Titles
Showing 8,801-8,820 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 8801 | 8156D1AC-D2D5-40C3-A5BF-E0825E9F1A77 | ST676 | Romance | This composition offers players the opportunity to play expressively on music that borders on atonality. Arrangements for trumpet, alto saxophone, baritone saxophone, baritone, and cello are available from the publisher. | Alto Sax; Piano | |
| 8802 | 815742CF-CA91-4660-A45E-C79F22A7FC65 | 50355004 | Competition Solos, Book 1 Tuba | The practical collection of competition solos that are included in this book were selected from state competition lists throughout the United States. While each selection is included on the list of at least one state, check with your director, private instructor or state music association to confirm that your desired solo is an approved selection in your state. The piano book includes alternate accompaniments for instruments of different pitch and therefore can be used for any instrument in the book one series. Codes to download audio are included on each solo book. Titles include: Cripple Creek; Dance of the Bears; Gavotte; Happy Song; Harvest Waltz; Little Caesar; Rooster; Swan; The Tortoise and the Hare. | Tuba | |
| 8803 | 815B8445-487A-4A11-A417-CCF358AB10DD | SU786 | Mozart Fantasy in f minor, KV. 594 for Woodwind Quintet | These two extraordinary works of late Mozart, KV 594 and KV 608, were both composed to fulfill a commission for a memorial exhibit in Vienna, to be played in a “mechanical clock organ. The term “fantasy” or “fantasia” came to be affixed to these works later, and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue, “Ein Stücke für ein Orgelwerk in ein Uhr.” They are also variously titled “Adagio und Allegro in f für ein Orgelwerk” and “Allegro und Andante (Fantasie in f) für eine Orgelwalze.” The first of these, composed between the monumental String Quintet in D and the Piano Concerto in Bb KV 595, is an A-B-A form, comprised of an f minor Adagio opening and closing, with a contrapuntal Allegro at its heart. KV 608 is more complicated, opening with an f minor section reminiscent of a French Overture, followed by a fugue in f minor, then an Andante aria, followed by a return to the opening and then a more complex version of the fugue. Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices, KV 594 and KV 608 are remarkable works which stand at an intersection, incorporating what he learned about counterpoint studying at the foot of Bach, while looking ahead to the emotional and harmonic poignancy of Schubert. | Woodwind Quintet | |
| 8804 | 815D6F77-0E55-41B2-8F19-716AB3569E35 | SU61 | Lullaby for Darcia | Violin | ||
| 8805 | 815F7271-088A-4C7E-8475-671C8CB2B2D3 | SS471 | Zwei Kinderscenen | Woodwind Quintet | ||
| 8806 | 8165C8C9-E4BC-4006-B722-8E5B80E26AD1 | M296291 | 13 Pieces, Op. 76 | A diverse collection of piano miniatures, 13 Pieces contains several very popular works composed between 1911 and 1919. Highlights include Etude, a violinistic technique exercise; Arabesque, a swift and light piece in the style of Liszt; Linnaea, a poetic lyrical piece; Cappriccietto, an exciting and ever-modulating selection; and Harlequinade, a whimsical and mercurial piece similar to Debussy's preludes. Reprint edition. | Solo Piano | |
| 8807 | 81661440-810B-4DED-83F1-421AB7FD80FA | M158791 | Sonata for Tuba and Piano | Bruce Broughton's Concerto for Tuba was originally written as a Tuba Sonata (M158791). The wind ensemble (A671202) and orchestra (A899602) concerti arrangements are available seperately from the publisher. | Tuba and Piano | |
| 8808 | 8169D051-A786-4B28-992E-EE0A0B85E3E7 | A514002 | Which title: The Storm (Groza) Overture, Op. 76 or L'orage Overture | 2+1, 2+1, 2, 2 - 4, 2, 3, 1, timp, perc, hp, str | ||
| 8809 | 816F5E5F-F179-40CD-93F4-C089F3BC7DAC | R00735 | Paul Blake - Ikon Maker | Composed for the Monday Evening Concerts, Los Angeles | Soprano Solo Oboe, B-flat Clarinet, Bassoon, Horn, Percussion(1), Violin, Viola, Cello | |
| 8810 | 817784E2-2846-4027-932D-E1D5CE1A5718 | TC943 | Amazing Grace (Northern Version) | "Amazing Grace" is an American folk hymn of British origins. Written in 1779 by the theologian John Newton (1725-1807), it expresses his personal feelings of salvation which grew out of his renunciation of his former life, that of a sea captain engaged in the slave trade. In America his text became associated with two different folk tunes. The most famous of these, which is of Southern origin, may be found in THE SACRED HARP (1844), where it is titled, "New Britain." The one here published, which is of Northern origin, may be found in THE AMERICAN VOCALIST (1849), whrer it is simply titled, "Amazing Grace." The primitive harmonization of the original with its occasional parallel fifths and octaves has been preserved in our setting. The tune, which had been notated in the harmonic minor, has been restored to its Aeolian form. This arrangement by Sandy Valerio and Alan Buechner for SATB a cappella chorus is part of the Old Bethpage Village Series. | `SATB a cappella chorus | |
| 8811 | 8178A906-1E83-47E5-AA6F-7B03CA5A1DF4 | 52711551 | Let's Duet: Volume 1 - Violin | This collection includes beginning level duets compatible for violin, viola, cello, and bass. Learn simple rhythms, basic bow skills, and solid intonation with familiar children's and classic tunes. The arrangements work best with the more treble of the two instruments on top line. The violin and viola books remain in first position. | Violin Duet | |
| 8812 | 817939CC-9012-4A99-BDEC-467F0F865AAC | A919502 | Songs to Poems by Rueckert; No. 5: Liebst du um Schoenheit?, medium voice (C, original key) | Gustav Mahler (1860-1911) composed Songs to Poems by Rueckert (Songs after Rückert; Rückert-Lieder) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the poet Friedrich Rückert and the themes. But they were published together, first as Sieben Lieder aus letzter Zeit (Seven Songs of Latter Days) with two additional Mahler songs, then with only the five songs. They have simply come to be known as Rückert-Lieder and are now most frequently performed together, although Mahler did set other Rückert poems aside from these five. Mahler orchestrated the first four songs himself, while the fifth song, Liebst du um Schönheit, was orchestrated after Mahler's death by Max Puttmann. The fifth song, Liebst du um Schönheit (If you love for beauty), was written in the summer of 1902, and it is different from the first four Rückert-Lieder in that it was written specifically for his wife, Alma, as a gift. The intimate and beautiful love song is simple, yet expressive. Max Puttmann's orchestration maintains the subtlety of the piano accompaniment. Version in the original key of C and a transposition to B-flat are available from the publisher. Instrumentation: 0.2+EH.2.2: 4.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Med. Voice. | 0.2+EH.2.2: 4.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Med. Voice | |
| 8813 | 817A9D71-782F-4DAE-A7B0-EEFA676D42EA | LV110CB | Beginners' Beguine | (not set) | Concert Band | |
| 8814 | 817F2A8E-356B-4D54-9CFA-E8301209C736 | A904602 | Preludio Sinfonico (Symphonic Prelude) in A, S.32 | This Preludio Sinfonico in A (S.32) has often been confused with Giacomo Pucccini's (1858-1924) Preludio a Orchestra (S.1), composed when he was a teenager. The Preludio Sinfonico was composed as part of Puccini's final examination of the academic year 1881-1882 at the Milan Conservatory, with the premiere performance taking place there on July 15, 1882. This critical edition has been edited and annotated by Michael Kaye. Instrumentation: 2+Picc.2(2dEH).2.2: 4.2.3.1: Timp.Perc(1-2): Hp: Str (9-8-7-6-5 in set). | 2+Picc.2(2dEH).2.2: 4.2.3.1: Timp.Perc(1-2): Hp: Str (9-8-7-6-5 in set) | |
| 8815 | 8181DCB4-F725-41FF-B780-0298B18A662D | SU269CO | Quartet for Saxophones, K. 370 | Each part in this quartet requires independent players. Originally written for oboe, violin, viola, and violoncello, this version for saxophone quartet (SATB) has been arranged by Frank J. Bongiorno. | Sax Quartet | |
| 8816 | 818256B9-7866-4B96-85EC-57ACEB6C2304 | SS268 | Divertissement | Written for English Horn (or Alto Saxophone), Bozza's Divertissement, Op. 39 also has transcriptions for flute and alto clarinet by Arthur Ephross available from the publisher. | English Horn and Piano | |
| 8817 | 81861C1E-2228-4D4D-9B79-E538BE07C0AF | EBM0610575 | Cabaret Songs: The Actor (excerpt) | This orchestration of the 5th of William Bolcom's "Cabaret Songs" was created by the composer on commission from Deutsche Gramophone expressly for soprano Measha Brueggergosman. It may be heard on her 2007 CD, "Surprise!". The full set of ten songs and each individual movement is available for rent. | Solo Sop: 1.1.1.1: 1.1.1.0: Perc: Pno: Str | |
| 8818 | 818857DD-4096-42BE-8396-26693CCBDE53 | R00675 | La Serenissima: Seven Venetian Portraits for Orchestra | Concorso Internazionale die Trieste Award, 1982. Louisville International Competition Winner, 1984. | 2+Piccolo.2+English Horn.2+Bass Clarinet.2+ContraBassoon: 4.3.3.1: Timpani.Percussion(2).Celesta.Harp: Strings | |
| 8819 | 818A6918-AD60-4368-8AF3-D2D7897FA9CC | B367502 | Basswood | (not set) | Concert Band | |
| 8820 | 818BE2AF-2449-4226-84C0-F5624585930F | 52733014 | Allegro Appassionato, Op. 43 | This famous work from the cello pedagogical literature is now available for cello quartet. The solo part is dispersed between all four parts. Cello 1 and 2 perform most of the technical “heavy lifting”, while Cello 3 and 4 carry the accompaniment and less taxing passage work. This arrangement is great for the private studio teacher or high school orchestra program that has multiple students working on this piece. | Cello Quartet |