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87017FF4F7E1-DCB6-4C54-948F-670F5FDD852DSU192COKyrie, Gloria, and BenedictusKyrie, Gloria, and Benedictus, here arranged for six part trombone choir, was taken form the Pope Marcellus Mass by Giovanni Pierluigi da Palestrina. It may be performed as a suite or three individual pieces. The first trombone part my be played on alto trombone (alto part included), and the bass trombone parts may be played on tenor.Trombone Choir
87027FFA6721-92C6-4B09-B381-42855FC13E3E18511003Duets for TrumpetsVaclav Nelhybel's DUETS FOR TRUMPETS are a welcome addition to contest repertoire and recital programs! And although these original compositions were originally written for trumpet duo, they are also playable by any two equal instruments reading treble clef.Trumpet Duo
87037FFBD832-3AE5-43CE-8E8D-7D6B3E2DCAD4SC139TenebraeThis SATB setting of Luke 23:42 is provided by the prolific composer Francis McBeth.Satb
87048007524D-4B4E-474A-B5C4-EC741F3A8EAC10630472Earl of Oxford's MarchEasy contest piece for solo timpani with piano accompaniment based on a famous melody. This arrangement of the EARL OF OXFORD'S MARCH recreates the style and playing techniques of this ancient art, with nods to visual appeal through the judicious use of cross sticking. This arrangement provides an opportunity for the student timpanist to become familiar with outstanding music from the past.Timpani Solo and Piano
8705800E38EC-DB7A-484D-8409-B422D7CB753DR152.1Sketches of a Sunday: 1. Introduction and Mexican DanceThe Introduction and Mexican Dance (Introduccion, danza Mexicana) is excerpted from Jacob Datshkovsky's 14 movement suite entitled Sketches of a Sunday (Bosquejos de un Domingo).2+1.2+1.2+Bcl.2+1: 4.3.3.1: Timp.Perc(2).Hp: Str
87068011F805-8671-4CDA-893A-705AA05DAD5ER125Mass for Justice and PeaceSATB; Perc(2).Org; Str
870780123D5C-70C2-4A82-BF08-A88E1A827F30ST502TwisterTrumpet Trio
87088013E9D5-29AA-48E1-B53A-78460709D5C6M346891March for Three TrumpetsThis march for three intermediate trumpets uses fairly independent writing for all players, with each receiving the opportunity to play the melody and unique accompaniement parts. Moving between a 12/8 and 4/4 march feel while maintaining the same tempo will also afford students to opportunity to transition from a triplet to duple feel without stopping.3 Trumpets
870980157793-149D-4A99-BDB7-50A8FEB66D93X815007Footsteps of SpringFootsteps of Spring is a musical and literary journey into the world of New England naturalist, Henry David Thoreau (1817-1872). The intent is to bring the beauty and imagination of Thoreau's words to life on the stage through readings and through musical portraits of the words and images.Narrator, Violin, Cello, and Piano
871080225CB1-F915-41D6-94F7-AD7C8FCFFA82M222591Three Sea Pieces: No. 1, Il Raggio Verde, Op. 9Mario Castelnuovo-Tedesco (1895-1968) composed his THREE SEA PIECES for piano between 1916 and 1919. All three are available from the publisher, with SEA PIECE No. 1, IL RAGGIO VERDE, Op. 9 in one book (M2225) and SEA PIECE No. 2, ALGHE, Op. 12 and SEA PIECE No. 3, I NAVIGANTI, Op. 13 together in a second book (M2555). IL RAGGIO VERDE, with fluent, rhapsodic music by the Italian-American composer, was written in 1916. Reprint edition.Solo Piano
87118022e3fc-9e39-11f0-a418-0022482c968260820002Wesendonck Lieder (Fuenf Gedichte fuer eine Frauenstimme), WWV 91 (low voice)Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source of the poems, Mathilde Wesendonck. Mathilde was the wife of Wagner's patron Otto Wesendonck, and there is some speculation that Wagner and Mathilde had a love affair that inspired the opera Tristan und Isolde (which are referenced in two of the songs, calling them "studies" for Tristan und Isolde), but the idea that these songs were also inspired by the same possible affair is given less attention. They were written originally for female voice and piano between 1857 and 1858, though Wagner did orchestrate No. 5, Träume, for chamber orchestra to be played at Mathilde's window for her birthday on December 23, 1857. The remaining songs were orchestrated in 1893 by the Wagner conductor Felix Mottl. While originally written for the female voice, tenors have also contributed their own interpretations starting in the 20th century. The five songs are: 1. Der Engel (The Angel); 2. Stehe still! (Be still!); 3. Im Treibhaus - Studie zu Tristan und Isolde (In the Greenhouse); 4. Schmerzen (Sorrows); 5. Träume - Studie zu Tristan und Isolde (Dreams). Versions for high and low voice are both available from the publisher. Original German and English translation included. Reprint edition.Voice and Piano
87128023BACD-844E-41E9-AF61-95C68B027647ST426EssenceAn advanced vibraphone solo with a "jig" feel in 12/8 time. Pedal and mallet technique are emphasized in this rolling and angular melody. Performance time ca 3'Vibraphone
87138028824D-D4CD-4A0F-9320-EF1FB5B9EF75X816209Songs for Persephone for Soprano, Flute and GuitarThe text is extracted from the poetical novel Persephone, by Homero Aridjis, and translated from the original Spanish into English by Betty Ferber. Includes 3 playing scores; duration ca. 15'.Soprano, Flute, Guitar
87148028DFA1-6AA8-4276-B200-F92BA1ED895AA287402Haensel and Gretel: Ein Maenlein steht im Walde2+1, 2+1, 2, 2 - 4, 2, 3, 0, timp, perc, str, women’s chor
8715802B756A-5034-4B4A-A49E-3547C844008CST501Trumpet Of Castille(not set)Trumpet
8716802c54ed-9e39-11f0-a418-0022482c968260830003Nessun Dorma (Aria from Turandot: Act III, Scene 1, short and extended concert endings)Absolutely the most well-known aria from Giacomo Puccini's (1858-1924) opera TURANDOT, Nessun Dorma (None Shall Sleep) is sung by Calaf (the Unknown Prince, tenor) at the beginning of the third act. Turandot has ordered that no one may sleep until the name of the Unknown Prince is discovered, and Calaf triumphantly sings that he will triumph. Two concert endings are available to use in this edition, a shorter version based on the recordings made so famous by Luciano Pavarotti and an extended ending supplied by James Barnes. The matching orchestral accompaniment is available from Edwin F. Kalmus (36-A930790).Tenor Solo: Chorus (opt): Piano accompaniment
8717802D6FAD-3C61-4CB0-9561-FDF5D2A4A96DA565402The Wand of Youth: Suite No. 2, Op. 1b (Music to a child's play)The Wand of Youth suites are based on materials Sir Edward Elgar (1857-1934) wrote as a boy for use in a play by the younger members of his family. The composer also used materials he composed while employed as conductor of the attendants’ band at the Worcester and County Lunatic Asylum (now called Powick Hospital). Elgar gave both suites the opus numbers 1a and 1b respectively, in recognition of the materials being his earliest surviving compositions. The Wand of Youth First Suite was premiered in 1907 at the Queen’s Hall in London under the direction of Henry Wood. The Wand of Youth Second Suite premiered at the Worcester Three Choirs Festival in 1908, under the direction of the composer. While the entire suite is not typically programmed in its entirety, individual movements were required repertoire for small salon orchestras from 1910 into the 1960s and are often paired with other shorter pieces by Elgar. Instrumentation: 2(2dPicc).2.2.2: 4.2.3.1: Timp.Perc(2-6): Hp: Str (9-8-7-6-5 in set).2(2dPicc).2.2.2: 4.2.3.1: Timp.Perc(2-6): Hp: Str (9-8-7-6-5 in set)
8718802DF490-81A2-46EB-A09F-8F044484A2C9M366491L'Organiste Pratique, Op. 55, Bk. 8French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 12 books of "L'Organiste Pratique" is available from the publisher.Organ
87198038CB33-0BC5-4BBB-ABAB-0360A431775D52250492Symphonia No. 4 in D MajorThis work is an energetic introduction to "Sturm und Drang" style written by the father of modern astronomy. Dotted rhythms, hooked bowings, and detailed attention to dynamic changes allow for many opportunities to work on fundamentals. Chromatic fingerings are a must: violin 1 uses third position, and all other parts use extensions.String Orchestra
87208038F689-5D8B-430C-869E-875343994614EBM0650025Five Fold Five for Woodwind Quintet and PianoPremiere: Philadelphia Woodwind Quintet, Dennis Russell Davies, piano, Saratoga Springs, NY, August 14, 1987. Recorded by the Detroit Chamber Winds on Koch International Classics 3-7395-2.Woodwind Quintet, Piano