Flute, Oboe, Clarinet | |
| 12212 | B2A2F055-B406-466D-B015-3E9BBE9A5FB3 | M122691 | Andante Con Variazioni | (not set) | Vn & Harp | |
| 12213 | B2A4D81C-9D57-467D-A11E-91CF19D75577 | SU136 | Celebration | Trumpet Trio | ||
| 12214 | B2A4F8DA-7000-4790-97DC-3F1CC21765B4 | 52250950 | Strawberry Shortcake | A "short" and "sweet" little piece for developing string orchestras! Written in 5/4 and with plenty of back-and-forth between sections, "Strawberry Shortcake" is sure to please both your young musicians and audiences alike. | String Orchestra | |
| 12215 | B2A5A7B2-D3AC-4EDB-B59A-5060C6D49E31 | R00374 | Wulfstan at the Millennium | Wulfstan at the Millennium is sort of a dreamlike musicological fiction: music composed as if Leonin, Perotin, Philippe de Vitry, Machaut, and a host of anonymous medieval English and Cypriot composers had been the direct antecedents of late 20th century music. | Bass Flute(d Flute), English Horn, Bass Clarinet, Horn, Marimba(d Gong, Tom-Tom), Piano, Violin, Viola, Cello, Double Bass | |
| 12216 | B2A8B76A-8C0D-4E30-99C2-D4972DEE49B0 | W727891 | Missa Brevis in B-flat, K. 275/272b | The MISSA BREVIS IN B-FLAT MAJOR, K. 275/272B, is an economical, yet intimate treatment of the Latin text by Wolfgang Amadeus Mozart (1756-1791). The work is further condensed by the fact that it requires different texts to be sung simultaneously. It places a stronger emphasis on the solo singers than in the MASS D MAJOR, K. 194, to which it is sometimes compared. The earliest known performance took place on December 21, 1777, in the year that it was probably composed. Among the soloists, the castrato Francesco Ceccarelli received praise for his performance. The autograph score has not survived. Instrumentation: Org: Solo SATB. Mx Chor. | Org: Solo SATB. Mx Chor | |
| 12217 | B2A9D9D6-E0F5-43BE-90CE-05150A4BA209 | 10250270 | Polyphonic Variations for Solo Trumpet and String Orchestra | POLYPHONIC VARIATIONS is a fugue whose single theme is stated in a double exposition - one in pizzicato, the other in arco - which is followed by an elaborate fugal development. The composition ends in a climactic statement of the theme played by the trumpet with a contrapuntal four-part setting in the strings. Nelhybel's variations for trumpet and strings provides a nice feature for your star trumpet player and a nice chance for your orchestra to learn the art of accompaniment. | Solo Trumpet and String Orchestra | |
| 12218 | B2B342F0-D92A-476E-9134-A899E9AA0606 | ST363 | Sonata for Flute | This work for unaccompanied flute was written for James Galway. The sonata is in three movements. A fast, but gently moving first movement is followed by a slow, yet intense, middle movement. The third movement is a fantasia, variations and theme on "Brian Boru's March". | Flute Unaccompanied | |
| 12219 | B2B37CB1-C70C-4F3B-BB35-4828CF08CB05 | MP632201 | Elegy for Trumpet, Vibes and Saxophone | Composed for and recorded by Eric Berlin (tpt), with Eduardo Leandro (vb) and Lynn Klock (sx) on MSR CD 1199, "The End of the Matter." | Trumpet, Vibraphone, Alto/ Baritone Saxophone | |
| 12220 | B2BA2EAD-0232-47E3-A72B-D959AA7FB49D | SS715 | Serenade, Op. 85, No. 4 | Son of noted clarinet virtuoso Heinrich Baermann, Carl Baermann (1810-1885) was a German clarinetist and composer. He developed the Baermann-Ottensteiner key system for the clarinet, which was very popular during the late 19th century, and his compositions were popular with clarinet virtuosos. This beautifully melodic solo for the intermediate player has been revised and edited by David Hite. | Clarinet and Piano |