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9081852606AA-44AA-4337-B25A-5EF130C25A8CA888302Diana and Acteon Pas de DeuxThe history behind the composition and implementation of the Diane et Actéon Pas de Deux can be confusing. The first version of this pas, with music by Riccardo Drigo (1846-1930), appears to have been used in the 1891 Marius Petipa revival of Le Roi Candaule (Tsar Kandavl), a ballet originally written in 1868. Drigo was asked to compose additional music to the add to the original score by Cesare Pugni, although this original version was titled as Pas de Diane and was originally a pas de trois. Alternatively, it is also thought that Drigo's Pas de Deux was written for inclusion as additional music in an 1886 Petipa revival of Pugni's La Esmeralda, though many consider this history to be erroneous. Whether it was written for Petipa revivals of one ballet or the other, it is certain that Agrippina Vaganova made this divertissement famous in her 1935 revival of La Esmeralda, and this is the version known today, which abandons much of the original mythological story. Where the original story has Actéon (Actaeon) accidentally discovering the goddess Diana (Diane) bathing at a pool, after which an enraged Diana turns the Greek hunter into a stag to have his own hunting dogs rip to pieces. In Vaganova's version, the pas is more of a rapturous dance between two lovers. This excerpt remains very popular on the international stage still today. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(1): Hp: Str (4-4-3-3-3).2.2.2.2: 4.2.3.0: Timp.Perc(1): Hp: Str (4-4-3-3-3)
9082852C44EA-2CB7-4D88-9A16-74C576D60D57MR00471Casino Paradise: Opera in 2 Acts (Cabaret Version)Premiered by the American Music Theater Festival in Philadelphia, Pennsylvania on April 4, 1990. A version for 13 singers and band, arranged by Bruce Couglin, and a version for 3 - 4 sings and 2 keyboards are both available for rental.3 or 4 Singers and 2 Keyboards
9083852F59EE-72AA-4D86-88CB-211F864CAD78R00439Of an Expanding NotionOboe, Bassoon, Trumpet, Trombone, Vibraphone, Violin, Cello
9084852FDEE3-4AF3-428D-BEDD-2F90E2507F2710100381Triumphal March and Ballet MusicConcert Band
908585304066-D73C-4347-B33E-85AE507FB728A889902POP See A9275 - Nutcracker Ballet (reduced orchestration)A staple of North American ballet companies' Christmas season since the 1960s, the original production of The Nutcracker (fairy ballet) in 1892 was not a success, though the suite that Tchaikovsky extracted form the ballet was at the time. This edition for reduced orchestration has been arranged by William McDermott. The score that accompanies these parts is not for the reduced orchestration, but was created for the medium orchestration edition also completed by William McDermott. While it does not match perfectly, it is the score most appropriate for the reduced orchestration.1.1(optEH).2.1: 2.2.1.0: Timp.Perc: Hp(2).Cel: Str (4-4-3-3-3 in set)
90868538AB94-3101-491D-BE78-C18F2349CA4FLL115Now With the New Year StartingSatb
9087853FD047-A51C-4AAF-AFEE-5B85380995F9SS506Fantasie Caprice (out-of-print)Oboe
908885414AA5-EEFE-4C6C-83AF-0AC5E71EE14CA194202William Tell (Guillaume Tell): OvertureOne of the most popular opera overtures in the repertoire even before the LONE RANGER popularized the galop section in the Finale, the WILLIAM TELL OVERTURE is structured in four sections: Prelude: Dawn, Storm, Ranz des vaches, and Finale: March of the Swiss Soldiers. This overture is an absolute must in any orchestras light music library. Instrumentation in set: 1+Picc.2(1dEH).2.2: 4.2.3.0: Timp.Perc(3): Str (9-8-7-6-5 in set).1+Picc.2(1dEH).2.2: 4.2.3.0: Timp.Perc(3): Str (9-8-7-6-5 in set)
908985458DAE-B84B-4FAF-87B5-D8CD6FCA76B0SC2America, Your Torch Burns YetSatb
909085507627-B5F1-47E1-9FB1-113148C23B98A930790Turandot: Act III, Scene 1, Aria: Nessun dorma (short and extend concert endings)Absolutely the most well-known aria from Giacomo Puccini's (1858-1924) opera TURANDOT, Nessun Dorma (None Shall Sleep) is sung by Calaf (the Unknown Prince, tenor) at the beginning of the third act. Turandot has ordered that no one may sleep until the name of the Unknown Prince is discovered, and Calaf triumphantly sings that he will triumph. Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1(sub BTbn): Timp.Perc(1-2): Clst.Hp: Str (9-8-7-6-5 in set): Tenor Solo or Trombone: Chorus(opt). This newly engraved edition is designed to be performed by either a tenor with orchestra or by orchestra alone with a trombone soloist. Likewise, the chorus part may be played by muted trumpets (available in C and also transposed to B-flat) if no chorus is available. Two concert endings are available to use in this edition, a shorter version based on the recordings made so famous by Luciano Pavarotti and an extended ending supplied by James Barnes. The corresponding vocal score with piano accompaniment is available separately from LudwigMasters.2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1(sub BTbn): Timp.Perc(1-2): Clst.Hp: Str (9-8-7-6-5 in set): Tenor Solo or Trombone: Chorus(opt)
90918555A2A4-2FD9-488B-B3BF-75567C20CC27A195002Variazioni di Clarinetto (Variations for Clarinet and Small Orchestra)A young Gioacchino Rossini (1792-1868) composed Variazzioni di clarinetto (Variations for Clarinet and Small Orchestra in C major) around 1809. The work was edited by Amadeo Cerasa. Instrumentation: 1.0.2.1: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Clarinet in set.1.0.2.1: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Clarinet in set
909285569945-DC6C-4710-9EDA-B775857DF070MP410021Monsterpieces (and Others)
909385578719-9e39-11f0-a418-0022482c9682A113602Concerto Grosso, Op. 6, No. 5 in B-flatThe present edition of Arcangelo Corelli's (1653-1713) CONCERTO GROSSO in B-flat, Op. 6, No. 5 is based on the edition by Roger of Antwerp, printed in 1714. At that time, 12 concerti grossi - namely 8 church concerti (concerti da chiesa) and 4 chamber concerti (concerti da camera) were published posthumously in 1714 under opus number 6, having been commissioned by Cardinal Pietro Ottoboni. Likely composed sometime around 1690, the concerto is scored for an ensemble of two concertino violins and a cello, plus the ripieno strings and continuo. The harpsichord or organ continuo was realized by Waldemar Woehl. Instrumentation: Str (2-2-2-1-1 in set): Vn(2) concertante: Vc concertante: Hpchd in set. Reprint edition.Str (2-2-2-1-1 in set): Vn(2) concertante: Vc concertante: Hpchd in set
9094855D1FEC-D9BC-49C8-A16A-6CC24CDA9C8EMR00462Quiet in the Land: Poem for OrchestraOriginally written for flute, clarinet, English horn, viola, cello in 2003 during the invasion of Iraq, QUIET IN THE LAND asked how quiet the spirit of our land might be with the inconclusive harmony of the piece to suggest an ambiguous answer. Fourteen years later, disquiet in the land has led to a return to this, and the scale of an adequate musical response now demands the expressive and coloristic palette of a fully symphony orchestra. Some of the structure and a few fragments of the original composition survive in the orchestral work of the same title, and the harmonic language remains ambiguous. Composed especially for the Phoenix Symphony, Tito Munoz, Music Director with the generous support of the Phoenix Symphony Commissioning Club.2+1.2+1.2+BCl.2+CtrBsn: 4.3.2+BsTbn.1: Timp.Perc(4).Harp.Pno: Str
909585629BD8-1ADB-4F28-B67E-F4F9B0D130CAS802CBRiver Valley SuiteThis suite of five movements tracks the culture and events that have occurred around the Arkansas River over the course of history. Movements: I. "The River" - This opening movement captures the panoramic view at the bend in the Arkansas River where the cities of Fort Smith and Van Buren are situated directly opposite each other. II. "Trail of Tears" - A haunting melody portrays the terrible suffering of Native Americans who endured the journey from the homelands in the eastern United States up the Arkansas River to Oklahoma. III. "The War" - The War Between the States is suggested by a spirited medley that includes "The Bonnie Blue Flag", composed by Arkansas comedian Harry Macarthy, originally a favorite melody among bands of the South, and later a favorite of military bands in both the northern and southern armies. IV. "The People" - The theme in this movement represents the strongly religious and hard-working people (many of Scotch-Irish background) along the Arkansas River. V. "The River" - The final movement is a return to the eternal "River Theme", and recaps all of the themes heard in the suite. RIVER VALLEY SUITE was commissioned by and is dedicated to Mr. Bill Ratcliff and the Western Arkansas Wind Symphony.Concert Band
9096856714A2-1A93-4465-A6B8-4EF1A13D0CA910550161TarantelleA light solo work, this classic is very approachable for players gaining increased confidence. A band version allows for solos by tenor saxophone, cornet, trombone, baritone, or tuba, and each instrument also has a version with piano accompaniment.Tuba Solo and Piano
9097856784BC-5FA7-428D-B362-84B8554F27D550100274American StrongA catchy tune in a spirited march with a unique and unusual form - there’s not much more to ask for. In addition, every section makes a significant contribution to the performance. The A-B-C-A form serves the tune well before closing with a brief but rousing coda.Concert Band
9098856A8DC5-ED17-4E51-94ED-27B2E6824B58SC179Song Of Spring, ASab
9099856E9500-6233-4999-AAD3-91146EDA1BFC50100189Caribbean ChristmasChristmas isn't just about snow, sleighs, and mistletoe. It's Christmas everywhere, even on the sunny beaches of the Caribbean islands. Why not celebrate with this West Indies carol and put a little sunshine into your holiday?Concert Band
910085715577-0FA7-4A24-8704-29C7753DD19C50100288True and FairBy definition, it’s a British march, but it has a distinctly American flavor and the singular melodic appeal that sets it above and apart from many other works. You can’t go wrong programming this wonderful addition to the march repertoire.Concert Band