Titles
Showing 8,921-8,940 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 8921 | 83110149-CE80-41E1-AA04-589B729EBC78 | 52710007 | Tarantella, Op. 33 | This is an exciting venture into chromatic fingerings and 1st - 4th position for the advanced-intermediate player in the key of A minor. The piano part is quite reasonable. | Violin, Piano | |
| 8922 | 831FC070-DD63-42E1-8441-89E4A2182048 | ST163 | Quintet | Woodwind Quintet | ||
| 8923 | 8322B8B3-E6B3-4A22-8914-FF2CBD09DFF7 | SS415 | To God Be the Glory | Brass Choir | ||
| 8924 | 8322E450-BB7A-43CD-A1DB-A85EFA949332 | 50250013 | Nutcracker: Dance of the Sugar Plum Fairy | Robert Longfield's masterful transcription of Tchaikovsky's classic score brings Dance of the Sugar Plum Fairy into the range of good middle school string orchestras. The famous celesta part has been made more user-friendly, having been scored for piano, | String Orchestra | |
| 8925 | 83230AD8-69C8-40A4-866C-AC282460718F | A123102 | Mass No. 4 in C | (not set) | 2, 2, 2, 2 - 2, 2, 0, 0, timp, str (2.2.1.1.1), mx chor | |
| 8926 | 8328E76B-BF1C-49C9-8281-31744A084815 | A286402 | Die Schoepfung, Hob.XXI: 2; Chorus: Stimmt an die Saiten The Creation: Awake the harp | 2, 2, 0, 2+1 - 2, 2, 3, 0, timp, str (2.2.1.1.1), mx chor | ||
| 8927 | 83295F0C-02C9-44CE-8AE0-17418A566DFA | X504098 | Ormavi: String Quartet No. 4 | Ormavi (String Quartet No. 4) was written for Carpe Diem String Quartet and was completed in December 2017. The work is a tribute to the great 13th century Persian music theorist and musician Safialdin Ormavi. The composition consists of eight short movements that are thematically inter related. I have used some of Ormavi’s 13th century medieval modes and have interpolated these modes with some of the modes of the modern Persian modal system, the Dastgâh system. Movements: I. Hisar 1, II. Osool, III. Hesar, IV. Zirafkand 1, V. Hisar 2, VI. Zirafkand 2, VII. Rooh, VIII. Hora | String Quartet | |
| 8928 | 832B4446-6B44-4F34-84FB-B4BEC87A13F6 | R00025 | A Bottle of Notes and Some Voyages | 2(1d Alto Flute)+Piccolo.2+English Horn.2+Bass Clarinet.2+ContraBassoon: 4.3.3.1: toy crickets (played by members of the Woodwind and Brass sections): Timpani.Percussion(4).Tape.Piano(d Celesta).Harp: Strings | ||
| 8929 | 83369D19-08B8-4A3B-8DA5-AFC021F7A4E4 | 50250064 | In The Bleak Midwinter | This is a sensitive, and evocative treatment of Holst's hymn tune by a true master of the craft of composition and arranging. The bleakness of winter gives way to the beauty of the season in this edition that should be in the library of orchestras of all ability levels. | String Orchestra | |
| 8930 | 833B153E-B7A7-400C-A57D-892837540E80 | M382591 | Three Concert Duets | 2 Horns | ||
| 8931 | 8341E53E-0053-46E7-9DF1-69D4C0D86B14 | X140006 | North Wind | (not set) | Bassoon Solo | |
| 8932 | 83461B1B-C406-47B6-B0BA-D8AA20255030 | S154005 | Andantino et Vif | (not set) | Saxophone Quartet | |
| 8933 | 8348A0B4-7760-453D-BF00-3042D8F7DBC6 | 50100159 | Two Christmas Chorales | Nicolai composed two hymns that are so beloved that they are known as the King and Queen of Chorales: Wachet auf, ruft uns die Stimme (Awake, the Voice Is Calling Us) and Wie schoen leuchtet der Morgenstern (How Beautiful the Morning Star). Using harmonizations by Johann Sebastian Bach, Gene Milford has crafted a superlative concert and teaching piece for players of all ages. | Concert Band | |
| 8934 | 834A7B03-6AA3-4532-8D78-9FD8EC59B6AB | 50250004 | Three Patriotic Chorales | I. Chester (0:46); II. America (0:48); III. America, the Beautiful (1:05). Varied meters, bowing and rhythmic challenges make this an excellent work for performance or as part of your daily warm-up. Consisting of three separate works, Chester, America, and America the Beautiful, you will have a host of programming options that will be appropriate for more than just your patriotic program. The way these works are scored will make an ensemble of any size sound full and rich. | String Orchestra | |
| 8935 | 834A953A-8812-444A-9E79-D06F853E7B95 | LV707CB | Dancing Puppet | (not set) | Concert Band | |
| 8936 | 834E332D-8A4D-4E3F-9A98-EFB4574EEAE3 | X410119 | Piano Sonata: Red Leaves of Night | Inspired by the poem "The Red Leaves of Night" by contemporary poet David St. John, this piano sonata was commissioned by Phillip Bush with support from the Ingeborg Reimer Fund for Creative Projects of the University of South Carolina. | Piano | |
| 8937 | 83515A3F-B131-40DE-88A5-B2FFC6C39EF8 | A525402 | Des Knaben Wunderhorn, No. 5: Das Irdische Leben, GMW 26, high voice (E-flat minor, original key) | Gustav Mahler (1860-1911) began composing the songs of DES KNABEN WUNDERHORN (THE BOY'S MAGIC HORN) in 1892, finishing in 1901. Comprised of 15 songs total by the end, each sets folktale texts, as published by Achim von Arnim and Clemens Brentano, to music with piano accompaniment, though some also have orchestral accompaniment. The fifth song, DAS IRDISCHE LEBEN (LIFE ON EARTH), provides a stark contrast to the previous song due to its grim dialogue between a mother and her starving child. This Kalmus edition is presented in the original key of E-flat minor for high voice. Instrumentation: 2.2+EH.2.2: 3.1.0.0: Perc(1): Str ([4.4].[4.4].[3.3].[3.3].[2.2] in set): solo voice. Reprint edition. | 2.2+EH.2.2: 3.1.0.0: Perc(1): Str ([4.4].[4.4].[3.3].[3.3].[2.2] in set): solo voice | |
| 8938 | 8358F4D4-9D9E-4506-AB48-AD5FCBF99790 | M802890 | Bop Gavotte, The | First performed by the NBC String Orchestra, Skitch Henderson, cond., April 14, 1954. | String Orchestra | |
| 8939 | 8368B246-53D8-4B21-9670-F544503A7B04 | SS881 | Sonata No. 4 in C | Clarinet | ||
| 8940 | 836C9B10-6E65-401D-9086-56021089C967 | 50730001 | Concerto in B-minor, Op. 104 | Antonín Dvorák (1841-1904) composed his Concerto for Cello in B minor, Op. 104/B. 191 in 1894. It was the last solo concerto that the composer wrote, and it was the final work that he wrote during his three-year term as Director of the National Conservatory of Music in New York. While the encouragement to write the concerto came from cellist Hanus Wihan, the work was premiered in the end by cellist Leo Stern on March 19, 1896, with Dvo?ák conducting the London Philharmonic. This LudwigMasters edition for cello and piano includes the solo part as edited by Zuill Bailey with a piano reduction by Paul Kletzki. | Violoncello and Piano |