Titles
Showing 8,881-8,900 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 8881 | 8270B35E-4771-4E8C-AF32-7FC2BE170339 | A388502 | Tannhauser: Act II, Sc. 4, March & Chorus: Freudig begrüssen wir die edle Halle | TANNHÄUSER, an 1845 opera in three acts by Richard Wagner (1813-1883), combines two German legends: the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. Like many of Wagner's works, the story focuses on the conflict between sacred and profane love, as well as redemption through love. The complete opera remains a major part of the opera repertoire. "Freudig begrüssen wir die edle Halle" (With joy we greet the noble hall) takes place during the fourth and final scene of Act 2. It depicts the guests arriving at the minnesingers' hall in the Wartburg castle for the Sängerkrieg (Song Contest). The orchestra opens the procession, with the chorus of guests soon joining in, greeting the Landgrave. The orchestra score and parts is available separately from the publisher. | 2+Picc.2.2.2: 4.3.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set): Banda (3Tpt): Mix Chor | |
| 8882 | 82742596-9683-4807-B2C4-0F5CDBE98F70 | SC283CO | Gathering Of the Waters, The (TTBB + 2 pianos) | This collection of four poem settings was commissioned by and dedicated to the SINFONIA FOUNDATION for the Eighth Triennial Assembly of Phi Mu Alpha Sinfonia Fraternity, Kansas City, Missouri. It can be performed with accompaniment by 10 wind players (SC283AC) (3 Clarinets in Bb, Alto Clarinet in Eb, Bass Clarinet in Bb, 3 Horns in F, Euphonium, and Tuba) or two pianos (SC283CO- also vocal parts). Movements/Poems include: I. Sailors to Wives (Poem by Johnny Wink), II. Prayer- Eternal Father Strong to Save (Poem by William Whiting), III. The Spouter Inn (Hornpipe) from Melville, IV. And the Gathering of the Waters He Called Seas (Text from Nantucket Whaling Songs). TTBB. | TTBB and Two Pianos | |
| 8883 | 82788111-D5F7-4A49-BC42-9BB1218ADD15 | R01240 | Sinfonia No. 3 | Premiered by the Detroit Symphony under the direction of Andrey Boreyko. | 2+Picc.2+EH.2+ECl+BCl.2+Cbsn: 4.4.3.1: Timp.Perc(4-7): Clst.Hp: Str | |
| 8884 | 827A1B29-CDE3-45B7-B2D3-0998C491AD86 | 20512448 | Three Pieces | (not set) | Bb Trumpet Trio | |
| 8885 | 8283BDF1-0125-47C3-B89A-180C2F487AC5 | SC205 | Fond Affection | Ssa | ||
| 8886 | 82842DE4-C9B7-4CF2-B9E2-36E5454DA1D5 | X652705 | Scenes from Adolescence: 3rd edition for Flute, Clarinet and Piano Trio | (not set) | "Pierrot Ensemble": Flute (d Piccolo), clarinet, Violin, Cello, Piano | |
| 8887 | 8286221A-3EBF-42F1-ABD5-8CF4AA77772F | A269402 | Mass No. 15 in C, K. 317 (Coronation Mass) | Wolfgang Amadeus Mozart (1756-1791) completed his Mass No. 15 in C, K. 317 on March 23, 1779 after a period of seeking for employment in places such as Paris and Mannheim. Failing that, Mozart's father Leopold acquired a position for him as court organist and composer at Salzburg Cathedral, and this mass likely premiered there on Easter Sunday, April 4, 1779. The work earned the nickname Krönungsmesse (Coronation Mass) in the early 19th century after it became popular for royal and imperial coronations in Vienna's Imperial Court. As it contains all of the sections of the Ordinary, this lighter mass setting may be considered a Missa solemnis, although its brevity may also classify it as a Missa brevis. Movements: I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, V. Benedictus, VI. Agnus Dei. This piano reduction has been completed by Otto Taubmann. | Solo SATB: Mix Chor: Piano Reduction | |
| 8888 | 82874A0D-DA18-4680-9349-E5979FE16E05 | BFE | FUR ELISE ( CLAVIERSTU | |||
| 8889 | 828A0AC0-5A24-4519-A6DA-EA0C1DA0F044 | SU191 | Canon | Originally in D, this arrangement for three flutes and piano of the famous canon has been placed in the key of G to better suit the flute. | Flute Trio and piano | |
| 8890 | 828C1238-33B0-475D-B0B4-4A9A49B42C61 | R00115 | A Place to Call Home | (not set) | Soprano, Mezzo-Soprano, Tenor, Baritone Soli SATB Chorus, Piano, Electric Keyboard, 2 Percussion(both multiple) | |
| 8891 | 828D8E4C-6579-4B26-9308-1B9211F1F627 | X534007 | Folk Songs: Set No. 13 | (not set) | 4 Cellos | |
| 8892 | 82909593-C144-4A25-9447-E5B50333A9D6 | R01207 | Cello Concerto | For Truls Mork, commissioned by the Pittsburgh Symphony Orchestra, Mariss Jansons, Music Director. | Cello Solo: 3(1d Picc).3(1d EH).3(1d BCl).2+Cbsn: 4.3.3.1: Timp.Perc(3).Hp: Str | |
| 8893 | 829B242D-C4D0-41AD-A5ED-07699154FB59 | MP628501 | Dark Music for Timpani and Cello | In this mostly pianissimo work both instruments employ microtones, and the cello’s glissando harmonics, toneless pizzicati (effects like "dead strokes" on the timpani), and liberal use of long silences intensify the pitch-black strangeness of Dark Music‘s mood. | Timpani and Cello | |
| 8894 | 82A1BCDA-0BBE-40F3-B9BB-B623D6AC8587 | A315102 | Das Neugeborne Kindelein, BuxWV 13 (The Newborn Babe) | Dietrich Buxtehude's (1637-1707) choral work Das neugeborne Kindelein, das herzeliebe Jesulein (The Newborn Babe, the Heavenly Child), BuxWV 13 is particularly well-suited for smaller ensembles and choirs looking for a beautiful addition to their Christmas service or mass. | Org (in sc): Str ([2-2-2]-0-1-1 in set): SATB Chorus | |
| 8895 | 82B85499-955D-4FEA-9934-FFA92E8182E3 | EBM0660530 | POP - Rhapsody for Sax Quartet: Firestorm (see MP154001) | Composed for the Berlin Saxophone Quartet. | Sax Quartet | |
| 8896 | 82BAAF40-6553-4C81-8188-AA93CA818116 | ST884CO | Four Pieces | (not set) | Flute Choir | |
| 8897 | 82BABAAA-184B-4B45-ADE4-EDE85D09B748 | ST226 | Suite | Alto Sax | ||
| 8898 | 82BC8487-3403-4B5C-BA23-D358AA5799D5 | ST756 | Two Hunting Pieces | Charming examples of Romantic Salon Music style, and joyously proclaiming the horn's heritage as an instrument of the hunt. Great recital openers or encores. | Horn | |
| 8899 | 82BF12A8-F4DB-4FE0-957E-B1B3A65C052D | 10100432 | The Dream Chasers | Concert Band | ||
| 8900 | 82C3C8F1-BBE4-448E-BF93-8346C6503DB5 | A129102 | Octet in E-flat, Op. 103 | Ludwig van Beethoven (1770-1827) wrote this sunny OCTET, Op. 103 during his early period, between 1792 and 1793. It was written, as such Harmoniemusik ensembles were at the time, to serve as light entertainment during dinner parties and the like, and it likely found its first performance at the court at Bonn where Beethoven still served. While he composed the music in his youth, it was not published until 1834, hence the high opus number. Beethoven later reworked some of the material in his STRING QUINTET, Op. 4 (1795). Instrumentation: 0.2.2.2: 2.0.0.0. Reprint edition. | 0.2.2.2: 2.0.0.0 |