Titles
Showing 9,121-9,140 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9121 | 85c23076-9e39-11f0-a418-0022482c9682 | A113802 | Concerto Grosso, Op. 6, No. 7 in D | The present edition of Arcangelo Corelli's (1653-1713) CONCERTO GROSSO in D, Op. 6, No. 7 is based on the edition by Roger of Antwerp, printed in 1714. At that time, 12 concerti grossi - namely 8 church concerti (concerti da chiesa) and 4 chamber concerti (concerti da camera) were published posthumously in 1714 under opus number 6, having been commissioned by Cardinal Pietro Ottoboni. Likely composed sometime around 1690, the concerto is scored for an ensemble of two concertino violins and a cello, plus the ripieno strings and continuo. The harpsichord or organ continuo was realized by Waldemar Woehl. Instrumentation: Str (2-2-2-1-1 in set): Vn(2) concertante: Vc concertante: Hpchd in set. Reprint edition. | Str (2-2-2-1-1 in set): Vn(2) concertante: Vc concertante: Hpchd in set | |
| 9122 | 85CBCD23-582A-4D97-B634-0F5DC9302E72 | A015090 | O Mio Babbino Caro (from Gianni Schicchi) | A moving and beautiful excerpt from Puccini's Gianni Schicchi, this will transport audiences to the stage, almost if they're at the opera. Tempo changes can be tricky, but a sensitive and alert orchestra will make magical moments. | Full Orchestra | |
| 9123 | 85D73A2C-699B-46CA-BB1F-802A6C075F01 | R00719 | Fortieth Day | Composed for CalArts and Monday Evening Concerts, Los Angeles | Soprano Solo, Narrator Oboe, Alto Saxophone, Timpani, Percussion(1), Celesta(d Harpsichord), Violin, Cello | |
| 9124 | 85D84B5D-954A-4B50-8E8E-7CE3C8D69912 | 10402296 | Pony Ride | (not set) | Flute, Clarinet and Bassoon | |
| 9125 | 85D89B75-DECC-42E1-8C58-C8ADD6C247BB | A332802 | Symphony No. 6 in A Major, WAB 106 (revised) | Written between 1879 and 1881, Anton Bruckner's (1824-1896) Symphony No. 6 was considered his "boldest symphony" by the composer, though many critics of the time would have certainly disagreed. It is among the four symphonies some have termed Bruckner's "Major Tetralogy" composed in major keys. While the original premiere by the Vienna Philharmonic under Wilhelm Jahn on February 11th, 1883, was the only performance in Bruckner's lifetime, it also only included the two inner movements. The first performance of the full work took place in 1899 under Gustav Mahler, but large cuts were made, leaving the first fully complete performance for March 14th, 1901, with Karl Pohlig conducting in Stuttgart. The only one of his nine symphonies to undergo no revisions by the composer, the score was first published in 1899, with editorial work done by former Bruckner pupil Cyrill Hynais. Instrumentation: 2.2.2.2: 4.3.3.1: Timp: Str (9-8-7-6-5 in set). | 2.2.2.2: 4.3.3.1: Timp: Str (9-8-7-6-5 in set) | |
| 9126 | 85DC4E9D-7F59-4DF2-B8A0-7A8D6602241B | SC25 | O Brother Man | Satb | ||
| 9127 | 85DF95B8-52B4-454A-938A-A725F022DECD | R00657 | Concerto for Horn and Orchestra | Horn Solo 1(d Piccolo).1.1.1: 0.2.1.0: Percussion(2).Piano(d Celesta): Strings | ||
| 9128 | 85E317CD-3D39-4099-9677-D8D6A5D4059B | A802402 | Haensel and Gretel: Hurr hopp hopp hopp (Witch's Dance) | 2+1, 2+1, 2, 2 - 4, 2, 3, 1, timp, perc, str | ||
| 9129 | 85E411AC-BB0C-463B-B862-CFAF29F86A7B | SS26 | Sonata | Flute | ||
| 9130 | 85EB6A2E-142B-40FF-9643-11756CE8235C | ST914CO | Early American Songs | (not set) | Brass Quintet | |
| 9131 | 85F01DA3-A85D-4445-A5AD-BFF589EED3F0 | M265291 | Two Pieces For Piano | (not set) | Solo Piano | |
| 9132 | 85F4161F-6FAB-4FE3-96FC-4F951F06D0BB | SC156 | Dream for Our Nation, A | Ttb | ||
| 9133 | 85F4E983-E683-4D6D-B6D1-1EFDDDA88C7A | SC394 | Song from Twelfth (12th) Night | Ttb | ||
| 9134 | 85F52904-A8E5-4C53-AA82-02CA2455298C | M125091 | String Quartet No. 13, Op. 106 (critical edition) | (not set) | Two Violins, Viola and Violoncello | |
| 9135 | 85f67e05-9e39-11f0-a418-0022482c9682 | A113902 | Concerto Grosso, Op. 6, No. 9 in F | The present edition of Arcangelo Corelli's (1653-1713) CONCERTO GROSSO in F, Op. 6, No. 9 is based on the edition by Roger of Antwerp, printed in 1714. At that time, 12 concerti grossi - namely 8 church concerti (concerti da chiesa) and 4 chamber concerti (concerti da camera) were published posthumously in 1714 under opus number 6, having been commissioned by Cardinal Pietro Ottoboni. Likely composed sometime around 1690, the concerto is scored for an ensemble of two concertino violins and a cello, plus the ripieno strings and continuo. The harpsichord or organ continuo was realized by Waldemar Woehl. Instrumentation: Str (2-2-2-1-1 in set): Vn(2) concertante: Vc concertante: Hpchd in set. Reprint edition. | Str (2-2-2-1-1 in set): Vn(2) concertante: Vc concertante: Hpchd in set | |
| 9136 | 85F743E5-028C-49A4-A3E6-00BF5053E0DA | R00617 | Concerto for Two Cellos and Orchestra (piano reduction) | Commissioned by and Dedicated to Steven Honigberg, David Teie and the National Symphony Orchestra | 2 Cello, Piano Reduction from: 2+Picc.2.2.2+Cbsn: 4.3.3.1: Timp.Perc(2).Hp: Str or 1.1.1.1: 2.1.1.0: Timp.Perc(1).Hp: Str | |
| 9137 | 85F86A41-A141-47E7-9EDA-5E69320110A5 | R00161 | Serenade No. 2 | Viola Solo 4 Cellos | ||
| 9138 | 85FB16FC-1F2B-42A2-A95B-AC4CCE7BBED8 | ST284 | Legend Of the Purple Hills | Tuba | ||
| 9139 | 85FDC810-092A-4F1D-9734-D01CFC13A643 | SC634 | By the Salley Gardens | This setting of the traditional text is entirely homophonic. | Satb | |
| 9140 | 85FDF757-46CB-4A42-A354-BFD561B1A24C | A013590 | Entrance March | Strauss is well known for much more than writing waltzes. He also wrote operas, marches, and hosts of other dance music. The Gypsy Baron is still oft performed today and this rousing march is but one of the reasons. | Full Orchestra |