Titles
Showing 9,161-9,180 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9161 | 865B5BD0-566D-4AC6-BD06-868C6B013CBC | TC538 | Diaphonic Suite No. 2 for Bassoon and Cello or Cello Duo | American composer Ruth Crawford Seeger is best known for her place in developing the modernist aesthetic, and she became a notable figure of a group of American composers called the "ultramoderns." She composed predominantly in the 1920s and 1930s, turning to studies on folk music from the late 1930s until her death. In 1930, the year she became the first woman to receive a Guggenheim Fellowship, Crawford Seeger composed four DIAPHONIC SUITES. DIAPHONIC SUITE No. 2, in three movements, was written for bassoon and cello duo (or for two celli). Movements: I. Freely; II. Andante cantando; III. Con brio. | Bassoon and Cello or Cello duo | |
| 9162 | 865E13EB-C7F8-4E6F-BFA8-87480EFAF989 | 20502312 | Variations on Olivet | (not set) | Bb Trumpet, F Horn (Bb trumpet 2) and Trombone (Euphonium) | |
| 9163 | 865EEA0E-CB55-42C3-8C91-B8AA538A69BA | W104191 | Twelve Songs (High Voice) | This collection of twelve songs by the brilliant 19th century composer Franz Liszt (1811-1886) include the original language (German or Italian for each) with English translations by Theodore Baker and a Critical Note by Richard Aldrich. Songs included: 1. Mignon's Lied. (Song of Mignon), 2. Es War Ein Koenig in Thule. (There was a king in Thule), 3. Es muss ein Wunderbares sein. (It must be wonderful, withal), 4. Freudvoll un leidvoll. (Joyful and woeful), 5. Die Schluesselblumen. (The Primroses), 6. In Liebeslust. (In love's delight), 7. Die Loreley. (Loreley), 8. Du bist wie eine Blume. (Ah, sweet as any flower), 9. Oh! Quand je dors. (O, while I sleep), 10. S'il est un charmant gazon. (If there be a charming lawn), 11. Kling' leise, mein Lied. (Breathe lightly, my lay), 12. Die drei Zigeuner. (The Three Gypsies). | High Voice and Piano | |
| 9164 | 86611154-C5AA-4F2B-996D-92A22EB2B11E | 10620390 | Breeze Mystique | Travel to a faraway tropical place with this mesmerizing vibraphone solo! Great for competition or highlighting a soloist in concert. | Vibraphone Solo | |
| 9165 | 86636D2C-50CA-4130-B0D9-AD1E7F5FD9EB | M370591 | Anthology of Spanish Organ Music Bk 1 | This ANTHOLOGY OF SPANISH ORGANISTS OF THE SEVENTEENTH CENTURY comes in eight volumes, and is transcribed and edited by Higinio Angles. | Organ | |
| 9166 | 86640BD5-3107-478F-8F10-6387DF49F5A7 | SU493 | Celebration Fanfare | Brass Choir With Percussion | ||
| 9167 | 866448F2-0B28-466F-9478-3E299B373965 | R01154 | Valdres March | Valdres March is a charming and inspiring masterpiece in miniature. In 1904, Hanssen completed the march which he began in 1901. He played in the band which premiered the work in an Oslo outdoor concert. Only two people applauded, and they were his best f | 2+Picc.2.2.2: 2.2.2.1: Timp.Str | |
| 9168 | 86648B71-1D73-4D16-806E-2D4002098EB7 | S753CB | I Am Music | (not set) | Concert Band with Chorus | |
| 9169 | 86681EAE-B35F-4FAA-AEDF-D76B30552D50 | MP772001 | The Black Maskers Suite: Finale (Ludwig Masters) | Concert Band | ||
| 9170 | 866DAE34-2B85-45F5-80F8-CAFC8859A063 | M147991 | Complete Songs, Vol. 1 | This first volume of Complete Songs by Sergei Rachmaninoff includes 36 songs across four opus numbers. 6 Romances, Op. 4: Oh stay, my love, forsake me not!; Morning (I love thee well!); In the silent night (When silent night doth hold me); Oh, never sing to me again; The Harvest of Sorrow; So many hours, so many fancies. 6 Romances, Op. 8: The Water Lily (From reeds on the river); Like blossom dew freshen'd to gladness; Brooding (The days in turn pass all too soon); The Soldier's Wife (For a life of pain I have giv'n my love); A Dream (My native land I once enjoyed); A Prayer (Oh Lord of grace). 12 Romances, Op. 14: I wait for thee; The little island; How few the joys; I came to her; Midsummer Nights; The world would see thee smile; Believe it not; O, do not grieve; As fair as day in blaze of noon; Love's flame (Within my soul); Spring Waters (Tho' still the fields are white with snow); This Time!. 12 Romances, Op. 21: Fate (suggested by Beethoven's fifth Symphony); By the Grave (In gloom of night); Twilight (Alone and lost in dreams); The Answer (Guitare. They wonder'd a while); The Lilacs (At the red of the dawn); Loneliness (Oh! heart of mine); How fair this spot!; On the death of a Linnet; Melody; Before the Image; No Prophet I; Sorrow in Springtime. Reprint of edition by Serge and Natalie Koussevitzky. | Voice and Piano | |
| 9171 | 866F9ACD-DAF8-4C2B-9401-C627DAC5E683 | A703502 | Symphony No. 1 in E minor, Op. 1 (2nd version) | Nikolai Rimsky-Korsakov's (1844-1908) path to completion of his Symphony No. 1, Op. 1 was less direct than is usual. While he had sketched ideas for the symphony as a result of his compositions lessons with F.A. Kanille, it was Rimsky-Korsakov's mentor, Mily Balakirev, that really encouraged the young aspiring composer to continue the work. Before he could finish the symphony, his duties in the Russian navy took priority, although the 18-year-old continued to compose the work during his 3-year world tour. Rimsky-Korsakov finished the work during a stop in London, then mailed the score to Balakirev, who held it until the naval tour was complete. Following the end of the tour and his return to St. Petersburg in 1865, Balakirev suggested additional work on the symphony. Balakirev then conducted the premiere of the symphony in December of 1865 to great success, though the audience was surprised to see a man wearing the uniform of a navy officer when the composer was asked to stand during the applause. In 1884, Rimsky-Korsakov transposed the work from E-flat minor to E minor to make it easier for student and amateur orchestras to perform, and he also reversed the order of the slow movement and scherzo. This second version is the standard one performed today. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set). | 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set) | |
| 9172 | 8671F6AF-E51D-4FE2-A70E-B2BF19816078 | A746790 | Songs Without Words (Lieder Ohne Worte): Suite I | SONGS WITHOUT WORDS (LIEDER OHNE WORTE) is an eight-volume collection of short lyrical piano works, written by Felix Mendelssohn (1809-1847) between the years 1829 and 1845. Each volume, five of which were dedicated to women including his friend Clara Schumann, consists of six songs of varying mood and character. The first volume was published in London in 1832 under the title ORIGINAL MELODIES FOR THE PIANOFORTE. Bavarian composer and music teacher Max Burger (1856-1917) arranged for string orchestra two suites of these songs by Mendelssohn. SUITE I includes the following: 1. Volkslied (Op. 53, No. 5); 2. Adagio (Op. 53, No. 4); 3. Frühlingslied (Op. 62, No. 6); 4. Venetianisches Gondellied (Op. 62, No. 5). String count of 8-8-5-5-5 included in set. | String Orchestra (8.8.5.5.5 in set) | |
| 9173 | 8676EFFF-0385-4037-BB00-8DD5EB9FDC82 | X632716 | Out of the Air for Clarinet, Cello and Piano | The title of the work and the titles of the three movements of this work for clarinet, cello and piano are drawn from poems by Stanley Kunitz. Movements: I. It is my heart that's late, II. The underlying song, III. When I was wild with love. Commissioned by Carole and Chris Page for the Ocean Reef Chamber Music Festival, Key Largo, Florida, 2018. | Clarinet, Cello and Piano | |
| 9174 | 8683430A-C686-4FB1-B8CB-B842AF19559F | X940004 | Union | Text and music loosely based on a tune from the Zion Songster (1820). | SATB Chorus | |
| 9175 | 8688EE7A-92F4-4307-B5EB-64AC5A2865EC | R00416 | Theme in Two Moods | 2.2.2.2: 4.2.3.1: Percussion(2).Piano: Strings | ||
| 9176 | 868C9338-5699-476C-9E4A-0EABC5AE48E4 | A928090 | Christmas Overture | Samuel Coleridge-Taylor’s Christmas Overture appeared posthumously in 1925. Arranged by Sydney Baynes, it features God Rest Ye Merry Gentlemen and Hark the Herald Angels Sing. It is thought by some to have been put together from incidental music he wrote for a children’s play called The Forest of Wild Thyme. This Kalmus edition represents the first American publication of a full score and complete set of parts in print. It also includes an optional cut that reduces the performance time from 6 to 4 minutes. | 2.1.2.2: 2:2.3.0: Timp.Perc(1).Hp: Str | |
| 9177 | 86934454-1255-42E4-AA69-A7A0FB339785 | M107991 | Six Pieces | Respighi's first published work is a set of six solo piano pieces composed between 1903 and 1905. These independent salon pieces draw upon different musical styles, forms, and composers. They are not intended to be performed as a suite. Pieces included: I. Valse Caressante II. Canone III. Notturno IV. Minuetto V. Studio VI. Intermezzo-Serenata | Piano Solo | |
| 9178 | 869998F6-C02A-48D3-835E-6FEDA09CCEBF | B540 | Oboe Duets and Trios, Volume Two | Volume 2 of this collection contains 20 country dances originating from Mexico, England, Scotland, Ireland, France, and Spain, all arranged for oboe duets, trios, or two oboes and English Horn. They can be performed by the amateur or the connoisseur, and the players will find these dances varies and expressive. Songs included: 1. The Contra Rigaudon, 2. The Spanish Flag, 3. The Drunken Peasant, 4. Today's Vanities, 5. The Kelston's House, 6. The Molinet, 7. The Surrender, 8. The Cock, 9. The Gypsy's March, 10. The Crazy Ones, 11. Jacques, 12. The Girl from Hamburg, 13. The Amah's Pearl, 14. The Pill (A Whimsey), 15. Bartolito, 16. Stately March, 17. The Devil had his Night, 18. The Emblem of the Abbey, 19. Pavane, 20. The Beaux Stratagem | Oboe Trio | |
| 9179 | 86a04551-9e39-11f0-a418-0022482c9682 | A114202 | Concerto Grosso, Op. 6, No. 12 in F | The present edition of Arcangelo Corelli's (1653-1713) CONCERTO GROSSO in F, Op. 6, No. 12 is based on the edition by Roger of Antwerp, printed in 1714. At that time, 12 concerti grossi - namely 8 church concerti (concerti da chiesa) and 4 chamber concerti (concerti da camera) were published posthumously in 1714 under opus number 6, having been commissioned by Cardinal Pietro Ottoboni. Likely composed sometime around 1690, the concerto is scored for an ensemble of two concertino violins and a cello, plus the ripieno strings and continuo. The harpsichord or organ continuo was realized by Waldemar Woehl. Instrumentation: Str (2-2-2-1-1 in set): Vn(2) concertante: Vc concertante: Hpchd in set. Reprint edition. | Str (2-2-2-1-1 in set): Vn(2) concertante: Vc concertante: Hpchd in set | |
| 9180 | 86A5FE63-46D0-482F-A82E-7E61EA415A5B | R200 | A Hymn for the Lost and the Living (orchestra) | After witnessing the tragic aftermath of the September 11, 2001 attack on New York firsthand, Ewazen composed this as a memorial to those who lost their lives, and as a tribute to the resilience and determination of those left behind. Available for band, orchestra, and solo trumpet with piano. (2002) Ca. 9' | 2+Picc.2+EH.2+BCl.3+CBsn: 4.3.3.1: Timp.Perc(4): Hp: Str |