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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
920186F996FE-A1AB-4CEE-BAB9-7C90FB89365750445003Prelude and PassacagliaHarry Gee presents the clarinet choir with a contemporary and contrapuntal work of great depth.(opt. Eb Clarinet) Bb Clarinet 1, 2, 3, Eb Alto (sub. 4th Bb Clarinet), Bb Bass, (opt. Eb Contra-Alto Clarinet) and Contrabass Clarinet
920286fbb0a4-9e3c-11f0-a418-0022482c9682X410123ChaconneCHACONNE is in honor of Donald Crockett's longtime friend and colleague at USC, Rick Lesemann, and his wife, pianist Susan Svrcek. This chaconne - a repeated chord progression - generally descends in cycles, interrupted on occasion by Morse Code-like figures, communications of love and loss from a distant ship, departing. Above the chaconne pattern is a two-voice melody with the second voice following close behind in elegiac, expressive imitation.Solo Piano
920386FE380A-517B-47DE-B2EB-9B27869B0FE2A005790Faust (La Damnation de Faust), Op. 24: Hungarian (Rakoczy) MarchFrench Hungarian Oratorio Marches Oratorio/Excerpts Youth/Community Orchestra Transcriptions, Concertmasters2+1, 2, 2, 2 - 4, 3, 3, 1, timp, perc, str
920486FF34B7-37C9-4DBF-90DC-669779559C1FA929790Piano Concerto No. 2 (project scrapped)Sergei Prokofiev (1891-1953) set to work on his Piano Concerto No. 2 in G minor, Op. 16, in 1912 and completed it the next year. But that version of the concerto is lost; the score was destroyed in a fire following the Russian Revolution. Prokofiev reconstructed the work in 1923, two years after finishing his Piano Concerto No. 3, and declared it to be "so completely rewritten that it might almost be considered [Piano Concerto] No. 4." Indeed its orchestration has features that clearly postdate the 1921 concerto. Performing as soloist, Prokofiev premiered this "No. 2" in Paris on May 8, 1924 with Serge Koussevitzky conducting. It is dedicated to the memory of Maximilian Schmidthof, a friend of Prokofiev's at the Saint Petersburg Conservatory who had killed himself in 1913. Movements: 1. Andantino-Allegretto (10-12 minutes), 2. Scherzo: Vivace (2-3 minutes), 3. Intermezzo: Allegro moderato (6-8 minutes), 4. Finale: Allegro tempestoso (10-11 minutes) Pno Solo: 2.2.2.2: 4.2.3.1: Timp.Perc(2-3): Str (9.8.7.6.5).Pno Solo: 2.2.2.2: 4.2.3.1: Timp.Perc(2-3): Str (9.8.7.6.5)
920586FF6881-1A5B-489E-BB2E-892B37D361BDR00540Four Japanese FolksongsFlute(d Piccolo), B-flat Clarinet, Violin, Cello, Piano
92068712D17A-A695-40CB-9F73-E3415D1C4752A427902English Suite, AnSir Charles Hubert Hastings Parry (1848-1918), whose works have found a revival in more recent decades, wrote An English Suite in 1915, though it remained unpublished until 1921, three years after his death. Including seven movements, two of the movements (4. Caprice and 7. Frolic) remained untitled, and the order of the movements was not set. Both issues were resolved by his student and copyist, Emily Daymond prior to publication. The string orchestra work premiered on October 17, 1922 at Queen's Hall in London, with the Promenade Concert Orchestra under Henry Wood. Movements: 1. Prelude, 2. In Menuet Style, 3. Saraband, 4. Caprice, 5. Pastoral, 6. Air, and 7. Frolic. 8-8-5-5-5 strings included in the set.String Orchestra (8-8-5-5-5 in set)
920787197DD6-17EE-4280-95C7-B5123A78B9EAW111691Pastoral Mass in F Major(not set)Vocal
9208871A38DB-240B-4411-81B4-33225F6FC3C2A888402Le Corsaire: Pas de DeuxThe ballet LE CORSAIRE, inspired by Lord Byron's poem, tells the story of the love between a pirate and a beautiful slave-girl against a backdrop of the open sea, remote grottoes, amid the hustle and bustle of an eastern bazaar, and the languid luxury of a sultan's harem. Premiered by the Ballet of the Académie Royale de Musique in Paris, France on January 23 1856, the original music was entirely by Adolphe Adam. Over the years, significant revisions and the addition of a substantial amount of new music has involved numerous other composers in the ballet, including Cesare Pugni, Léok Delibes, Ludwig Minkus, Pyotr Oldenburgsky, Ivan Trubetskoy, and Antoine Simon. Riccardo Drigo's (1846-1930) contribution of the "Pas de Deux" was requested by choreographer Marius Petipa's 1899 revival as a spectacular vehicle for the reigning ballerina, Pierna Legnani, and is now among classical ballet's most iconic and performed excerpts. This edition was orchestrated and revised by William McDermott in 1987. Instrumentation in set: 2(2dPicc).2.2.2: 4.2.3.0: Timp: Hp: Str (4-4-3-3-3).2(2dPicc).2.2.2: 4.2.3.0: Timp: Hp: Str (4-4-3-3-3 in set)
9209871E3E97-738C-4A02-B190-460D097C02BEMP130002Short Lecture on the Clarinet
9210871ECCFE-594E-4A76-9EE8-E047D83F10A9A287602Haensel and Gretel: Suse, liebe Suse2, 2, 2, 2 - 4, 2, 0, 0, timp, perc, str
9211871FCFC7-6DD2-49A1-9B23-D686B33165F0M368891Spanish Dances, Op. 54The music of Bohemian cellist and composer David Popper (1843-1913) is virtuosic and charming, but only a select few pieces out of his vast output have come to be known by audiences and cellists alike. He wrote Spanish Dances, Op. 54 around 1884. It includes five pieces: 1. Zur Gitarre, 2. Serenade, 3. Spanischer Carneval, 4. L'Andalouse, 5. Vito. American solo cellist, composer and pedagogue, Emilio Colón, has edited this edition.Cello and piano
921287239EFE-3C2F-4E06-B92B-3615C4453B71A679690Bohemian Danish Folksong, F. 130: Paraphrase (Boehmisk Dansk Foktetone)In 1928, Carl Nielsen (1865-1931) composed the BOHEMIAN DANISH FOLKSONG, F. 130, to fulfill a commission from Danish Radio in honor of a visit from the Czech conductor Jaroslav Krupka. Unpublished after his death, the work derives its material from a pair of songs, a Czech folk tune and the Danish song Dronning Dagmar. The second song relates the death-bed confession of Queen Dagmar, wife of King Valdemar, in which she divulges her only earthly sin: lacing her sleeves on a Sunday. This Kalmus edition is paraphrased for string orchestra. Instrumentation: String Orchestra (8.8.5.5.5 in set).String Orchestra (8.8.5.5.5 in set)
921387257925-D149-471D-92F5-1D66846837C2SC333My Heart's in the HighlandsSatb
92148726D963-889D-4AB4-BACA-45A8B967889ASC492Now Is the Month Of Maying(not set)Ssa
9215872A2ABD-3ED4-451D-B630-777685F9702BJ96116Balm In Gilead for SATB Chorus and Piano(not set)SATB
92168735E748-D718-4EF4-96A8-C718ECDA64DBSC174Texas My TexasTtbb
921787394F51-EFCA-41DC-8D46-1BE4CF3D189AST820InterludeThis beautiful interlude offers advancing players the opportunity to showcase their expressive skills through a soaring melody and lyrical playing. This is a wonderful selection for contest or recital. Versions for both trombone/euphonium and horn are available from the publisher.Horn and Piano
921887431661-80C1-4375-AC27-67B886C9CED3M160691Album for Lively Children, Part 2: from Peches de Vieillesse (Sins of Old Age), Vol. 6While best known for his operas, Gioachina Rossini (1792-1868) did compose other music, among which is the large collection, PÉCHÉS DE VIEILLESSE ("SINS OF OLD AGE"). Composed of 150 vocal, chamber and solo piano pieces, the collection is grouped into fourteen albums, with the ordering of the works in each album not reflective of the dates or sequence of composition. Written as salon music, intended for performance in the privacy of Rossini's own drawing room, the entire collection was sold by Rossini's widow following his death in 1868. This edition of Vol. 6, titled ALBUM POUR LES ENFANTS DÉGOURDIS (ALBUM FOR LIVELY CHILDREN), is written for solo piano and includes ten pieces across two books: M160591 and M160691. Edited by Sergio Cafaro.Solo Piano
9219874881E5-1C57-4BBB-B840-49BACFC09269P2Little Song (out-of-print)Piano
922087492D27-96A1-4B8C-B21E-9F8B5FAF0DE3R90CBGalacticaConcert Band