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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
878180FF44F1-0668-4D04-8695-D0601996AA7FM329091Variations on a Theme by Glinka(not set)Solo Piano
87828100F7DB-CAEE-438D-B6E8-C0AAB1DBD088M407391Adagio and Allegro, Op. 70The Adagio and Allegro, Op. 70 was originally written for horn and piano and entitled Romanze and Allegro in 1849. It was one of a group of four small character pieces. Clara Schumann premiered the work with the horn player Julius Schlitterlau, writing subsequently in her diary: ‘The piece is splendid, fresh and passionate, just as I like it!'(-The Strad) Robert Schumann later rewrote this piece for cello and piano as it is presented here and retitled it Adagio and Allegro.Violoncello and Piano
878381083D2F-F06A-4577-9E55-5878DDC04E31M220091Silhouettes, Op. 53(not set)Piano Solo
878481083EDA-C498-4CFB-BCD4-239A14275BD3J26Music for Concert Band, Vol. 2Lp
878581097C39-7F5C-4456-8C0E-3F77DE5408CAEBM0660060Toccata for Piano and TapeMurdock Donald MacInnis (April 4, 1923 – April 20, 2003) was an American composer and associate professor of music at the University of Virginia. MacInnis attended Princeton University, completing his music degree as an undergraduate in 1948 and a masters in 1950. His studies were interrupted by World War II, during which he served with the 13th Armored Division of the United States Army, seeing combat in Germany. While at Princeton, he was musically active, directing the band and managing the Princeton Glee Club. He studied composition and theory with Milton Babbitt, Edward Cone, Joseph Kerman, Bohuslav Martinu, Roger Sessions and Randall Thompson, and conducting with Leonard Bernstein at Tanglewood. MacInnis was elected as an instructor in the faculty of music of the University of Virginia in 1950. He was granted a leave of absence in 1968 to serve as composer in residence with Robert Shaw and the Atlanta Symphony Orchestra. As an instructor, he conducted the University of Virginia Band; later, he was tapped as acting department head in 1955. As a composer, MacInnis employed early electronic music techniques, including computer-synthesized music and tape loops, such as this Toccata for Piano and Two-Channel Tape (1972), duration ca. 8'.Piano, prerecorded music
8786810CF116-610C-4652-8AE0-ADEA7394FBC4EBM0630313Concerto for Trumpet and OrchestraCommissioned by the Albany Symphony, David Alan Miller, conductor, Eric Berlin, trumpet soloist. Premiered by same on September 13, 2001, Canfield Casino, Saratoga Springs, New York. Movements: 1. Circus, 2. Dirge, 3. ChaseTrumpet, 2222 2200 Timp Str
878781134503-6AA2-4771-8E97-97C07B4270EFR00500Runagate, Runagate for Tenor and Chamber OrchestraThis piece for tenor voice uses text from Robert Hayden, to whose memory it is written. Versions for tenor voice and chamber orchestra and tenor voice and instrumental septet are available from the publisher.Tenor Solo:  2(1d Picc).2.2(1d BCl).2: 2.2.2.0: Timp.Perc(2).Pno: Str
87888116A39B-4CB5-42B2-9BF3-1FB9A3650275EBM0660020POP (See MP105003) Divertimento for Woodwind QuintetDivertimento for Woodwind Quintet by Alvin Brehm (1925-2014), dedicated to the Philharmonia Quintet.Woodwind quintet
8789811BEB43-355F-415A-9AF0-1019F4E51223M311791Three Pieces(not set)Solo Piano
87908121AF68-4EE3-4F48-BC9E-B4A0090BD3AE50100344Trouping DaysThis is a popular "band wagon" march, played fast and loud as the band rode through towns to attract customers. It exhibits King’s wonderful gift for melody and is scored for the current concert band from his original edition.Concert Band
87918122DE47-8012-4CBB-B94C-95577DE72F43SU512Prayer and PraiseMusic has often served as a way to provide comfort or reflection during complex or confusing times. In the light of world events during the early part of the new millennium, this piece was written to be both peaceful (the prayerful parts of the work with lyrical trumpet lines supported by a resonant piano accompaniment) and uplifting (the praise part of the work with its rousing rhythms and joyful, lively gestures.) A final return to the opening pastoral material brings the piece to a quiet and serene conclusion. Prayer and Praise was commissioned by and is gratefully dedicated to Richard Stoelzel.Trumpet, Piano
8792812A1B9E-3D9F-42CB-81E3-C11239F2C7C5ST493Swingin' AlongThis non-pitched percussion quartet is for advancing beginners, and offers an early opportunity to practice swing style playing. It is a wonderful recital or contest selection. Percussion details: Snare drum, tambourine, suspended cymbal and bass drum.Percussion Quartet: Snare drum, tambourine, suspended cymbal, and bass drum
8793812E9648-AF9F-4327-8A15-4C84F0A922AESS691Three EpitaphsBrass Quartet
879481314F79-A04B-4783-8E9F-229D31609DC8R01592Symphony No. 10: Peking FantasyIn celebration of the 40th anniversary of China-U.S. diplomatic relations and in hope to support the promotion of Chinese culture abroad, Peng-Peng Gong (b. 1992)’s Tenth Symphony, subtitled “Peking Fantasy” (Op. 55) was co-commissioned by the Philadelphia Orchestra and the Shanghai Philharmonic Orchestra in 2017. The world premiere of the 2018 original version was presented by the SPO in April of the same year in Shanghai, while the world premiere of the 2019 revised version was presented by the Philadelphia Orchestra in January at its home venue with the combined forces of both orchestras side-by-side.

Inspired by the artistic power of Peking Opera – the crowning heritage of Chinese traditional performing arts, the symphony strives to translate the emotional and philosophical experience of the art form for international audiences and to explore the Western orchestra’s expressive abilities in capturing the Eastern spirit. The 2018 original version ran as long as 76 minutes, before the composer extensively revised the score down to 40 and presented it in a single movement without pause. The work is scored for a huge orchestra of over 100 players. Main materials that inspired the music are from the traditional Peking Opera repertory: "The Drunken Beauty", "Farewell My Concubine", "In Pursuit of the General", and "The Chancellor and the Advisor" (lit. "Cao Cao and Yang Xiu").

“'Peking Fantasy' is in a sweet, direct musical language...It’s a work of highly original sounds presented in a series of vivid episodes."
-Peter Dobrin, The Philadelphia Inquirer		4+1.4.4.4: 8.4+1 Offstage Posthorn/ Flugel.3+Btbn.1: Timp(2).Perc(5).Hp(2).Pno.Clst.Org: Str (16.14.12.10.8)
87958138529A-DFEE-4003-A1FC-C8E14A6BC757ST296Fantasy and Variations on an American AirFlute
8796813FB7A8-1512-40E2-8346-A65E5406ACBFM118691Five Canti All'antica(not set)Voice and Piano
87978143FEC8-4734-43AE-8BC8-DFDDB1BD04CD50100123Sunburst (March)This is the perfect march for your first band concert. It is tuneful, traditional in style, and crafted by a knowledgeable educator to avoid pitfalls. You can open that concert knowing your band is going to sound its best right from the first note!Concert Band
8798814B2DFC-575A-4700-8A00-2397622C1F3ESC581Over the Sea to Skye(not set)Tbb
8799814CAD50-407D-4D93-9203-CD07A42BC0FFLV119CBCeremonial Court(not set)Concert Band
8800814FA443-1380-432F-92DF-0D275681609D60852002Album of Songs, Vol. 2: Seventeen Songs, Book 2 (17 Songs) Low VoiceA reprint edition of these important vocal works by the turn-of-the-century French composer, Cécile Chaminade (1857-1944). Affiliating herself with nationalist composers such as Saint-Saëns and Gounod, her style was very much rooted in both Romantic and French tradition. Her tuneful and highly accessible works were also tremendous favorites in the United States. Chaminade's Album of Songs was originally published between 1892 and 1893 and included thirty-seven total songs across two volumes, with versions for both high voice and low voice made available. LudwigMasters has made all thirty-seven songs available, with three books for each volume, totaling six books each for both high and low voices. Included in Volume 2, Book 2: Chant d’amour (W305, 1894); Villanelle (W306, 1894); Vieille Chanson (W307, 1894); Trahison (W308; 1894); Aubade (W309; 1894).Low Voice and Piano