Titles

Create Title

Showing 9,021-9,040 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
9021846C3D79-1C4D-4BE7-95C9-56246CEFB9E9S58Carry Me Back to Old VirginiaMarching Band
9022846D5439-C559-463D-8D71-1DF1E45F07F1R00943The Emperor's New Clothes for Viola and Cello with Narrator(not set)Viola, Cello, Narrator
9023847018B3-F295-45B6-B8BD-0CFD6006CF4359730002Cello Finger-PickingsLooking to go 'bow-less'? Want to channel your inner guitar plinks, planks, and plunks? Sean Grissom has your answer with this collection of pizzicato compositions for cello. Grab your cello, hold it like a guitar, and liberate your right-hand through these fun but challenging pieces that explore many finger combinations, techniques, and styles. Included audio features recorded versions of the collection, as well as some of Sean's other pizzicato pieces.Cello unaccompanied
9024847403D7-9D88-4BEB-9D9F-D308BCEB372D15260002Concerto for Euphonium and Orchestra(not set)Euphonium, Full Orchestra
902584773D7B-A4CC-4465-BD21-538578230FD8R01005Past Tense(not set)Flute(d Picc), Oboe(d EH), Clarinet(d BCl), Bassoon(d Cbsn), Horn, Trumpet, Trombone, Perc(1), Piano, Harp, 2 Violin, Viola, Cello, Double Bass,
90268479754D-4A42-4215-A023-7BB693FB3432M23339115 Abruzzi Folksongs(not set)Voice and Piano
9027847EDC1A-10FA-42BB-B289-2A210311DF7250200027EspritAt times hard-hitting and rhythmic, at times flowing and fanciful, Esprit is an exhilarating work for the young orchestra. Parts for trumpet in C and B flat have been provided. Percussion serves to drive the orchestra toward a rousing conclusion.Full Orchestra
90288480B858-9159-4E36-AB10-93206A9DE57FS708CBThree Quotations (Suite for Band)John Philip Sousa's catalog of compositions is much broader and more diverse than is generally known. In addition to 136 marches, he composed more than a dozen operettas, four concert overtures, several sets of incidental music and humoresques, many pieces in dance forms (including waltzes, gavottes, galops, and fox-trots), and more than 70 songs. His most significant body of work for concert band consists of 11 suites composed between the years 1893 and 1925. These suites speak very much the same language as other American composers of the age such as Edward MacDowell, George Chadwick, and Arthur Foote, but Sousa, being a man whose livelihood depended on pleasing his audience, gave his music a flair which speaks of the energy and vitality of American life around the turn of the century. THREE QUOTATIONS, composed in 1895, is the second of Sousa's suites for concert band, and was written to display the virtuosity of the Sousa Band while captivating the imagination of the audience. This edition by Mark Rogers has been carefully crafted using four different source materials and has been adapted for use for contemporary band practices and instrumentation. Movements: I. The King of France: With Twenty Thousand Men Marched up the Hill and then Marched Down Again, II. I, too, was born in Arcadia, III. In Darkest AfricaConcert Band
90298481F946-FE6B-409B-A008-7CD52A439E42M363291Trio for Flute, Bassoon and Piano(not set)Flute, Bassoon and Piano
90308485FEF1-D176-435D-AD7D-8D4DFF4D68BAR00085Concert Piece for Trombone and String OrchestraA concerto in three movements, 17 minutes.Trombone Solo: String Orchestra
90318488F6F0-30F4-4922-A037-5BD3E5352757Z232691ToscaVoice, Piano
9032848B26C9-3D78-4E80-8960-86CD87B37181SU217Three Pieces from Sleeping BeautyThis arrangement by Richard McHenry for advanced flute choir contains three short excerpts from Tchaikovsky's ballet Sleeping Beauty: I. L'Oiseau Bleu, II. L'Oiseau Bleu et la Princesse Florine, III. Canari qui chante.Flute Choir: 3 C Flutes, Alto Flute, Bass Flute (alt. Bassoon/Cello)
9033848B7877-5FB5-4986-B4B3-B634E69A7C53B131002Ancient and Honorable Artillery Company(not set)Concert Band
903484944CE7-2D5D-4818-A72E-22926800EA5012300101Here's the Drum, Vol. 1The "Here's the Drum" Series is an introduction into the world of drumming. The series is in two volumes that cover basic approach to rhythmic vocabulary to musical expression. Step by step, it can be used in private instruction or as a self-teaching method. This series is an ideal method of instruction for the beginning percussionist. Volume 1 introduces fundamentals such as grip options, common rhythms and time signatures, sticking, various rolls, flams, and ruffs.Snare Drum
903584953FAC-5D9F-4756-95E6-2E0F2021FA50SS387Sketch Book in EireWoodwind Quartet
903684959426-39C7-484F-B03C-E7C737505727SC153White Pater Noster, TheSsa
90378496F50D-A591-45DA-9F86-B674B0E87A0610100370Goin' HomeThis beautiful melody from Dvorak's New World Symphony is one of the most instantly recognizable melodies in western music. In this arrangement, students with solid fundamentals of breathing can enjoy this technically accessible version and appreciate its inner beauty. It is great material to teach the subtleties of making music rather than playing notes.Concert Band
90388496F7CD-4BCE-454D-95CD-7C430ED72207M354391Seven Spanish Folksongs (Siete Canciones Populares Espanolas)Manuel de Falla (1876-1946) wrote Siete canciones populares españolas (Seven Spanish Folksings) in 1914, originally for soprano and piano. This transcription for cello and piano and been completed by Emilio Colón. Movements: 1. El paño moruno (The Moorish Cloth), 2. Seguidilla murciana, 3. Asturiana, 4. Jota, 5. Nana, 6. Canción, 7. Polo.Violoncello and Piano
9039849CCA9C-40F0-4890-AC25-16ED1F2C1A1FEBM0610576Cabaret Songs: Surprise (excerpt)This orchestration of the 4th of William Bolcom's "Cabaret Songs" was created by the composer on commission from Deutsche Gramophone expressly for soprano Measha Brueggergosman. It may be heard on her 2007 CD, "Surprise!". The full set of ten songs and each individual movement is available for rent.Solo Sop: 1(dblPicc).1.1.1: 1.1.1.0: Timp.Perc: Pno: Str
9040849D4D39-C553-40D5-9D01-F6F084A17BE4A716002Symphony No. 9 in DAs with DAS LIED VON DER ERDE, Gustav Mahler (1860-1911) did not live to see his SYMPHONY NO. 9 in D Major performed. Diagnosed with a heart condition in the wake of his oldest daughter’s death from diphtheria, he wrote the symphony in 1908 and 1909. Consequently, some critics interpreted it as the composer’s personal farewell at its premiere by the Vienna Philharmonic, under the direction of Bruno Walter, on June 26, 1912. The first movement, despite its remarkable cohesion, lasts twenty-five minutes. Alban Berg described it as "the greatest Mahler ever composed." Following the two inner movements, a ländler and a burleske, the transcendent music of the finale seems to leave in its wake the world depicted so richly throughout his symphonic œuvre. Instrumentation: 4+Picc.4 (4th d. EH).3+ECl,BCl.4+CBsn: 4.3.3.1: 2Timp.Perc(4-5): 2 Hp: Str (9.8.7.6.5 in set).4+Picc.4 (4th d. EH).3+ECl,BCl.4+CBsn: 4.3.3.1: 2Timp.Perc(4-5): 2 Hp: Str (9.8.7.6.5 in set)